AVALIAÇÃO DA IMDb
6,1/10
225
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaBandleader involved in political campaign.Bandleader involved in political campaign.Bandleader involved in political campaign.
- Direção
- Roteiristas
- Artistas
Harry James and His Orchestra
- Music Makers
- (as Harry James' Music Makers)
Ben Erway
- Headwaiter
- (cenas deletadas)
Frank Ferguson
- Statistician
- (cenas deletadas)
Charles Tannen
- Secretary
- (cenas deletadas)
John Ardell
- Voter
- (não creditado)
Herman Boden
- Dancer
- (não creditado)
George Bruggeman
- Trainer
- (não creditado)
Harry Carter
- Jimmy - Attendant at Race Track
- (não creditado)
Harry Cheshire
- Phil Gargan - State Engineer
- (não creditado)
Kay Connors
- Miss Magee - Gillingwater's Secretary
- (não creditado)
Roy Damron
- Dancer
- (não creditado)
Avaliações em destaque
'If I'm Lucky' is the name of a mediocre song as well as the 1946 picture it appears in. 'IIL' is one of Fox's lesser musicals saved by the talents of Carmen Miranda and the song and dance pros, Phil Silvers. Vivian Blaine, Harry James and a very young Perry Como. Collectively, they help right this almost sinking ship. 'IIL' is a love story with a political campaign backdrop. The musicians are hired for $1,000 ($17,500 in today's market) to travel with the campaign for the express purpose of wooing voters. Romance of course blossoms as the political candidate, played by the irreplaceable Edgar Buchanan, has to be bailed out of problem after problem. Will the musical group succeed in its mission despite issues with that keep erupting? You'll have to find out for yourself. It will only cost you 80 minutes which go quickly.
Probably the most demands on Perry Como as an actor in his brief sojourn in Hollywood was this watered down remake of Dick Powell's classic Thanks A Million. Sad to say that has not been made available and it is a pity. Thanks A Million was a sharp and witty satire on the American political system how a crooner gets himself good and used by a corrupt political machine when they dump their candidate and nominate him for governor. The same material is used, but without the bite.
Instead of the radio crooners of the Thirties the music is now the swing music of the Forties supplied by Harry James. He's got a pair of attractions with his band played by Vivian Blaine and Carmen Miranda and a press agent played by Phil Silvers. He hires Perry Como as a male singer and the group accepts a touring gig with a political candidate who has a drinking problem and is played by Edgar Buchanan. One night when he's in his cups, Como goes on and wows the crowd. At that point the political bosses switch to use him as their stooge.
The musical score is nothing to write home about. Perhaps if Perry had a big hit from this he might have stayed a little longer in Hollywood. Not much more though. That relaxed attitude that made him welcome in so many homes in the 50s was not hiding any great acting talent like his contemporary graduate from the big bands Frank Sinatra.
Even Carmen Miranda was somewhat subdued in If I'm Lucky.
Hope that some day you get to see Thanks A Million so you can compare.
Instead of the radio crooners of the Thirties the music is now the swing music of the Forties supplied by Harry James. He's got a pair of attractions with his band played by Vivian Blaine and Carmen Miranda and a press agent played by Phil Silvers. He hires Perry Como as a male singer and the group accepts a touring gig with a political candidate who has a drinking problem and is played by Edgar Buchanan. One night when he's in his cups, Como goes on and wows the crowd. At that point the political bosses switch to use him as their stooge.
The musical score is nothing to write home about. Perhaps if Perry had a big hit from this he might have stayed a little longer in Hollywood. Not much more though. That relaxed attitude that made him welcome in so many homes in the 50s was not hiding any great acting talent like his contemporary graduate from the big bands Frank Sinatra.
Even Carmen Miranda was somewhat subdued in If I'm Lucky.
Hope that some day you get to see Thanks A Million so you can compare.
Vivian Blaine, looking lovely at age 25, has the lead role in this musical, which also stars Perry Como, and both of them perform their musical numbers pleasantly and competently.
Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.
It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.
Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.
Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.
The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.
Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.
Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.
It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.
Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.
Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.
The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.
Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.
This is an entertaining remake of "Thanks A Million".I do not know much about American politics in the thirties but i would guess that the original was probably a swift punch to the midriff of the American body politic whereas this is more a nudge in the ribs.If you stand this on its own you would say that this is a reasonably entertaining Fox musical from the 1940s with all the usual ingredients,the best of which is Carmen Miranda who really steals the show.As for Perry Como well we all know he can sing but unfortunately he cant act and that is one of the main problems of this film,particularly if you compare him to Dick Powell in the original.Also i have to say that not one of the songs stays in the mind for one second after the music has faded away.I would be bound to say that if you had to see one version it would have to be the original.Any film with Fred Allen,Patsy Kelly and Raymond Walburn has to be unmissable
The music and cast make this movie. "If I'm Lucky," is one of the lighter musicals of the 1940s with thin or silly plots. It's in the field of musical review, with a plot just to tie together the songs, music and dance numbers. And this film has some very enjoyable entertainment.
Harry James and his orchestra make it a collector's film for those who like the big bands of the swing era. Perry Como has a minor speaking role that provides his stage for some good songs. And, Vivian Blaine is good with her numbers. Some of the best stuff comes from Carmen Miranda with the entertaining choreographed dance numbers built around her songs.
Phil Silvers provides some light comedy as Wally Jones. The best lines are spoken by Michelle O'Toole (Miranda) and Wally. O'Toole, "Baby, don't forget my harp, Wally." Wally, "Oh, yes. Why didn't you play a piccolo?"
Harry James and his orchestra make it a collector's film for those who like the big bands of the swing era. Perry Como has a minor speaking role that provides his stage for some good songs. And, Vivian Blaine is good with her numbers. Some of the best stuff comes from Carmen Miranda with the entertaining choreographed dance numbers built around her songs.
Phil Silvers provides some light comedy as Wally Jones. The best lines are spoken by Michelle O'Toole (Miranda) and Wally. O'Toole, "Baby, don't forget my harp, Wally." Wally, "Oh, yes. Why didn't you play a piccolo?"
Você sabia?
- CuriosidadesOriginally called "You're For Me".
- Citações
Michelle O'Toole: Baby, don't forget my harp, Wally.
Wallingham M. 'Wally' Jones: [as picks up her huge harp] Oh, yes. Why didn't you play a piccolo?
- ConexõesReferenced in De Ilusão Também se Vive (1947)
- Trilhas sonorasFollow the Band
(uncredited)
Music by Josef Myrow
Lyrics by Edgar De Lange
Performed by Phil Silvers, Carmen Miranda, Vivian Blaine and Harry James
Also performed by Phil Silvers, Carmen Miranda, Vivian Blaine,
Perry Como and Harry James
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Un joven de suerte
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Proporção
- 1.37 : 1
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