Obcecado em aperfeiçoar seu ofício, um escultor de pedras preciosas visita a Montanha de Cobre para descobrir o segredo por trás de sua atração: a Flor de Pedra, uma escultura de pedra tão c... Ler tudoObcecado em aperfeiçoar seu ofício, um escultor de pedras preciosas visita a Montanha de Cobre para descobrir o segredo por trás de sua atração: a Flor de Pedra, uma escultura de pedra tão cativante que ninguém pode sair depois de vê-la.Obcecado em aperfeiçoar seu ofício, um escultor de pedras preciosas visita a Montanha de Cobre para descobrir o segredo por trás de sua atração: a Flor de Pedra, uma escultura de pedra tão cativante que ninguém pode sair depois de vê-la.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
Vladimir Druzhnikov
- Danilo - master
- (as V. Druzhnikov)
Yekaterina Derevshchikova
- Katya
- (as Y. Derevshchikova)
Mikhail Troyanovskiy
- Prokopych
- (as M. Troyanovsky)
Mikhail Yanshin
- Severyan
- (as M. Yanshin)
Nikolay Temyakov
- Barin
- (as N. Temyakov)
Anna Petukhova
- Barina
- (as A. Petukhova)
Nikolai Orlov
- Stary master
- (as N. Orlov)
Lidiya Deikun
- Vikhorika
- (as L. Deikun)
Serafim Zaytsev
- Yefimka
- (as S. Zaytsev)
Vitaliy Kravchenko
- Danilo - malchyk
- (as V. Kravchenko)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Seen shortly after it was released. A beautiful, and apparently rare film, since I have never seen a video of it available. Easily equal to the work of Serge Eisenstein, produced during the Stalinist days of the USSR, but is a telling of a famous Russian fable. An excellent film, which should be on video.
The art direction and production design in the movie is really quite fetching. The physical film that was accordingly used to shoot 'The stone flower' resulted in rich, vibrant colors that allow every little trait to pop out brilliantly. Wonderful attention to hair, makeup, costume design, and set design and decoration, and every nuance of the cast's performances, is realized with inspiring vividness. Moreover, director Aleksandr Ptushko demonstrates a keen eye for arranging some fine shots, solid camerawork, and good care for lighting. And these are only just the visual aspects of what is an engaging, charming interpretation of a folk tale.
All the assembled actors put on fine displays of their skills to bring the picture to life, with Vladimir Druzhnikov especially notable as protagonist Danilo - believably portraying the young man's resolve, and obsession. Yet to discuss such facets at greater length seems unimportant when above all they serve simply as a component of the whole. It's the writing and direction that makes 'The stone flower' the entertaining classic that it is. Characters generally aren't written with especial depth, but like the acting, they work to complete the tableau. So it is too with the dialogue, very much feeling like the living communication of the sort of story that would be passed down over years - in no few ways a fable about the folly of pride, and ambition. And with that said, the fantastical scene writing and overall narrative are the greatest treasures here: terrifically entrancing, flush with detail and careful consideration, and enriching the entirety of the feature in their excellence. Druzhnikov matches the grand screenplay with adept focus and dexterity, tying the picture together with marvelous, expert finesse.
Factor in winsome set pieces, modest but suitable special effects - on par with any of the era - and gratifying instances of deftly arranged song and dance, and 'The stone flower' quite feels like it could be an early live-action production of Walt Disney's imagination. It's superb in its craft, and pleasantly endearing - really just an all-around lovely slice of cinema. If I have any specific criticism to make, it may perhaps be that the pacing struggles early on to find its footing. Yet for as splendidly well as the film is made, what slight deficiencies do crop up are negligible, and not truly significant. This is a magically, quietly engrossing movie, appropriate for all ages, that I think is surely very enjoyable for any viewer receptive to the type of story that it relates. I'd have no qualms recommending this to just about anyone - 'The stone flower' is a lot more fun, satisfying, and even rewarding than I thought it was going to be, and this is well worth checking out if you have the opportunity!
All the assembled actors put on fine displays of their skills to bring the picture to life, with Vladimir Druzhnikov especially notable as protagonist Danilo - believably portraying the young man's resolve, and obsession. Yet to discuss such facets at greater length seems unimportant when above all they serve simply as a component of the whole. It's the writing and direction that makes 'The stone flower' the entertaining classic that it is. Characters generally aren't written with especial depth, but like the acting, they work to complete the tableau. So it is too with the dialogue, very much feeling like the living communication of the sort of story that would be passed down over years - in no few ways a fable about the folly of pride, and ambition. And with that said, the fantastical scene writing and overall narrative are the greatest treasures here: terrifically entrancing, flush with detail and careful consideration, and enriching the entirety of the feature in their excellence. Druzhnikov matches the grand screenplay with adept focus and dexterity, tying the picture together with marvelous, expert finesse.
