AVALIAÇÃO DA IMDb
7,1/10
1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA woman reminisces about her teenage years in the 1920s, when she fell in love with her teacher.A woman reminisces about her teenage years in the 1920s, when she fell in love with her teacher.A woman reminisces about her teenage years in the 1920s, when she fell in love with her teacher.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
Ann E. Todd
- Joyce Fontayne
- (as Ann Todd)
Gurney Bell
- Off-Screen Singer
- (narração)
- (não creditado)
Vanessa Brown
- Wanda
- (não creditado)
Buddy Clark
- Off-Screen Singer
- (narração)
- (não creditado)
Ruth Clifford
- Audience Spectator at Debate
- (não creditado)
Ken Darby
- Off-Screen Singer
- (narração)
- (não creditado)
Hazel Dawn Jr.
- Vi
- (não creditado)
Bill Days
- Off-Screen Singer
- (narração)
- (não creditado)
Shirley Doble
- Student
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Can a movie made in 1946 still move teenagers today? Well, all I can say is when I first saw this movie in 1983 I was still in high school and this film totally touched and inspired me!
At first, it just seems like your typical nostalgic sentimental high school film. We have, Margie the geeky girl who's so far from being in the 'in' crowd it's pathetic. Then we have the popular girl, Mirabelle, living next door to Margie as a constant reminder of how 'out of it' she is. Then Margie has the typical school girl crush on her gorgeous French teacher and also has the typical pathetic loser/ boyfriend following her around.
But wait! Then Henry King takes a simple movie to a another level and it soon becomes clear we are watching the emergence of a strong and unusual woman. Our first clue that this movie is something different are the sly hints about Margie's emerging sexuality. (I mean, she literally keeps losing her knickers at the most in-opportune occasions, how did this get past the censors?) Then there is Margie's feminist grandmother, who wants Margie to be the first woman president of the United States. But just in case we still don't get it, it all becomes clear when we hear Margie's winning debate speech on why the U.S. should take the Marines out of Nicaragua. (Ironically, when I saw this film in 1983, this issue was as hotly debated as it apparently was in 1929!) Margie, in spite of her awkward gestures and amateur delivery, gives one of the most amazing speeches ever given by a teenager in a film. It is truly amazing. We see unsuspected depths in this young woman and from that point on we (along with the men in her life) are fascinated with how this young ladies life will turn out (to give any more away would spoil the film for you!)
This film also has an unusual look for the time period, since it was one of those rare films in the 40's where exteriors were filmed on location. Henry King is one of the great studio directors who is constantly forgotten and overlooked. But take one look at the skating sequence in this film, where the camera follows skaters beautifully, as they circle around the camera, and you will see a master craftsman in league with Hitchcock or any of the other Hollywood greats. (And as a former ice skater, I can tell you Jeanne Crain is a pretty good skater!)
But the moment that got me most, and still gets me, is the way Margie handles her disappointment about who she has to go to the prom with and the dignity in which she carries herself. This movie shows the amazing and difficult journey of Margie McDuff from a little girl who is on the road to being an amazing woman! (Well, we hope!) So by the end of the film, we believe, along with her grandmother and the others in her life, that Margie is indeed a unique and unusual person and really could have been the first woman president of the United States!
At first, it just seems like your typical nostalgic sentimental high school film. We have, Margie the geeky girl who's so far from being in the 'in' crowd it's pathetic. Then we have the popular girl, Mirabelle, living next door to Margie as a constant reminder of how 'out of it' she is. Then Margie has the typical school girl crush on her gorgeous French teacher and also has the typical pathetic loser/ boyfriend following her around.
But wait! Then Henry King takes a simple movie to a another level and it soon becomes clear we are watching the emergence of a strong and unusual woman. Our first clue that this movie is something different are the sly hints about Margie's emerging sexuality. (I mean, she literally keeps losing her knickers at the most in-opportune occasions, how did this get past the censors?) Then there is Margie's feminist grandmother, who wants Margie to be the first woman president of the United States. But just in case we still don't get it, it all becomes clear when we hear Margie's winning debate speech on why the U.S. should take the Marines out of Nicaragua. (Ironically, when I saw this film in 1983, this issue was as hotly debated as it apparently was in 1929!) Margie, in spite of her awkward gestures and amateur delivery, gives one of the most amazing speeches ever given by a teenager in a film. It is truly amazing. We see unsuspected depths in this young woman and from that point on we (along with the men in her life) are fascinated with how this young ladies life will turn out (to give any more away would spoil the film for you!)
