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IMDbPro

O Estranho

Título original: The Stranger
  • 1946
  • Approved
  • 1 h 35 min
AVALIAÇÃO DA IMDb
7,3/10
30 mil
SUA AVALIAÇÃO
Edward G. Robinson, Orson Welles, and Loretta Young in O Estranho (1946)
Assistir a Official Trailer
Reproduzir trailer2:06
1 vídeo
91 fotos
Filme NoirCrimeDramaMistérioSuspense

Um investigador da Comissão de Crimes de Guerra viaja para Connecticut para encontrar um infame nazista.Um investigador da Comissão de Crimes de Guerra viaja para Connecticut para encontrar um infame nazista.Um investigador da Comissão de Crimes de Guerra viaja para Connecticut para encontrar um infame nazista.

  • Direção
    • Orson Welles
  • Roteiristas
    • Anthony Veiller
    • Victor Trivas
    • Decla Dunning
  • Artistas
    • Orson Welles
    • Edward G. Robinson
    • Loretta Young
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    30 mil
    SUA AVALIAÇÃO
    • Direção
      • Orson Welles
    • Roteiristas
      • Anthony Veiller
      • Victor Trivas
      • Decla Dunning
    • Artistas
      • Orson Welles
      • Edward G. Robinson
      • Loretta Young
    • 258Avaliações de usuários
    • 102Avaliações da crítica
    • 76Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 2 indicações no total

    Vídeos1

    Official Trailer
    Trailer 2:06
    Official Trailer

    Fotos91

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    Elenco principal28

    Editar
    Orson Welles
    Orson Welles
    • Prof. Charles Rankin
    Edward G. Robinson
    Edward G. Robinson
    • Mr. Wilson
    Loretta Young
    Loretta Young
    • Mary Longstreet
    Philip Merivale
    Philip Merivale
    • Judge Adam Longstreet
    Richard Long
    Richard Long
    • Noah Longstreet
    Konstantin Shayne
    Konstantin Shayne
    • Konrad Meinike
    Byron Keith
    Byron Keith
    • Dr. Jeffrey Lawrence
    Billy House
    Billy House
    • Mr. Potter
    Martha Wentworth
    Martha Wentworth
    • Sara
    David Bond
    David Bond
    • Student
    • (não creditado)
    John Brown
    • Passport Photographer
    • (não creditado)
    Neal Dodd
    Neal Dodd
    • Minister
    • (não creditado)
    Nancy Evans
    • Undetermined Role
    • (não creditado)
    Adolph Faylauer
    Adolph Faylauer
    • War Crimes Commision Member
    • (não creditado)
    Fred Godoy
    • Undetermined Role
    • (não creditado)
    Theodore Gottlieb
    Theodore Gottlieb
    • Fairbright
    • (não creditado)
    Joseph Granby
    • Undetermined Role
    • (não creditado)
    Ethan Laidlaw
    Ethan Laidlaw
    • Todd
    • (não creditado)
    • Direção
      • Orson Welles
    • Roteiristas
      • Anthony Veiller
      • Victor Trivas
      • Decla Dunning
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários258

    7,330.1K
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    Avaliações em destaque

    J. Spurlin

    Welles's least favorite and least personal film is one of his most enjoyable; an exciting film noir with an excellent performance from Edward G. Robinson

    The IMDb trivia page says this is Orson Welles's least favorite and least personal film. Aside from "Citizen Kane" and "The Magnificent Ambersons," I think this potent film noir is his most enjoyable—certainly more so than the ugly "Lady from Shanghai" or the overbaked and convoluted "Touch of Evil."

    Charles Rankin (Orson Welles) is a professor in a respectable Connecticut town about to marry the daughter of a U.S. Supreme Court justice. But his name is fake and his past is filthy. An earnest convert to Christianity (Konstantin Shayne), who once ran a Nazi concentration camp, is capable of exposing him. "Rankin" kills this little old man and buries his body in the forest. But he isn't safe because an investigator (Edward G. Robinson) from the War Crimes Commission is on his tail. Rankin needs his own wife (Loretta Young) to help him elude capture. But his fascination with the local clock tower may prove his undoing.

    As a director, Welles strains a bit too hard for effect in this film—and much too hard in everything but "Kane" and "Ambersons." In those two films all of his technical effects, striking as they are, seem effortless and exactly the right choices. Here, he has imperfect moments—such as the scene where his character is frantically, and inexplicably, trying to pick up pieces of paper—but everything else is splendid, especially the climax.

    As an actor he's always compelling, but I think he makes one bad choice here. He's too guilty-looking in the early scenes. It makes us wonder why no one suspects him; and it robs us of a dramatic contrast when he begins to realize he's in imminent danger.

