AVALIAÇÃO DA IMDb
6,6/10
755
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA high society Boston girl goes from the Bowery to the opera with the help of her sister.A high society Boston girl goes from the Bowery to the opera with the help of her sister.A high society Boston girl goes from the Bowery to the opera with the help of her sister.
- Direção
- Roteiristas
- Artistas
Marion Ackerson
- Bowery Chorine
- (não creditado)
Ed Agresti
- Opera Cast Member
- (não creditado)
Erville Alderson
- Mr. Mulberry - Recital Guest
- (não creditado)
Mariska Aldrich
- Russian Opera Team Member
- (não creditado)
Gloria Alvord
- Bowery Chorine
- (não creditado)
Jessie Arnold
- Maid at Tea Party
- (não creditado)
Martha Bamattre
- Opera Singer
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Reviewing this film during its first run (for the New York Times), Bosley Crowther called it "joyous, melodic and romantic". That is a fair assessment.
All the actors feel like they are in their element, and they deliver very enjoyable performances that make this an extremely entertaining film.
The story is about a young woman, Abigail Chandler (Kathryn Grayson), from an upper class Boston family who works in burlesque, though her family believes she performs in opera. Miss Grayson, who is both beautiful and talented, gets to perform with two MGM stars and she makes the most of it. Not surprisingly, they pair her with opera tenor Lauritz Melchior, and they are great together. She also performs some burlesque numbers with Jimmy Durante. It is an unexpected joy to see and hear her perform these very non-operatic songs alongside The Schnoz.
Her sister, Martha, is played by June Allyson. She is paired romantically with Peter Lawford, who plays a young man from an upper crust family. He is perfectly suited to the role of an earnest traditionalist.
The main story of the film holds everything together, but the musical performances are most of the best scenes. I plan to rewatch this film in the future.
All the actors feel like they are in their element, and they deliver very enjoyable performances that make this an extremely entertaining film.
The story is about a young woman, Abigail Chandler (Kathryn Grayson), from an upper class Boston family who works in burlesque, though her family believes she performs in opera. Miss Grayson, who is both beautiful and talented, gets to perform with two MGM stars and she makes the most of it. Not surprisingly, they pair her with opera tenor Lauritz Melchior, and they are great together. She also performs some burlesque numbers with Jimmy Durante. It is an unexpected joy to see and hear her perform these very non-operatic songs alongside The Schnoz.
Her sister, Martha, is played by June Allyson. She is paired romantically with Peter Lawford, who plays a young man from an upper crust family. He is perfectly suited to the role of an earnest traditionalist.
The main story of the film holds everything together, but the musical performances are most of the best scenes. I plan to rewatch this film in the future.
Being a great fan of Lauritz Melchior, I was extremely delighted to be able to see the few movies he made in 40's last night on TCM. The four times he sings in the picture were, for me, extreme highlights, especially when he sang 'Morgenlich leuchtend im rosigem Schein'.
June Allyson was a delight and the act she did in the night club, left me laughing. Alot was based on her innocence and it worked great.
Kathryn Grayson was also a delight and the film was very clearly made to showcase her and Melchior. But even so, she did come out in glorious voice and made her and Allyson's characters people to care about.
Jimmy Durante was also a great treat as the club manager and hood, using like phraise: 'I don't know nothin' alot to make people do what he wanted.
To finalise this comment, for me it was Lauritz Melchior who steeled the show every time he was on the screen, but the story was good with a happy ending where everyone had what they wanted.
June Allyson was a delight and the act she did in the night club, left me laughing. Alot was based on her innocence and it worked great.
Kathryn Grayson was also a delight and the film was very clearly made to showcase her and Melchior. But even so, she did come out in glorious voice and made her and Allyson's characters people to care about.
Jimmy Durante was also a great treat as the club manager and hood, using like phraise: 'I don't know nothin' alot to make people do what he wanted.
To finalise this comment, for me it was Lauritz Melchior who steeled the show every time he was on the screen, but the story was good with a happy ending where everyone had what they wanted.
Here's a film that's a pleasure to view and hear. All departments work together, as does the talented cast, to make this a fun-filled experience.
Jimmy Durante ties the various comedic elements together with spunk and verve. Katheryn Grayson sings her operatic selections beautifully, yet it's her skill in the honky-tonk numbers that surprises and delights. Likewise June Allyson works smoothly on several levels, as does Peter Lawford.
The musical team has skillfully crafted operatic arias and montages for Lauriz Melchoir that shows off his glorious heldentenor marvelously. The entire production is fun-filled and thoroughly pleasant. It may seem like a modest effort, but there's a lot of solid craftsmanship at its core.
Jimmy Durante ties the various comedic elements together with spunk and verve. Katheryn Grayson sings her operatic selections beautifully, yet it's her skill in the honky-tonk numbers that surprises and delights. Likewise June Allyson works smoothly on several levels, as does Peter Lawford.
The musical team has skillfully crafted operatic arias and montages for Lauriz Melchoir that shows off his glorious heldentenor marvelously. The entire production is fun-filled and thoroughly pleasant. It may seem like a modest effort, but there's a lot of solid craftsmanship at its core.
A huge hit for MGM and Kathryn Grayson, the black-and-white film features a lot of classical music, Liszt and Wagner among others, with Jimmy Durante for comic relief. The always fresh-as-a-daisy June Allyson plays the other sister and balances Grayson's rebellious side, as she defies her puritanical family and shows her limbs on a turn-of-the-century vaudeville stage. Grayson has never been funnier than when she is disrupting the opera sequence from "Lohengrin" as the great Lauritz Melchior fumes his way through the aria. Musicals of this period may not be profound, but they are still a lot of fun to watch, especially when Melchior's dog hears "his master's voice" in a recreation of the earliest recording session. --from Musicals on the Silver Screen, American Library Association, 2013
High-C Susie! that's hilarious. and it's Abigail Chandler's stage name when she gets on stage to do her burlesky. Keep an eye out for Jimmy Durante doing his awesome shtick. He was a pro fer sure. fun to watch Durante work fun word-play into a song. When Abby's sister comes for a visit from back home, she tries to keep her from finding out the truth about her on stage performances. Kathryn Grayson and June Allyson co-star as sisters in this musical from MGM. Peter Lawford is in here as Lawrence Patterson. and Grady Sutton and Barbara Billingsly are in here as party extras, according to imdb. It's okay... it travels the line between comedy and serious period piece, and mostly succeeds. a funny number where she gets down to her bloomers and sings "after the show". i was never a big fan of either June Allyson or Peter Lawford, but if you turn down to high octave arias, the story is pretty good. I'll give this one an "okay". shows occasionally on Turner Classics.
Você sabia?
- CuriosidadesO Rouxinol Mentiroso (1946) was a hit at the box office for MGM, earning a profit of $605,000 (about $8.65M in 2022) according to studio records.
- Erros de gravaçãoIn the poster advertising the opera "Marie Antoinette", shown at the end of the film, the part played by Olstrom is listed as a baritone role. Lauritz Melchior, who plays Olstrom, was a tenor.
- Cenas durante ou pós-créditosPROLOGUE: "Boston at the Turn of the Century---And a Pretty Slow Turn it Might Have Been Had There Not Been Another Tea Party."
- ConexõesReferences Este Mundo é um Hospício (1944)
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- How long is Two Sisters from Boston?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Two Sisters from Boston
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.223.000 (estimativa)
- Tempo de duração
- 1 h 52 min(112 min)
- Cor
- Proporção
- 1.37 : 1
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