This film also has an unusual look for the time period, since it was one of those rare films in the 40's where exteriors were filmed on location. Henry King is one of the great studio directors who is constantly forgotten and overlooked. But take one look at the skating sequence in this film, where the camera follows skaters beautifully, as they circle around the camera, and you will see a master craftsman in league with Hitchcock or any of the other Hollywood greats. (And as a former ice skater, I can tell you Jeanne Crain is a pretty good skater!)
But the moment that got me most, and still gets me, is the way Margie handles her disappointment about who she has to go to the prom with and the dignity in which she carries herself. This movie shows the amazing and difficult journey of Margie McDuff from a little girl who is on the road to being an amazing woman! (Well, we hope!) So by the end of the film, we believe, along with her grandmother and the others in her life, that Margie is indeed a unique and unusual person and really could have been the first woman president of the United States!
It is a real shame that this film is not available on video. I taped it from AMC a while back for my mother, and later made another copy for myself. I've watched it often enough that I'm afraid the tape will wear out.
Jeanne Crain is terrific, as is the rest of the cast. The story is adorable, and one really feels for Margie in her teenage angst. All in all, it is a wonderful movie; one which I could watch over and over.
Jeanne Crain is terrific, as is the rest of the cast. The story is adorable, and one really feels for Margie in her teenage angst. All in all, it is a wonderful movie; one which I could watch over and over.
This movie made me a fan of Jeanne Crain when I was 13. She showed a talent here for light comedy. The bloomer bit was hilarious. It was a "feel good" movie and although I have not seen it for years I remember it well. Too bad it is not in VHS. I surely would buy a copy.
This is one of my favorite Jeanne Craine films. I often think of her in the attic sorting through the box of memories while her daughter asks her about some of the items in the box, especially when I have sorted through my own mother's memory boxes in her attic. I wish this were on video. I'd dearly like to share this with MY daughter. Ricardo-38
I agree absolutely with - Xeresa6 of San Diego,Ca - her synopsis of this movie is gob smack right on! I just wanted to add that I at age 10 years, saw this movie in 1946 with my mom who was a teen in the flapper era and it was a sweet experience to enjoy this film with my mom. She regaled me with her stories of bloomers with broken elastic and safety pins.
Young girls today would not really pick up on the chains on the fireplace story without someone older 'walking' them through it. A lot is taken for granted today on the struggles of women not so very long ago to be able to have the right to vote.......we can learn a lot of history from these old movies - but it is wise to also check further into the history to be sure it is portrayed accurately in the film.
It is interesting to find out the film was made in Reno NV. It looked so much like the towns in Ohio where I grew up, that's probably one of the reasons why Mom and I connected with the film.
What a crass movie industry we have today. It is so hard to find non-violent and non-vulgar stories in the movies today. One can occasionally find a good movie but they are few and far between. I find myself looking to pre-1950 movies more and more. That is sad.
Young girls today would not really pick up on the chains on the fireplace story without someone older 'walking' them through it. A lot is taken for granted today on the struggles of women not so very long ago to be able to have the right to vote.......we can learn a lot of history from these old movies - but it is wise to also check further into the history to be sure it is portrayed accurately in the film.
It is interesting to find out the film was made in Reno NV. It looked so much like the towns in Ohio where I grew up, that's probably one of the reasons why Mom and I connected with the film.
What a crass movie industry we have today. It is so hard to find non-violent and non-vulgar stories in the movies today. One can occasionally find a good movie but they are few and far between. I find myself looking to pre-1950 movies more and more. That is sad.
Você sabia?
- CuriosidadesParts of this movie were filmed at the University of Nevada - Reno. Jeanne Crain would return there two years later for the filming of Apartamento para Dois (1948).
- Erros de gravaçãoThe hairstyles of Jeanne Crain, Barbara Lawrence, and Lynn Bari are strictly 1946, although the story takes place in 1928.
- Citações
Grandma McSweeney: Margie, twenty years from now you'll look back at Johnny Green and you'll wonder what you ever saw in him.
Margie: Twenty years from now I'll be an old woman and it won't matter what I think.
- Cenas durante ou pós-créditosThe opening credits appear as pages in a photo album with occasional annotated pasted photos of the characters from the film. A human hand flips the pages over.
- ConexõesReferences Dormitório de Moças (1936)
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- How long is Margie?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Cómo le conocí
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 34 min(94 min)
- Proporção
- 1.37 : 1
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