Uma Mulher Ambiciosa

Congresswoman Sylvia Sidney announces her candidacy for governor, and asks political boss George Raft for his support. He wines her and dimes her and tells her she cannot win, because beautiful women shouldn't be in politics. So she goes to another member of his machine and cuts a deal with him for the nomination in the one-party state.

Miss Sidney's character, named Margaret Wyndham Chase, is clearly modeled on Maine senator Margaret Chase Smith. She even wears the hideous hats that Mrs. Smith affected. The political machine, named the Tomahawk Club, is modeled on New York City's Tammany Hall.

One of the issues I have with Mr.Raft's performances in movies is his impenetrable mien. He says things, and they are things that he believes, it there is rarely any hint of what he is actually thinking. Here that actually works to the performance's benefit; he seems a character who is precise, intelligent and impenetrable. This leaves Miss Sidney to carry the emotional weight of this political romantic comedy.

This was a period during which Hollywood was making movies about practical politics and the effects of the machine. With the end of the Second World War, soldiers were coming home and expected changes. Capra tried a couple of movies, and even John Ford got together his non-western stock company for THE LAST HURRAH. By the time that came out, there were stirrings of change in society and politics, and the movies were no longer part of the National conversation. Nowadays, political movies usually have a sour, satirical edge to them.

Although George Raft plays the title role in Mr. Ace, the film such as it is really belongs to Sylvia Sidney as the ambitious Congresswoman who wants to become her state's first female governor. The Mr. Ace of the title is Eddie Ace, noted political boss in the state whose backing Sidney wants.

In fact two female governors had already been elected in the USA at the point in time Mr. Ace was made, Nellie Tayloe Ross in Wyoming and Miriam Ferguson in Texas. The script makes reference to both these ladies and to the 29 members of the House of Representatives that had been elected up to that point. It had been done before, but it was still a relatively new phenomenon.

For a smart political boss Raft sure gets his hormones involved in his decision making. His problem with Sidney is that she's tough and independent minded and won't take his orders or anything else from him. Raft's decision making is not coming from his head, that's for sure.

Sidney is also fighting an attraction to Raft as well even though she's married to Alan Edwards albeit they are estranged and do divorce during the film.

There's a whole lot of maneuvering done and at times it's more hormone driven than politically driven. These are supposed to be professional people you know.

Roman Bohnen plays Sidney's former political science professor and mentor in her younger days. He still appeals to the better angels of her nature. Sidney has two political operatives in Jerome Cowan and Sara Haden who do her bidding. Watch Haden's performance, a very understated one with definite lesbian undertones.

Sid Silvers is Raft's factotum and Stanley Ridges his rival within his own organization who Sidney successfully subverts for a while.

The emphasis of this film should have been on Sidney rather than Raft. Her's is the real story here and Mr. Ace would have been a better film had it been entitled Mrs. Chase.

Sidney's name in the film is Margaret Chase and in 1948 one Margaret Chase Smith won election to the United States Senate to become the first woman elected in her own right to that body without having been appointed by the state governor to fill a vacancy.

Mr. Ace does have its moments and one might want to view it just to see how things have so changed for women in politics.

Interesting political film from 1946 with the always excellent Sylvia Sidney. Particulary liked the scene where she discusses politics ( interupted by a phone call from her ex husband ) while having a massage. Worth a look.

Women in politics weren't common in 1947 when this came out. Therefore, this was a surprisingly straight forward look at the theme with an ambitious socialite who's no sweet "goody goody". I do agree with the reviewer who would have liked more emphasis on Sylvia Sidney and her campaign and less on George Raft and the inevitable romance.

And so this is disappointingly mediocre, not going where it could have gone. Even so, it's an interesting film to watch, especially in this age. And actually, I believe that it stands as a better "woman in politics" movie than most with the theme. Don't expect a gangster movie although Raft naturally is close to being one in this.

This film's makers probably were aiming at a kind of political satire that Capra and Sturges sometimes brought off, but a lack of focus and fear of breaching the production code resulted in a script that lurches one way and then another.

Sylvia Sidney is excellent as a female politician, back when such things were rare, doing her best to conceal her ambition and ruthlessness behind an attractive demeanor with a fixed smile. The script doesn't quite know what to make of her. At first she seems not only wholly self-centered but frigid, having driven her husband, whom she married for his wealth and position, into the arms of other women without her much caring about it. Later she becomes more sympathetic for not being corrupt like most of the other pols around her, and for having to walk a fine line between being ladylike and being "one of the boys."

George Raft is his usual stoic self as a hard-bitten political with hinted-at mob connections whose only ideology is winning and graft (or G. Raft).

Sidney's idea is to lure him away from the machine candidate to back her. In one scene she inveigles him into spending the night at her place with apparent intentions of seducing him, but then the movie gets cold feet and the scene fizzles out, as do many others.

Still the film addresses, albeit timidly, political corruption and the ease with which the masses can be manipulated, and also reminds us of the pervasive sexism of that era. Sidney is repeatedly told "you're too attractive to run for office." Was ugliness considered a necessary attribute of female politicians in those days?

As you'd expect, some romantic sparks eventually fly between the two co-stars en route to its wildly implausible ending.

Good cinematography and some lavish interior decoration. If you're the type who enjoys watching old films for a window into the political atmosphere of their times, this is for you.