    Loretta Young is generally a dull actress. She doesn't have enough skill to make an impression in the early scenes; but once the part requires histrionics she performs her duties well enough. Certainly her character is morally dubious and therefore fascinating in itself.

    The best performance by far is Edward G. Robinson's. One of the great actors of his time, this ugly man has enough talent and star quality to underplay his role to great effect.

    Orson Welles fans might find this exciting, well-plotted thriller too un-Wellesian to suit them. Otherwise, this is highly recommended.
    7ma-cortes

    Orson Welles' third picture about a Nazi war criminal hidden as a prep school teacher and newly married to an innocent woman

    Infamous Nazi war criminal called Franz Kindler (Orson Welles) assumes a new respectable identity in a Midwestern little town following WWII , unaware that a government agent (Edward G. Robinson) from the Allied War Crimes commission patiently stalks him . But his name is fake and his past is tenebrous . The escaped Nazi sedately living and is about to marry a beautiful as well as unsuspecting young woman (Loretta Young) , daughter of a prestigious judge (Philip Merivale) . But later on , Kindler feels his past closing in and he will need his own spouse to help him elude capture .

    Interesting Welles movie with plenty of thrills , fine character studio , terrific interpretations and suspense from start to finish . It holds the viewer's interest but admittedly has some flaws , naive moments and wobbles . But it is studded with splendid scenes like the furtive flight across the dockyards at the beginning , the killing in the forests and the final confrontation on the clock tower including the sword wielded mechanical figures that move when the hour begins to strike . The vast New England town exterior sets, including the church with its 124-foot clock tower, were constructed in Hollywood on the back lot of the United Artists studio located on Santa Monica Blvd . Shocking scenes when are shown images about Nazi crimes , in fact it was the first mainstream American movie to feature footage of Nazi concentration camps following World War II . Nice acting by Orson Welles as a Nazi criminal who feels fascination with antique clocks and sedately esconsced in a small Connecticut town when an investigator is tailing him . Edward G. Robinson is perfect as a Federal agent out to get him . However , Orson Welles originally wanted Agnes Moorehead to play the FBI part , then the studio said no and instead gave him Edward G. Robinson . Furthermore , Loretta Young as attractive wife and Richard Long as brother give nicely understated interpretations . Suspenseful and thrilling musical score by Bronislau Kaper . Extremely well made camera-work throughout ; being shot in black and white filled with lights and darks by excellent cameraman Russell Metty . It is also available in horrible computer-colored version .

    ¨The stranger¨ was efficiently produced by Sam Spiegel and well directed by Orson Welles in 95 minutes runtime , being the only film directed by him to show a profit in its original release . However , Orson has stated that this is his least favorite of his films . Welles was a genius who had a large as well as problematic career . In 1938 he produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" . His first film to be seen by the public was ¨Ciudadano Kane¨ (1941), a commercial failure , but regarded by many as the best film ever made , along with his following movie , ¨The magnificent Ambersons¨ . After that , he directed this ¨The stranger¨ with an over-pitched acting by the same Welles and often described as his worst . He subsequently directed Shakespeare adaptation such as ¨Macbeth¨ , ¨Othelo¨ and his highly enjoyable ¨Chimes at Midnight¨ or ¨Falstaff¨ . He also performed a lot of films , Orson Welles interpreted for getting financing to shoot his pictures , as he played several exotic characters such as ¨The Tartari¨ , ¨Saul¨ , ¨Cagliostro¨ , ¨Cesare Borgia¨ and ¨Black rose¨ . Many of his next films were commercial flops and he exiled himself to Europe in 1948 . In 1956 he directed ¨Touch of evil¨ (1958) ; it failed in the U.S. but won a prize at the 1958 Brussels World's Fair . In 1975, in spite of all his box-office failures , he received the American Film Institute's Lifetime Achievement Award , and in 1984 the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award . His reputation as a film maker has climbed steadily ever since .
    8Alberto-7

    Taught, suspenseful thriller

    This film has been knocked by many people saying that Orson Welles was forced to work within the strict confines of the Hollywood system. I have absolutely no problem with this. Welles is a master craftsman. He made great films, period. In an interview he said that the studio cut out " a couple of reels" that take place in South America at the beginning of the story that he felt was the best part of the movie. As a viewer I feel that the film is compact and taut. Adding more to it would not help(in my opinion). On the contrary, I think adding more might make the film sluggish. As it stands the film remains dark. You feel that evil is present. You are just not sure what is going to happen next.

