AVALIAÇÃO DA IMDb
6,5/10
607
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaShiftless playboy Tom Collier meets photographer Christie Sage, takes over ownership of a liberal magazine, proposes to Christie but she declines. Scheming Cecelia Henry marries Tom.Shiftless playboy Tom Collier meets photographer Christie Sage, takes over ownership of a liberal magazine, proposes to Christie but she declines. Scheming Cecelia Henry marries Tom.Shiftless playboy Tom Collier meets photographer Christie Sage, takes over ownership of a liberal magazine, proposes to Christie but she declines. Scheming Cecelia Henry marries Tom.
- Direção
- Roteiristas
- Artistas
John Alvin
- Announcer
- (não creditado)
Sig Arno
- Poppa Diaduska
- (não creditado)
Lynn Baggett
- Party Guest
- (não creditado)
William 'Billy' Benedict
- Stakey
- (não creditado)
Edward Biby
- Newspaper Buyer
- (não creditado)
Gertrude Carr
- Party Guest
- (não creditado)
Frank Coghlan Jr.
- Telegraph Boy
- (não creditado)
Avaliações em destaque
This is a good Warners film with a cast of their second-tier stars: Dennis Morgan, Alexis Smith, Jack Carson, Jane Wyatt, and Reginald Gardner. It was held for three years before release. Not sure why.
Tom Collier (Morgan) is from a wealthy family but not happy being a playboy or entering the family business. He wants to build something on his own. He purchases a liberal magazine instead.
Money-hungry Cecelia (Smith) has set her cap for Tom. He's in love with the magazine's photographer, Christie (Sheridan), but she shoots him down. Cecelia makes her move, and the two marry.
She's trouble from the beginning as she agrees with Tom's father about keeping the status quo. She certainly doesn't want Tom's best friend (Carson) around, who actually works for them as a butler.
Tom has to make a decision about who he is. One of the reviewers here thought it was unrealistic because Cecelia is a horrible person. Obviously he hasn't been exposed to what I have - and in my own family. Guys like the Tom character are absolute set-ups for these vipers, who will cut them off from their families and make them do things they don't want to do. Frankly they're a dime a dozen - snobby, patrician, and concerned with appearances.
Morgan, Sheridan, Carson, and Wyman as Christie's friend are very likable. We know how this film will end though it does push the envelope of the code.
Life's funny - Carson and Sheridan died in their early fifties, while Wyman and Morgan lived to ripe old ages. Here they're young, attractive, and working very well together. Pleasant film despite that mean Alexis Smith.
Tom Collier (Morgan) is from a wealthy family but not happy being a playboy or entering the family business. He wants to build something on his own. He purchases a liberal magazine instead.
Money-hungry Cecelia (Smith) has set her cap for Tom. He's in love with the magazine's photographer, Christie (Sheridan), but she shoots him down. Cecelia makes her move, and the two marry.
She's trouble from the beginning as she agrees with Tom's father about keeping the status quo. She certainly doesn't want Tom's best friend (Carson) around, who actually works for them as a butler.
Tom has to make a decision about who he is. One of the reviewers here thought it was unrealistic because Cecelia is a horrible person. Obviously he hasn't been exposed to what I have - and in my own family. Guys like the Tom character are absolute set-ups for these vipers, who will cut them off from their families and make them do things they don't want to do. Frankly they're a dime a dozen - snobby, patrician, and concerned with appearances.
Morgan, Sheridan, Carson, and Wyman as Christie's friend are very likable. We know how this film will end though it does push the envelope of the code.
Life's funny - Carson and Sheridan died in their early fifties, while Wyman and Morgan lived to ripe old ages. Here they're young, attractive, and working very well together. Pleasant film despite that mean Alexis Smith.
