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Verde Passional

Título original: Green for Danger
  • 1946
  • Approved
  • 1 h 31 min
AVALIAÇÃO DA IMDb
7,4/10
6 mil
SUA AVALIAÇÃO
Alastair Sim in Verde Passional (1946)
ComédiaComédia de humor negroCrimeMistérioSuspense

Adicionar um enredo no seu idiomaA Scotland Yard Inspector investigates odd hospital deaths during the London Blitz.A Scotland Yard Inspector investigates odd hospital deaths during the London Blitz.A Scotland Yard Inspector investigates odd hospital deaths during the London Blitz.

  • Direção
    • Sidney Gilliat
  • Roteiristas
    • Christianna Brand
    • Sidney Gilliat
    • Claud Gurney
  • Artistas
    • Alastair Sim
    • Sally Gray
    • Trevor Howard
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    6 mil
    SUA AVALIAÇÃO
    • Direção
      • Sidney Gilliat
    • Roteiristas
      • Christianna Brand
      • Sidney Gilliat
      • Claud Gurney
    • Artistas
      • Alastair Sim
      • Sally Gray
      • Trevor Howard
    • 89Avaliações de usuários
    • 47Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Fotos64

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    Elenco principal18

    Editar
    Alastair Sim
    Alastair Sim
    • Inspector Cockrill
    Sally Gray
    Sally Gray
    • Nurse Linley
    Trevor Howard
    Trevor Howard
    • Dr. Barnes
    Leo Genn
    Leo Genn
    • Mr. Eden
    Henry Edwards
    Henry Edwards
    • Mr. Purdy
    Ronald Adam
    Ronald Adam
    • Dr. White
    Judy Campbell
    Judy Campbell
    • Sister Bates
    Wendy Thompson
    • Sister Carter
    Rosamund John
    Rosamund John
    • Nurse Sanson
    Megs Jenkins
    Megs Jenkins
    • Nurse Woods
    John Rae
    • The Porter
    Moore Marriott
    Moore Marriott
    • Joseph Higgins
    Frank Ling
    • Rescue Worker
    George Woodbridge
    George Woodbridge
    • Det.-Sgt. Hendricks
    Richard Duke
    • Orderly
    • (não creditado)
    Hattie Jacques
    Hattie Jacques
      Elizabeth Sydney
        Ronald Ward
        Ronald Ward
        • Bit Part
        • (não creditado)
        • Direção
          • Sidney Gilliat
        • Roteiristas
          • Christianna Brand
          • Sidney Gilliat
          • Claud Gurney
        • Elenco e equipe completos
        • Produção, bilheteria e muito mais no IMDbPro

        Avaliações de usuários89

        7,46K
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        Avaliações em destaque

        7JoeytheBrit

        Quintessentially British

        The quintessential 40s British whodunit, Green for Danger satisfies even as it leaves a trail of plot holes that even Alistair Sims' rather self-satisfied Inspector Cockrill would have spotted. Perhaps it satisfies despite its flaws because it embodies all the good things about British films back then. The writers assume a level of intelligence on the part of their viewers and possession of an attention span that would seem unattainable to many of today's MTV generation. Time is taken to develop characters and establish relationships instead of telling the audience everything about a character that is necessary only for the purpose of driving the plot along.

        Alistair Sim, sporting a typically smug grin when he's not ducking airplanes, plays Inspector Cockrill, who is called upon to investigate the murder of a postman on the operating table at a quaint hospital full of wooden beams and flagstone floors. He doesn't appear until midway through the film – although his voice can be heard on the narration from the outset – and his dry wit peps things up immeasurably. We are presented with the usual group of suspects: Leo Genn as a vaguely slimy Lothario who wastes no time in pursuing the lovely nurse Fredericka (Sally Gray) the moment she breaks off her engagement to a young Trevor Howard; buxom Megs Jenkins, a matronly figure even then although she was still in her twenties, and a nurse who borders on the edge of hysteria nearly all the time. They were all present at an operation in which poor old Moore Marriott was pumped full of Co2, and are all, therefore, suspected of his murder.

        The film keeps you guessing throughout – knowing very little about the film before I watched it, I couldn't even figure out who the second victim was going to be for a while: the plot seemed to be setting up one character for the fall before turning the spotlight on someone else entirely. A couple of red herrings throw you off the trail quite nicely, and Inspector Cockrill's confidence proves to be monumentally misplaced. The twist at the end is truly sublime, and the look on Alistair Sim's face when all becomes clear is one of those cinematic moments that live long in the memory. It's all very quaint and old-fashioned now, but it still provides some solid entertainment.
        mosmanic

        Alastair strikes again

        The British film industry has had a chequered history, but was arguably at its finest in the 40's and 50's when it produced little gems like this.

        Straightforwardly plotted convergent mysteries of this genre, with or without a major twist, never fail to give simple satisfaction when acted by such a cast of stalwarts and regular journeypersons as we find here. Some may find the stiff upper lips and well modulated tones of the middle classes a little grating for modern tastes, where nurses all speak naicely and ordinary folk are played by caricature cockneys. Speaking of stiff upper lips, their very personification Trevor Howard is, of course, in it, playing a surgeon with a cloud over his career. Which is why the whole is leavened by the unique figure of Alastair Sim.

        No matter how serious the role he must play, his lugubrious features invariably betray an innate whimsicality, that essence of grown-up-naughty-schoolboy that we find so universally engaging, and which is the world's view of Britishness at its best. He makes it possible to insert a pratfall or quip to lighten the atmosphere without losing it.