Factor in winsome set pieces, modest but suitable special effects - on par with any of the era - and gratifying instances of deftly arranged song and dance, and 'The stone flower' quite feels like it could be an early live-action production of Walt Disney's imagination. It's superb in its craft, and pleasantly endearing - really just an all-around lovely slice of cinema. If I have any specific criticism to make, it may perhaps be that the pacing struggles early on to find its footing. Yet for as splendidly well as the film is made, what slight deficiencies do crop up are negligible, and not truly significant. This is a magically, quietly engrossing movie, appropriate for all ages, that I think is surely very enjoyable for any viewer receptive to the type of story that it relates. I'd have no qualms recommending this to just about anyone - 'The stone flower' is a lot more fun, satisfying, and even rewarding than I thought it was going to be, and this is well worth checking out if you have the opportunity!
10holcombe
I saw "The Stone Flower" in 1952 at Iowa State University's (then a state college) student union. I was a second or third grader, but I have never forgotten the magic of this Russian fable, the movie's gorgeous images and its powerful drama. I remember a wicked queen who turned the heroine into stone and the soft images of the lush rose-colored stone flower that remained for the hero to find after great struggles with the evil queen and her sinister minions.
Some sets were simple and rather bare. I like the earlier comment about "The Red Shoes," another post-war film from the recovering European film industries, with the same pre-war quality story lines and great effort to use color and images well, but with truly scarce resources.
I am so thrilled to find that others remember this wonderful film that seemed to have disappeared. I hope someone can find a print to share with film historians and certainly with other children. More than 50 years later, I can thank my mother for taking me to share the beautiful Stone Flower that I have never forgotten.
Some sets were simple and rather bare. I like the earlier comment about "The Red Shoes," another post-war film from the recovering European film industries, with the same pre-war quality story lines and great effort to use color and images well, but with truly scarce resources.
I am so thrilled to find that others remember this wonderful film that seemed to have disappeared. I hope someone can find a print to share with film historians and certainly with other children. More than 50 years later, I can thank my mother for taking me to share the beautiful Stone Flower that I have never forgotten.
The Stone Flower as a piece of cinematic art, seems to surpass Disney, or The Wizard of Oz, in a similar visual vein, and always clearly presents it's own unique impeccable, and intricate attention to delicate detail, not found in many other films.
There is a pleasing sense of welcoming and invitingness to the film, and with kindness and gladness it opens itself up to you to come along and enjoy.
Great care, classiness, and refinement abound in the production of The Stone Flower, and it makes for a beautiful experience to watch. And whether you can understand Russian, or not, visually the story will keep it's pace, and lead the way for you quite clearly.
The Stone Flower is a tale of folk, and a tale of beautifulness and happiness, and it is sprinkled in the icing sugar of magicalness, and fantasy!
A very lovely film! :)
There is a pleasing sense of welcoming and invitingness to the film, and with kindness and gladness it opens itself up to you to come along and enjoy.
Great care, classiness, and refinement abound in the production of The Stone Flower, and it makes for a beautiful experience to watch. And whether you can understand Russian, or not, visually the story will keep it's pace, and lead the way for you quite clearly.
The Stone Flower is a tale of folk, and a tale of beautifulness and happiness, and it is sprinkled in the icing sugar of magicalness, and fantasy!
A very lovely film! :)
This faux (?) folktale, probably the best known film of Soviet fabulist Aleksandr Ptushko, is a paean to artistic individuality: a daydreaming youth becomes protégé to an old stone carver; visits the secret cave of a mountain witch to delve into his art; and then, with the unwavering trust of his deserted bride, finds his way back into the world as absolute master of his craft. A rather non-collective idea to find in the Stalinist film world of the time. Ptushko's style often looks like some over-decorated/Russian-themed Christmas window, but it certainly fits his subject. The crudity in the technique comes off as sincerity and the USSR color processing of the era is often quite lovely if you boost the brightness level on your equipment. Aimed at kids, but probably best for grown up cultural Sovietologists.
NOTE: Check out the DVD extras for an amazing stop-motion animation clip from Ptsuhko's 1936 pic THE NEW GULLIVER.
NOTE: Check out the DVD extras for an amazing stop-motion animation clip from Ptsuhko's 1936 pic THE NEW GULLIVER.
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Detalhes
- Tempo de duração
- 1 h 29 min(89 min)
- Mixagem de som
- Proporção
- 1.37 : 1
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