Um Trono por um Amor

First of all I am a man writing this review and not a left leaning liberated woman. Having gotten that out of the way, after reading some of the other reviews one would have thought that this picture is just like a string of previous released films in which the dim-witted gorgeous leading lady is confused as to whom she really loves and she will let her two (2) alpha male co-stars duke it out to decide who gets to marry her.

I didn't see the leading lady actress Joan Leslie who plays a manicurist named Connie Reed in the same light as most other narrow minded film goers. No, in my humble opinion the attractive Connie Reed by her own admission had been dating a string of men over the past few years tasting the many different shaped lips of her many male suitors not in a deliberate effort to get her main man cabbie Buzz Williams (Jack Carson) jealous but smartly just to see if she would be missing out on anything before she decided if it was worth settling down with her hack driver Buzz.

I viewed actress Joan Leslie as an actress a half century ahead of her time in which this leading lady certainly had a mind of her own and no one was going to tell her who she could date and where she could be seen in public with, even if it looked as if she may be just another gold digger. Kudos also to the original screenplay writers Charles Hoffman, and I.A.L. Diamond who had the foresight to create Connie Reed's character as a liberated and free thinking woman which was well ahead of its time back in 1946 when this film was first released.

If you think the story is about a foreign prince who comes to Brooklyn to escape his royal treatment and just eat hamburgers and swig beer with a cab driver you would be remiss in your thinking. I believe the message really is about a woman named Connie Reed perfectly cast with Joan Leslie who chooses her own future husband. Before she decides to settle down she wants to take advantage of what other men may have to offer her too and she makes no bones about her strong will and backs down to no man, even if that man is a royal prince.

Two Guys from Milwaukee is an underrated film with a message for liberating woman that was decades ahead of its time. Quite possibly the film saved thousands of women from marrying the wrong man and settling for less than they were deserving of in an equal partner. You may have to watch this film more than once to appreciate the same message that I garnered from this classy comedy/romance film but the message is clear. You are woman and we hear you roar!

A very deserving 8 out of 10 rating

TCM did an interesting marathon of films by Billy Wilder's frequent writing partner I.A.L. Diamond, highlighting primarily films Diamond did not write with Wilder. In this film, Dennis Morgan plays a European prince who tries to hide out as a regular American, which makes for a silly culture clash comedy, with Morgan getting advice on how to act American from cabbie Jack Carson. It's nothing as funny as his work with Wilder, but it's inoffensively entertaining, features a likable cast, and even boast a funny cameo by Bogie and Bacall.

Two Guys From Milwaukee was a fun, comedic surprise. Yes, it was a little predictable; though, who would win the girl was in question almost until the end. The story moved along quite quickly with smart and snappy dialogue and an array of likable characters.

Beyond the comedy and the quickly developed love story was a very enjoyable window into everyday life in Brooklyn in the mid-1940's--the friendliness, the simplicity (by modern standards), the economic modesty. Director David Butler shot the movie in an intimate fashion, which makes you feel like you're sitting with the characters in the living room, riding the tour bus in Manhattan or waking with them in the morning.

Jack Carson plays the role of Buzz Williams, the very likable Brooklyn cabbie. Carson has played many enjoyable characters, but this one has a unique charm to it. He's a simple enough guy, but with some real life complexity to him. Even during a rather obvious advertisement for democracy (of course, having just won WWII, there's nothing wrong with marketing the winning stuff) Carson delivers the message in a humble, regular-guy-on-the-street way.

All in all, you'll smile through much of the movie and laugh out loud, too. It was a very enjoyable way to spend 90 minutes.

Two Guys from Milwaukee (1946)

** (out of 4)

Warner comedy has Prince Henry (Dennis Morgan) landing in America but not wanting to do the normal Prince stuff like meetings and royal dinners. Instead he wants to see NYC and meet Lauren Bacall. He meets a taxi driver (Jack Carson) and the two hit it off until the Prince starts to have feelings for his girlfriend (Joan Leslie). I've read several positive reviews for this film but I must call it a pretty big disappointment for several reasons. I think my biggest problem with the film was that I simply didn't laugh at anything. I didn't laugh at the Prince getting drunk for the first time and I didn't laugh at anything that followed. The movie was fairly boring, although I give Morgan and Carson a lot of credit because you can tell they're giving it their all to try and get laughs but the screenplay really lets them down. For me the movie dragged from one scene to the next and none of them got any better or had any real energy that would keep me into the story. I think it was pretty predictable that the Prince would end up falling for his friends girlfriend and in many ways this isn't all that funny because I personally felt bad for the taxi driver. There's a running joke of the two men telling everyone that they're from Milwaukee but I didn't find this funny either. I think the film would have been better had the Prince actually done his first goal in trying new things. The movie seems to forget this and by the twenty-minute mark he pretty much knows his way around. The movie does end on a very good note when the Prince's main dream comes true but he also meets her better half.

Dennis Morgan teamed with Jack Carson in an earlier film with Ann Sheridan.

What makes this film so good is that eventually the 2 guys will change status and accept what has become of them.

The story basically deals with a Balkin Prince (Morgan, in a non-singing role) who comes to America on the eve of his country deciding whether or not to maintain the monarchy or change to a republic. His goal is to spend some time with the common people and of course, he meets up with cab driver Carson.

Naturally, Joan Leslie, Carson's girlfriend, falls for our prince and there are some very funny scenes as the FBI trails the trio.

The ending is a good one with a big surprise. It has something to do with Morgan's goal throughout the picture.