AVALIAÇÃO DA IMDb
6,7/10
1,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDrama about former WW2 Marines readjusting to civilian life and dealing with their mental and physical traumas.Drama about former WW2 Marines readjusting to civilian life and dealing with their mental and physical traumas.Drama about former WW2 Marines readjusting to civilian life and dealing with their mental and physical traumas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias no total
Harry von Zell
- Scuffy
- (as Harry Von Zell)
John Bailey
- Interviewer
- (não creditado)
Bobby Barber
- Arcade Game Player in Saloon
- (não creditado)
Bill Barnum
- Jackson
- (não creditado)
Dick Benjamin
- Sergeant
- (não creditado)
Paul Birch
- Marine Wanting Farm
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I picked this up for $5 at a sale just because it had Robert Mitchum's name on the credits. Mitchum's role is secondary but I found I enjoyed the movie rather more than I thought I would.
I understand it was released the same year as THE BEST YEARS OF OUR LIVES and was rather over shadowed by that more expensive production.
The theme is dated, servicemen adjusting to civilian life after WW2, it is basically a soap opera but it very well handled by director Edward Dmytryk. Chopin's music is cleverly interwoven throughout, as background music, as a popular song with lyrics added heard over the radio and even jazzed up in a barroom sequence.
Performances are good. Guy Madison is no great shakes as an actor but he looks the part, give an honest performance and doesn't bump into the furniture. Dorothy Mcguire has always been a favorite of mine. Usually she played dowdy housewives but she had a neat figure and to me she had a down to earth sex appeal.
Well worth seeing.
I understand it was released the same year as THE BEST YEARS OF OUR LIVES and was rather over shadowed by that more expensive production.
The theme is dated, servicemen adjusting to civilian life after WW2, it is basically a soap opera but it very well handled by director Edward Dmytryk. Chopin's music is cleverly interwoven throughout, as background music, as a popular song with lyrics added heard over the radio and even jazzed up in a barroom sequence.
Performances are good. Guy Madison is no great shakes as an actor but he looks the part, give an honest performance and doesn't bump into the furniture. Dorothy Mcguire has always been a favorite of mine. Usually she played dowdy housewives but she had a neat figure and to me she had a down to earth sex appeal.
Well worth seeing.
After seeing the book Heartthrobs in the bookstore I was dying to see the beautiful man on the cover actually moving and speaking. Guy Madison is absolutely the most beautiful person that I have ever seen, male or female. Looking at him is truly like staring at a piece of art. It's no wonder some casting director thought to himself "the world needs to see this man 30 feet high" - the camera cannot seem to catch this guy at a bad angle. Guy is not the best actor you'll come across, but he is charming and earnest and hey his co-stars are Robert Mitchum and Dorothy McGuire so check it out! Dorothy's a fine actress, but a little matronly in this one - she's seems more like Guy's mother than a suitable love interest. If only they'd given her better ensembles - there's one scene with her in slip and much to my surprise she had a lovely little figure hiding under those awful jackets.
..If only to see beautiful and appealing Guy Madison in one of his earlier roles before lost to western films and TV ("Wild Bill Hickok") in the 1950s. Madison is the focal point here, portraying a returning serviceman from World War II and his subsequent adjustment to civilian life with sincerity and easy-going charm. Brad Pitt has a bit of his extremely handsome blonde, athletic looks, but not ingratiating acting prowess. (Madison is on the cover of "Hearthrob", a book about male cinema stars). Top-billed Dorothy McGuire is really support, somewhat of a matronly mis-matched love interest for the youthful Madison. A lovely score and good direction offset some dated aspects in the script. But Madison carries the day!
This takes one back to the end of WWII when GIs were being released from service and coming home to dubious situations.
Confused, disoriented, and restive, these ex-service men were suddenly thrust into lifestyles for which they were unprepared. From holding a bayoneted rifle to pushing a pencil, the transition was abrupt and strange.
Many drifted into and out of relationships, while others took to the bottle as a form of escape. "Till the End of Time" dramatizes a few of these plights with some interest.
