Anos de Ternura

A.J. Cronin's "The Green Years" has been splendidly brought to the screen thanks mainly by the performances of that grand old stager Charles Coburn, and that wonderful child star Dean Stockwell (what a pity he ever had to grow up!) Their scenes together are something very special even today. Coburn was nominated for best supporting actor, which was unfair, as he is clearly the star and should have had the nomination of Best Actor. As a young Cathoic lad thrown into a family of Scottish Protestants, Stockwell is quite amazing. The supporting cast of Gladys Cooper, Hume Cronyn ( a little over the top), Jessica Tandy and Richard Haydn are very very good, while Tom Drake is the best he ever was in a movie. The atmosphere of the era and the village is brilliantly captured by Director Victor Saville.

The film is based on A.J. Cronin's bestselling novel. It boasts an exemplary cast and a very evenly-written script. Venerable character actor Charles Coburn, a favorite of many, receives top billing. And true, his performance could easily dominate the movie. But the screenwriter is careful to intersperse moments of Coburn's wily great-grandfather character throughout the narrative while keeping the rest of the ensemble in focus.

The cast includes real-life husband and wife Hume Cronyn and Jessica Tandy (though they do not play a married couple here). It also features child actor Dean Stockwell in the first half and matinée idol Tom Drake in the second half as the young protagonist.

The Green Years pulls at our heartstrings one moment, then makes us laugh uproariously the next (usually because of Coburn's antics). But throughout the story there is a valuable lesson about the importance of making sacrifices and celebrating life's triumphs.

The title is meant to suggest several possible meanings. I urge you to view the film and discover what it means for you.

I have some strong disagreement with the category of nomination for Charles Coburn here. Most definitely he was not in a supporting role, in fact in a cast of fine players he dominates the film as the rascally old grandfather first to Dean Stockwell and then to Tom Drake in The Green Years.

It seems like A.J. Cronin can't write a novel that won't be turned into a fine film like The Citadel and The Keys Of The Kingdom. As a writer Cronin successfully blended medicine and religion into his work in Great Britain the same as Lloyd C. Douglas on this side of the pond in Magnificent Obsession.

In this story Cronin talks about the love of medicine and science acquired at an early age. Except possibly for The Boy With Green Hair I don't think Dean Stockwell was ever more appealing on the big screen. Seems like his mother ran off with of all things an Irishman and both are dead now. So young Stockwell is taken in by his Scot relative more as an obligation than anything else. They are a thrifty lot and that's putting it mildly.

The one who Stockwell bonds with is his grandfather Coburn. He's quite the rogue and known to take a dram or three with his buddies at the tavern. But he's got more character than the rest of the family put together. Eventually when Stockwell grows up to be Tom Drake and looks to be failing in his ambitions, it's Coburn who proves to be his salvation.

The Green Years hasn't lost one inch of charm and values and it's a year older than I am. Still wonderful family viewing. Scotland pre World War II is captured beautifully here with cinematography that gained the film it's only other Oscar nomination.

Poor Coburn and his fellow nominees were screwed by the Academy that year as they awarded a special Oscar to Harold Russell for his performance as the armless sailor in The Best Years Of Our Lives and then had him compete in the Best Supporting Actor category. Coburn and his fellow competitors William Demarest, Clifton Webb, and Claude Rains were at a very unfair disadvantage to Harold Russell.

Not a film to be missed for family viewing time.

If anything this film gives us a look at some overlooked talent within Hollywood, also of work overlooked by some film critics. Firstly the overlooked talent: MGM for not utilizing the remarkable Beverly Tyler, this natural talent sang like an Angel and looking back at her superb performance of a prime number from Handel's Messiah, it leaves you wondering why? ~ could it be because she might not have 'played the game' in Hollywooodland...

Secondly, overlooked works by Critics: Over the years there have been many examples of certain critics uniformly choosing to bag various works (including this one). To cite just a few: "We are not Alone" '39 (Muni) ~ "Rapture" '65 (Stockwell again) ~ "Walk on the Wild Side" '62 (turned a trashy Nelson Algren book into a decent look at life during the 1930s) ~ "The Arrangement" '69 (Elia Kazan's biting observations of the excesses of advertising-TV's 'Mad Men' series copied aspects of this one). These were all astute productions, offering in-depth character studies brought to life via highly effective performances. Reading between the lines of selected reviews it seems evident some critics either chose not to support, or did not get the intended messages (?). Whatever the reasons, their cynicism can often be evident. In the case of 'The Green Years' anyone who knows how to enjoy golden years movie making, should find it stands on solid legs of it's own. It's rather odd this classic has been little seen over the years (despite it being very popular in it's initial release!). In some respects it now seems even better in comparison to many of the sub-standard productions that have followed it.

The entire cast could not be more perfect, bringing A.J.Cronin's multi-layered characters vibrantly to life. Charles Couburn as grandfather is a hoot (despite his amber failings). Dean Stockwell as the orphaned lad is as reliable as you could ever hope for. The screenplay adaption of Cronin's classic novel keeps all the essential ingredients moving along strongly. Award winner George Folsey as cinematographer, captures striking visuals under the deft call of versatile director Victor Saville. The whole experience results in a shining encapsulation of the pathos, drama, and humour of a young man's journey into manhood.

This movie is up there with the likes of "Kings Row" '42 and Cronin's earlier classic from '38 "The Citadel". If you're too cynical to allow natural sentiment to enter your movie experience, then this may not be for you...but then again, nostalgia and sentiments travel hand in hand through all our lives. Novelists, poets, songwriters, all relate to melancholic reminiscences. You might be fortunate to find it available on Warner Archive DVD, otherwise tune into TCM (their print may not be terrific but is better than others I've seen). Recommended for lovers of first class classics....junk lovers, beware. KenR

Footnote: planktonrules from Florida, has posted a neat summery for comparison ~ although I disagree with his comment about too many story elements. Any details that were major in the book needed to be included in the film, having said that, I'm pleased the film makers did not opt for an over long running time (I also note: the print I saw on TCM ran 120mins not 127m as listed on IMDb) Not sure what was going on there but I was quite happy with it anyway.

A measure of this film's quality is that days after screening it I'm still thinking about it. It's a great multifaceted story with many and varied parallel plots and the performances will stay with you for a long time. Several scenes have become permanently engraved in my mind, too many to enumerate. Others have commented on Charles Coburn's performance and yes, it is outstanding, but not the only notable one. Hume Cronyn's miserly Papa Leckie is exasperating and even oddly sympathetic. Norman Lloyd who plays Papa's son is truly a chip off the old block if with more joviality. Gladys Cooper and Selena Royale are both excellent as always and Dean Stockwell gives a very nuanced performance, more so than in any other film I've seen him in. I should also mention Beverly Tyler whom I have never seen before if only for her singing voice which is truly angelic. And let's not forget another outstanding performance by Jessica Tandy in a complete role reversal from her previous outing in "The Valley of Decision". She is by far my favorite here even though she is not a headliner, with Coburn and Hume close seconds. If I have a gripe it's about the chronology. The story takes place in 19th century Scotland, a notoriously unhealthy place, yet it covers four generations. Coburn's grandpa is already an old man when Bobby comes to live with the Leckies yet he lives long enough to see Bobby to young adulthood a decade later. To top it all off he's an overweight alcoholic and his lifestyle is anything but healthy. That alone stretches all credulity although it is possible, if barely so. I think I'll have to read Cronin's novel on which the film is based to discover how the author handled this detail. Put that aside though and enjoy a great find.