        Films like this were very easy and cheap to make - minimal locations, scenery munching, explosions or car wrecks. Current film makers might take note of their bang-per-buck in an era when nostalgic baby boomers are making their cinema presence felt again. But where will they find another Alastair Sim?
        jandesimpson

        Sim's finest hour

        Although I would not quite go as far as Halliwell in listing "Green For Danger" among my top 100, I have to confess to a certain affection for this rather old-fashioned whodunit of 1946. Made in the days when repertory theatre flourished and railway carriages were full of passengers reading Agatha Christie rather than Harry Potter, it captures the very essence of what my grandchildren now refer to as "the olden days". Although based on a novel by the almost forgotten Christianna Brand, it has many of the hallmarks of a good Christie - murder in a hospital operating theatre, six suspects, second murder of of one of them who claims to know the killer's identity, a near re-enactment of the original crime to trap the murderer. Admittedly the film now shows its age. It is very much a studio bound production with backdrops including a painted village church spire. One actual country lane was used but nothing else as far as I can remember. Launder and Gilliat wrote intelligent scripts and directed and produced competently but their work was no match for what Lean and Reed were producing around the same time. A physical scuffle between the two male suspects has a staginess that would not have got past even an American B-movie director. However there are three features that lift what could have been a third-rate work into the realm of the "special". The first is the plot itself that manages to intrigue to the end - obviously a very good choice from among the innumerable whodunits of the period. The second is how good it is in evoking a very atmospheric period of our history - the near-final stage of the war when we were menaced by those quite terrifying "doodlebugs", the ominous drone of their flight, the sudden silence followed by their dreadful explosion. However for a film like this to work you have to have a really memorable detective of the likes of Poirot or Miss Marple. Alastair Sim's Inspector Cockrill is just such a creation. Sim was one of the great character actors of his time and in "Green For Danger" he never did anything finer. He brought to the role considerable subtlety. When there is no-one around he is a bundle of human weakness and self-doubt, sheltering nervously from a flying bomb, or failing to guess the murderer from a whodunit which provides his bedtime reading. However when on the job he displays a sense of professional competence that at times borders on aggression. Although he makes a serious mistake at one point we are in no doubt that, like Chabrol's Inspector Levardin, he is not a cop to be messed with, but, by letting us into his hidden weaknesses, Launder and Gilliat have given us one of British cinema's most endearing characters.
        oldsue

        Great film, memorable performances

        A wonderful film, a great adaptation of the book by Christianna Brand (some might say a definite improvement). Wonderful acting by Alastair Sim in particular as the detective. Captures the WW11 mood well. Great movie to watch on a rainy afternoon.
        10phil-small

        a dark delicious movie

        With its darkly atmospheric tones,Green for danger works extremely well.The second murder is incredibly well shot with scenes reminiscent of 'I walked with a Zombie',the noise & movement caused by wind being particularly effective.A stellar cast interact perfectly with a special mention for Sally Gray,on her first role after a 5 year break due to 'a mental breakdown',comes across as a glacial goddess.I'm not worthy.Alistair Sim's lugubrious narration provides a perfect framing device building a sense of anticipation and atmosphere.I don't find the movie slow and I was surprised that people find it 'talkie',maybe its modern audiences with their legendary short attention span!

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        Enredo

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        Você sabia?

        Editar
        • Curiosidades
          The lines quoted by Inspector Cockrill and Mr Eden come from William Shakespeare's 'The Merchant of Venice', Act 5 Scene 1.
        • Erros de gravação
          As the movie takes place in 1944 whilst Britain is being attacked by V1 bombs ('doodlebugs'), the windows and glass doors in the hospital should have been taped to prevent glass being shattered by an explosion and blowing in on people inside.
        • Citações

          Dr. Barnes: I gave nitrous oxide at first, to get him under.

          Inspector Cockrill: Oh yes, stuff the dentist gives you, hmmm... commonly known as "laughing gas."

          Dr. Barnes: Used to be... actually the impurities cause the laughs.

          Inspector Cockrill: Oh, just the same as in our music halls.

        • Conexões
          Featured in TCM Guest Programmer: Thelma Schoonmaker (2007)
        • Trilhas sonoras
          Paul Jones
          (uncredited)

          Arranged by Harry Gold and Norrie Paramor

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        Perguntas frequentes19

        • How long is Green for Danger?Fornecido pela Alexa
        • Some of the nurses are referred to as "Nurse". Others are called "Sister". What's the difference?
        • Why are some of the doctors referred to as "Mr." and others are "Dr." ?

        Detalhes

        Editar
        • Data de lançamento
          • 7 de dezembro de 1946 (Reino Unido)
        • País de origem
          • Reino Unido
        • Idiomas
          • Inglês
          • Alemão
        • Também conhecido como
          • Green for Danger
        • Locações de filme
          • Pinewood Studios, Iver Heath, Buckinghamshire, Inglaterra, Reino Unido(Studio)
        • Empresa de produção
          • Individual Pictures
        • Consulte mais créditos da empresa na IMDbPro

        Bilheteria

        Editar
        • Orçamento
          • £ 202.400 (estimativa)
        Veja informações detalhadas da bilheteria no IMDbPro

        Especificações técnicas

        Editar
        • Tempo de duração
          • 1 h 31 min(91 min)
        • Cor
          • Black and White
        • Proporção
          • 1.37 : 1

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