Um Tigre Domesticado

This is a complete scene by scene remake of a 1934 Harold Lloyd film called "The MilkyWay" directed by Leo McCarey. It even features some of the same supporting characters the Lloyd version did! (notably Lionel Stander as Spider) Norman Z. McLeod who directed some scenes in "The Milky Way" was even called in to direct this remake. The big difference is the addition of the songs, Danny Kaye and color....and of course the original with Lloyd and McCarey was crisper and funnier. This was made only 10 years after the release of the original, (producer Samuel Goldwyn destroyed the original and many of the copies) which I think has got to be some sort of record. Was anything else ever remade so quickly?

Everyone in THE KID FROM BROOKLYN is at their best--thanks to a zestful comedy based on "The Milky Way" with Harold Lloyd, only this time the timid milkman is DANNY KAYE, who goes from lovable, funny Kaye to totally extroverted Kaye who thinks he really won all those fights that he was signed up for by crooked manager WALTER ABEL.

VIRGINIA MAYO, looking her most luscious in Technicolor, is Kaye's partner again and the great supporting cast includes VERA-ELLEN (as Kaye's dancing sister), EVE ARDEN, LIONEL STANDER and STEVE COCHRAN, who steps away from his usual serious role (as a heavy) to show that he had a flair for slapstick comedy.

The story is nonsense, of course, and even the usually repressed FAY BAINTER gets into the spirit of things as a woman Kaye teaches some boxing pointers to. It's all very lightweight, easy to take and pleasant to watch, especially if you enjoy Kaye's special brand of comedy. Included are some specialty numbers for Vera-Ellen, surrounded by chorus boys and The Goldwyn Girls and a nice song number for Virginia Mayo, all emphasizing some dazzling Technicolor hues.

Kaye does only one of his tongue-twisting routines, but it's a gem--a Russian number called "Pavlova" written for him by Sylvia Fine, his wife.

Summing up: Light-hearted entertainment impossible to dislike and all of it is photographed in gorgeous Technicolor.

I agree with the other user comments here on this site that state it helps to like Danny Kaye in the first place, because the film offers nothing fresh and exciting outside of a love for musicals and Kaye's effervescent madcap malarkey. It's a perfect showcase for Kaye to let loose and he delivers smartly as the humble milkman mistakenly built up as a prize fighter of note who then proceeds to lose the grip on his ego. He is surrounded by very stoic actors and they all benefit from a tidy script and foot tapping tunes, and sure enough the laughs are dotted throughout the show, but it still feels like they plonked Danny Kaye on set and built a film around him.

It's also of interest to note the back story of the film actually being a remake of Harold Lloyd's 1936 film The Milky Way, that is something that few people are aware of and great effort was made by the makers of The Kid From Brooklyn to distance themselves from the 36 film. So with that in mind it's hard to not view this film as merely a Kaye vehicle without much heart, and with that I say the film is entertaining enough without being close to being a really good Danny Kaye movie, 6/10.

This light-hearted fantasy/comedy/musical is basically a showcase for the many talents of Danny Kaye. Those who particularly like the simple and wholesome humor of Danny Kaye will be well entertained. Even those who don't should find some good low-key laughs and be generally amused throughout. The dialogue is sparse but occasionally shows a clever dry wit, as in "If I hadn't seen it with my own eyes, I wouldn't have minded". The entire cast works very well togethor and the interplay between Eve Arden and Danny Kaye is particularly good. The song and dance is competent but uninspired.

"The Kid from Brooklyn" is a remake of the Harold Lloyd movie, "The Milky Way". Now why they chose this Lloyd story to remake is puzzling, as this original story wasn't very good and is among Lloyd's least films. It's not a terrible film...but a mediocre one. Can Kaye and company manage to improve on the original or is it a dull remake of a pretty dull original?

Burleigh Sullivan (Kaye) is a wimpy but nice milk man. One day, he gets into a fight with two guys on the street and somehow the two ended up being knocked out. One of the pair turns out to be the middleweight boxing champion...so the middleweight's promoter takes on Burleigh as his new boxer. This is because there's been a lot of publicity about this 'fight'. However, soon Burleigh tells them the truth...the pair swung at him at the same time and he ducked...and they knocked each other out. But no matter...the promoter couldn't care less if Burleigh could box or not, as he plans on fixing Burleigh's boxing matches...only to let him get the snot knocked out of him eventually...when the promoter can make a fortune betting against him.

The biggest way this is different from the Lloyd film are several song and dance numbers...ones that in no way improve upon the original. Also, Kaye seems to mug a bit more...at least more than Lloyd did. Overall, an okay remake of an okay film....the very definition of okayness!