Warner Bros. apparently tried to buy up and/or surpress all existing prints of the zingy pre-code classic THE ANIMAL KINGDOM (1932) when they decided to remake it as ONE MORE TOMORROW (1946). ANd no wonder--this turgid remake definitely suffers the comparison. While adding a bit of the Warner Bros. panache and moving a bit more quickly (the earlier version was more faithful to the original stage play, and thus more talky), ONE MORE TOMORROW takes out all the zing, bite, and--most disturbingly--the very real human grappling with opposite desires--that THE ANIMAL KINGDOM managed to transpose so successfully to the screen from Philip Barry's equally successful play. Barry, the author of such gems as HOLIDAY and THE PHILADELPHIA STORY, seemed fascinated with the moral dilemmas faced by the rich and the not so rich as they struggle to come to terms with who--and what--is the most important guiding principle in their lives. Unfortunately, the production code forced Warner Bros. to temper the life out of Barry's still timely ideas about the perils of "selling out" in love and business. The result is, sadly, a film that plays as a standard Warner Bros. soaper, with little emotional or mental involvement involved. If you're a fan of stars Smith, Morgan, and Sheridan (who all do the best they can with the material), you'll want to see this one. If you're more interested in the idea behind it, or in Philip Barry, check out the infinitely superior THE ANIMAL KINGDOM--an unjustly forgotten precode classic guaranteed to appeal to heart and mind.
...And they lived happily ever after. You know this is not the case with Dennis Morgan and Alexis Smith in "One More Tomorrow." Marrying Smith, when Ann Sheridan says no, can only lead to trouble.
We have an impressive cast here. Jack Carson is fabulous in bringing comic relief as the butler. Jane Wyman plays Sheridan's friend and she evokes her usual sympathy when she tells a married Morgan that Sheridan no longer wants to see him.
Smith plays a conniving, vicious woman to the hilt. Morgan is the righteous guy who turns his back on his father's wealth and goes to work for a magazine that will eventually uncover corruption on the part of the father (Thurston Hall's) friends. Smith and father-in-law Hall cook up quite a scheme to keep Morgan from publishing the stories. While it doesn't work, the picture sure does.
Marjorie Gateson briefly appears as Aunt Edna. I thought her part would be much bigger and important but she quickly disappears. Don't let this film pass you by.
We have an impressive cast here. Jack Carson is fabulous in bringing comic relief as the butler. Jane Wyman plays Sheridan's friend and she evokes her usual sympathy when she tells a married Morgan that Sheridan no longer wants to see him.
Smith plays a conniving, vicious woman to the hilt. Morgan is the righteous guy who turns his back on his father's wealth and goes to work for a magazine that will eventually uncover corruption on the part of the father (Thurston Hall's) friends. Smith and father-in-law Hall cook up quite a scheme to keep Morgan from publishing the stories. While it doesn't work, the picture sure does.
Marjorie Gateson briefly appears as Aunt Edna. I thought her part would be much bigger and important but she quickly disappears. Don't let this film pass you by.
This was a dramatic film that was very excellent,but predictable.With that cast,who cares!!Alexis is money hungry and out to marry Dennis.Dennis is in love with Ann.When Dennis asks Ann to marry him she says....well I won't spoil it.I recommend you see it.It's a great movie worth sitting through. Any Dennis Morgan,Alexis Smith or Ann Sheridan fan should see it.I highly recommend it!
This was a surprisingly good film. I expected a tear jerker but instead found a pleasent, entertaining story. Although, I must confess what makes the movie so entertaining for me is the role of Jack Carson. Jack Carson and Dennis Morgan made several movies together, and they were never better. I am a big Jack Carson fan. He can play a villain or a buffoon and make the character believable. He usually played, as in this film, second banana to the star of the movie, and like all great second bananas, he steals every scene he's in.
Você sabia?
- CuriosidadesOlivia de Havilland rejected this project and was put on suspension by Warner Bros. for the fifth time in three years. She would soon file a lawsuit against the studio that would eventually result in the De Havilland Law (California Labor Code Section 2855).
- Erros de gravaçãoChristie says she has written the articles exposing manufacturers who sell faulty products to the government. She is a photographer, not a writer, much less an investigative reporter, and does not have the skills or the contacts to write such articles.
- Citações
Aunt Edna Collier: I wasn't born yesterday you know.
Pat Regan: Well certainly the day before.
- ConexõesVersion of Pouco Amor não é Amor (1932)
Principais escolhas
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- How long is One More Tomorrow?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- One More Tomorrow
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 869.000 (estimativa)
- Tempo de duração
- 1 h 27 min(87 min)
- Cor
- Proporção
- 1.37 : 1
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