Sob o Manto Tenebroso

Direction and screenplay are below average in this movie. The script is clunky, the music distracting, and the acting so-so. While the subject is interesting and the plot is superb it falls short. Alan Ladd is great even when he doesn't try to act well and the other actors do their best, but I think they were held hostage by bad direction. Maybe Irving Pichel was just having a bad day when he made this movie. Worth watching if you appreciate the courage and sacrifices of a past generation that allow us to live free.

Alan Ladd (John Martin) is trained as an OSS agent and sent on an assignment in France with a team of 3 others. Their leader Don Beddoe (Gates) is killed early on and Ladd is put in charge. The mission is to blow up a bridge and report back on German troop numbers and movements. Their boss Patric Knowles (Commander Brady) then flies into France to tell Ladd that he has one more mission to complete.

This spy story is a bit long but it holds the interest well enough. The main bulk of the film takes place in France and by the end of the film only one of Ladd's group remains alive - we watch them get caught one by one. You can see how the film is going to end from about halfway through when Geraldine Fitzgerald (Elaine) tells Ladd not to come back to save her life if he feels that she is in danger. I felt that she was just as strong a character as he was in the lead role. There are some good moments during the film, eg, when Beddoe gets caught at a cafe and signals to Fitzgerald to leave.

Overall, despite the length of it, the film is made up of entertaining segments, and I enjoyed watching it the second time more than the first.

Fifteen years before he entered the world of 007 screenwriter Richard Maibaum was detailing the exploits of the wartime O. S. S. (Office of Strategic Services).

A much more conventional film than 'House on 92nd Street' or 'Call Northside 777' (Nazi Jack Lambert actually says "Your papers please"), and it does go on a bit; but better than the name on it as director Irving Pichel might make you fear. And Geraldine Fitzgerald makes an interesting heroine.

The Office of Strategic Services was formed when Franklin Roosevelt decided once and for all we needed a separate intelligence organization if in fact we were going into World War II. And in the postwar era we needed one to compete with both friends and enemies who had been at this for centuries more than we had.

During the war the cloak of secrecy was firmly wrapped around the OSS, but after VJ Day a whole bunch of films came out about some of their behind the lines spy missions. The best of these films were Cloak and Dagger, 13 Rue Madeleine and OSS.

This film follows the training and then the missions in occupied France of a team of OSS operatives, code-named Applejack and their controller. The controller is Patric Knowles and the operatives are Alan Ladd, Geraldine Fitzgerald, Don Beddoe, and Richard Benedict.

It's a tough dirty job with a chance of survival not real great, but this team does its job. Geraldine Fitzgerald engages in a little Mata Hari activity with a German colonel played by John Hoyt and proves quite the temptress.

Actor Joseph Crehan plays William J. Donovan briefly in the beginning of the film. Donovan, a Republican, was named by President Roosevelt to organize and head the new agency. He had a colorful career both in peace and war and was previously played by George Brent in Warner Brothers, Fighting 69th. He's worthy of a biographical film himself and I wonder why none has ever been done before.

Alan Ladd is his stalwart best. Heroics he does, but they are believable heroics. One of his best films from his Paramount era period.

Nothing but praise for this taught well made 2nd WW narrative. All good reviews and worth viewing , highly recommended.

My one eye opener , unlikely to have been noticed or be of any serious concern to the uninitiated , the scene where Brink is in the wash room building we first see him camera right , and about 24 /5 seconds later he is seen cam. Left , ie: presumably the director knew this and producer left that as we saw it ! Yes they both got away with that , albeit I wonder how many movies in the US and how many films in the UK let that important film making rule slip by even prior to 1946 ? That broken rule , if dialogue is involved can compromise the clarity of an actors voice, meaning additional budget for post dubbing ? In this instance, I am not sure if there was suspenseful music b g , albeit no dialogue , so it almost past muster ? That rule applies to this day , never cross the line . If you do, characters appear in the frame when they should not as the audience concentration can become disorientated ?