    The performances in this film are for the most part excellent. Edward G. Robinson is amazing. This could have been a cardboard thin good-guy part. Instead he turns the character of Wilson into a smart, cunning hero. He is self-assured not obsessed. He understands what most people in the town don't: Kindler is a monster who is capable of anything. To catch such a man you have to be several steps ahead of him. Also excellent is Konstantin Shayne as Meinike. You can see the fear and madness in his eyes as he repeats "I am travelling for my health, I am travelling for my health..." before going through customs. Make no mistake, this man is "an obscenity that must be destroyed" to quote Wilson. Just look at his scene with the photographer in South America. He is used to people following his orders. Welles is also very good as Kindler/Rankin. There are moments that you actually feel sympathy for him. His obsession with fixing the town clock is very significant. Here is a man who needs things to be precise and structured. He wants total control of his environment(a good example is how he treats his wife). Welles hints at this man's mania but keeps him human. Even though you want him to be caught, you can't help wondering if he'll get away. Loretta Young is unfortunately just average in this film. She has some good moments (especially in the final scene when she confronts Rankin/Kindler)but her hysterics are just too much. The scene where Wilson is showing her the Nazi atrocities is well played. She keeps a certain composure that works well.

    Overall, a very well made thriller with top notch performances and solid direction by one of cinema's masters. I give it 8 clock towers out of 10.
    7Steve-318

    Orson welles directs and stars in vivid postwar Nazi hunt.

    A little much in parts, particularly the use of headlight direction that Welles loves to employ, nevertheless, this is a film that rates three stars in the Wellesian collection.

    Edward G. Robinson is superb as the laid-back, all-knowing, in-your-face detective and Loretta Young scores as Orson's wife but it's big Billy House who is the real scene-stealer. House plays the man who owns the self-service store in town who likes playing checkers with his customers.

    Welles, who looks a little strange--no doubt to match up with the title-provides a commanding performance throughout in a film that reflects the era's revulsion with the Nazi dream.
    10Enrique-Sanchez-56

    Fascinating Thriller

    The Stranger was directed by Orson Welles but he did not adapt it to the screen. Although this is seen as a detraction from the whole by some who have seen it, I believe that Welles' deft directing and penetrating acting is what makes this a Welles film for my taste. He was never a facile actor - but he uses his usual wooden countenance here to the advantage of this role.

    Another thing that fascinates me is the underrated status of this engrossing thriller. The action and suspense builds and builds to a peak of excitement that few movies can reach without lots of special effects and Foley work these days. This movie fascinates at every turn without ever seeming as if we are watching art. But art it was in Welles' direction and gentle handling of the unravelling.

    Edward G. Robinson is the subtle but welcome prize we receive from this outing. The undercurrents of the horrors that have just come before this movie was made and its actions can be seen seething within his duty to find hidden Nazis. He is methodical and intelligent, it so difficult to see the difference between Robinson the man and Robinson the actor here. He is such a talent that we often mistake his ease for something else but acting -- and of acting he was a master. Plainly seen here as a gift to all of us.

    What I like about this and many other good films is how facts are revealed slowly, layer by layer.

    Loretta Young was good as the innocent young girl who believes that marriage is a sacred institution, that life has a course to follow which will not be derailed and finds it hard to accept the truth of the horrors behind her marriage.

    It was mildly amusing to see a very young Richard Long as the open-minded young man with whom Robinson's character confides certain facts.

    I recommend it to fans of psychological thrillers, mysteries and of course, of Mr. Orson Welles. So sad that the studio heads were such disingenuous towards this utter genius of a man who deserved more earnest accolades in his life.

    THE STRANGER is not glittering masterpiece but it's a hell of great story that I do not tire of watching...and seeing each piece of the puzzle fall into place.

    What MORE could an intelligent person want from a movie?

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      This was the first mainstream American movie to feature footage of Nazi concentration camps following World War II.
    • Erros de gravação
      Two palm trees are visible in the first scene depicting the fictional Connecticut town.
    • Citações

      Mr. Wilson: Well, who but a Nazi would deny that Karl Marx was a German because he was a Jew?

    • Versões alternativas
      Also available in a computer-colorized version.
    • Conexões
      Edited into Ninja the Mission Force: Citizen Ninja (2012)

    Principais escolhas

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    Perguntas frequentes23

    • How long is The Stranger?Fornecido pela Alexa
    • Does anyone know the answer to the question about the background music being played. (See earlier question )
    • I guess that no one knows or cares to answer the question about the name of the background music - any one interested?
    • What is 'The Stranger' about?

    Detalhes

    Editar
    • Data de lançamento
      • agosto de 1946 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Streaming on "All About Changes" YouTube Channel
      • Streaming on "Artflix - Movie Classics" YouTube Channel
    • Idiomas
      • Inglês
      • Espanhol
      • Francês
    • Também conhecido como
      • El extraño
    • Locações de filme
      • United Artists Studios - 7200 Santa Monica Boulevard, West Hollywood, Califórnia, EUA
    • Empresas de produção
      • International Pictures (I)
      • The Haig Corporation
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.034.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 35 min(95 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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