Cast in the lead role was Guy Madison, newly "discovered" by Henry Willson and David O. Selznick for a snippet but memorable scene in "Since You Went Away" (and shot quickly while Madison was on navy leave). After being mustered out of the service a couple of years later, Hollywood was eagerly waiting to cast him in what really amounted to his first feature (barring the earlier "cameo"). Unfortunately it was a starring role.
That was a pity, for the young "find" needed small vehicles in which to mature and grow in the profession. That he comes off as well as he does here is commendable, yet it does him a great disservice. Guy's reedy, inconsistent, and even amateurish looking--qualities that would have been honed and polished, had he the sensitive career management other similar "discoveries" were afforded.
Having his greatest weaknesses so exposed in a lead part, Madison was "written off" for other starring roles, and pushed into routine westerns--where he more or less remained for the rest of his career. However, his appearance in some seven dozen radio, television and movie parts ain't especially hay. And while he may not have been considered the greatest actor, he did make an honest living that put food on the table for the rest of his life.
His costars here are the excellent Robert Mitchum and Dorothy McGuire, and they certainly help bolster the proceedings. All in all, "Till the End of Time" is an interesting drama, and Guy Madison's most notable vehicle.
The pop adaptation of Chopin's "Polanaise" played throughout doesn't hurt.
Confused, disoriented, and restive, these ex-service men were suddenly thrust into lifestyles for which they were unprepared. From holding a bayoneted rifle to pushing a pencil, the transition was abrupt and strange.
Many drifted into and out of relationships, while others took to the bottle as a form of escape. "Till the End of Time" dramatizes a few of these plights with some interest.
Cast in the lead role was Guy Madison, newly "discovered" by Henry Willson and David O. Selznick for a snippet but memorable scene in "Since You Went Away" (and shot quickly while Madison was on navy leave). After being mustered out of the service a couple of years later, Hollywood was eagerly waiting to cast him in what really amounted to his first feature (barring the earlier "cameo"). Unfortunately it was a starring role.
That was a pity, for the young "find" needed small vehicles in which to mature and grow in the profession. That he comes off as well as he does here is commendable, yet it does him a great disservice. Guy's reedy, inconsistent, and even amateurish looking--qualities that would have been honed and polished, had he the sensitive career management other similar "discoveries" were afforded.
Having his greatest weaknesses so exposed in a lead part, Madison was "written off" for other starring roles, and pushed into routine westerns--where he more or less remained for the rest of his career. However, his appearance in some seven dozen radio, television and movie parts ain't especially hay. And while he may not have been considered the greatest actor, he did make an honest living that put food on the table for the rest of his life.
His costars here are the excellent Robert Mitchum and Dorothy McGuire, and they certainly help bolster the proceedings. All in all, "Till the End of Time" is an interesting drama, and Guy Madison's most notable vehicle.
The pop adaptation of Chopin's "Polanaise" played throughout doesn't hurt.
Some jerk movie reviewer says it was to much of a tear jerker. What does he or she know. I , being a Vietnam combat vet, remember seeing the movie some years ago on TV and thinking how much I related to the story line. I can't remember much about the movie except for the fact that the filmmaker was right on when it came to trying to readjust. It ain't easy. Lots of resentment and hostility. The story may have tugged at the heart but film making has got to deal with the emotional side of ones story as well as the artful aspects of making a film. The reviewer obviously has spent no time in combat so as a result the main theme of the story escapes him or her. FIGURES
Você sabia?
- CuriosidadesJean Porter and Edward Dmytryk met during the making of this film and would be married in 1948, until his death in 1999.
- Erros de gravaçãoOn the bus arriving at the Marine base at the beginning, California is misspelled "Caliornia."
- Citações
Cliff Harper: We parted company when he was dumb enough to get shot!
William Tabeshaw: Why don't you own up,Harper? I was a big hero and you were a coward!
- ConexõesFeatured in Hollywood the Golden Years: The RKO Story: Dark Victory (1987)
- Trilhas sonorasTill the End of Time
by Buddy Kaye and Ted Mossman, based on Chopin's "Polonaise"
Music by Frédéric Chopin (uncredited)
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- How long is Till the End of Time?Fornecido pela Alexa
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- Tempo de duração1 hora 45 minutos
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- 1.37 : 1
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