A Canção do Sul

I am really annoyed by Disney's decision to withhold Song of the South from release. They seem to think that by banning this film they could appease the charge of spreading racism. In fact, by banning this film they have given the false impression that Song of the South is a racist film that would corrupt children.

As a previous viewer pointed out, the film does NOT depict slavery. It takes place in the years following the civil war. Yes, it shows blacks as servants of whites, but this did indeed occur didn't it? Nor does it depict blacks as entirely submissive servants to whites. Look at the way Uncle Remus defies Johnny's mother by covering for him. Uncle Remus has his own subtle ways of rebelling against his white employers. What's more, Uncle Remus is not a racist caracature. He is a kind and smart man with a lot of common sense.

The film even takes on race relations in the friendship Johnny strikes up with Uncle Remus and a black boy. We end of disapproving of Johnny's mother's narrow minded attitude toward their relationship. This is probably the closest the non-political Disney studios could come to making a liberal film.

It's incredible therefore that it is the NAACP that protested this film whenever it was released instead of the KKK. The NAACP reminds me more of little Johnny's white prejudiced mother than campaigners for racial equality.

I am even more angered by Disney's decision to keep this film off the video shelves. They probably could have gotten Song of the South out on video after it's 1986 release with minimal controversy. Instead, by banning this film they have helped to harden opinions on both sides between those who want to keep this film off the video shelves (many of whom probably haven't even seen it), and those who want it released. They have made a political firestorm of their own creation.

Political correctness having been pounded into our heads by the media, I can understand the underlying racial issues that have blunted this Disney film's reputation--no one really wants to be reminded of this particular era (the post-Civil War) when rich Southern white folks called the shots and the black folk did all the hard work--but I can't imagine any film-goer of any color passing up the chance to see James Baskett as Uncle Remus (this was his swan song, dying about a year after this film's original release and just a few months after winning a special Oscar for his contribution). I saw this in the 1970s at a drive-in theater and the experience was magical, it stuck with me for years. It's an emotional, lovely movie about childhood, the friendship between kids and adults, and the confusion about right and wrong. There are no issues here about white and black, but then, this isn't the proper film to address those issues. It is the South at the turn of the century, and in that regard it's not much different from "Gone With The Wind". There are beautiful animated interludes and a handful of terrific songs, Brer Bear is a riotous Disney character, and the live-action youngsters (Bobby Driscoll and Luana Patten) are wonderful--the scene where he gives her his fancy collar is quite poignant. Driscoll and Patten were later teamed in Disney's "So Dear To My Heart", which is also worth finding. "Song of the South" is a film with a great big heart that needs to come out of the vaults. Let viewers judge for themselves.

This film will never receive a clean bill of political correctness, but neither will any film made before the 1960s. In fact, Song of the South presents some of the least offensive portraits of African Americans you can find from the time. If you really need to compare, go find any other film starring Hattie McDaniel – start with Gone With the Wind – and note how much more dignity she has in the Disney movie. Uncle Remus (James Baskett, who is utterly, utterly exceptional) is perhaps the most charming character you'll find. He's much more stereotypical of an elderly man than a black man. A smart man with strong morals and a clever way of delivering them, he seems to see things more clearly than anyone else in the film. No, Uncle Remus is a kind man who loves humanity, and this love is infectious. The movie made me very happy to be alive. A more politically correct version of the film would have him rebelling against white society with violence. It's kind of sad that we can't abide blacks and whites actually getting along, preaching brotherhood. The live action bits are very good (although I think Bobby Driscoll is a bit weak in the lead), but it is the animated pieces (and the live action/animation sequences) that make Song of the South great. Br'er Rabbit, Fox, and Bear are wonderful characters, and these three segments represent some of the best animation Disney ever did. The mixed scenes are amazing (was this the first time it was done?). I especially liked when Uncle Remus went fishing with Br'er Frog. Uncle Remus lights his pipe with an animated flame, and blows an animated smoke ring that turns into a square (which is, of course, also politically incorrect). I suspect that the biggest reason this film stirs so many negative emotions is the black dialect used in the film. I think that bugs people a lot. Really, though, blacks from the rural South have and have had their own accents and ways of speaking just as they have and have had in any other region. While the accents in this film are somewhat fabricated, I'm sure, I think that it would be a far cry to think of them as harmful to anybody. The hurt that people feel over this movie is the real fabrication, induced by PC thugs who seem to want to cause rifts between peoples. I think that a re-release of Song of the South could possibly have a beneficial effect on race relations in the United States, as it does depict dear friendships and respect between the races, something that I think we quite need at the moment.

The black people in this movie aren't depicted as lazy or stupid or criminal. Uncle Remus is depicted as a wise and caring man. It's true that the black people are depicted as subservient, but what movie from this period doesn't portray them as such? It would be historically inaccurate to depict the opposite. Should EVERY movie from this period with black people in it be banned? Disney is run by politically correct buffoons. Ironically, the song Zip-a-Dee-Doo-Dah. is played at Disneyland. The animation in Technicolor is beautiful. Some of the acting is rather stiff, but it's a warm hearted tale, and the Bre'r Rabbit stories are fun.

I am a lifelong Southerner. No one can gainsay that slavery was a terrible thing. It is our great national sin. But to dump all of that on these delightful folk stories seems to me a bit much.

I saw Song of the South as a small child. I didn't once think how dumb Uncle Remus was; I thought how dumb the smart aleck fox was! According to the foreword in my copy of Joel Chandler Harris' volume, these stories came from Africa originally where the characters were the lion, the jackal and whatever else they used. They are the Aesop's fables of a whole culture and they deal with how one who is weak and powerless--say a slave or a small child trying to survive his parents' problems--can deal with a world and come out with a whole skin. The race is not always to the swift nor the battle to the strong is the whole theme of the Uncle Remus tales. And everybody's gotta have a laughing place if they want to stay sane in this old world.

Good on you, Uncle Remus! Good on you!