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IMDbPro

O Grande Segredo

Título original: Cloak and Dagger
  • 1946
  • Approved
  • 1 h 46 min
AVALIAÇÃO DA IMDb
6,6/10
3,8 mil
SUA AVALIAÇÃO
Gary Cooper and Lilli Palmer in O Grande Segredo (1946)
Trailer 1
Reproduzir trailer1:35
1 vídeo
99+ fotos
EspiãoFilme NoirAventuraDramaGuerraRomanceSuspense

Na Segunda Guerra Mundial, os Aliados competem contra o tempo para convencer dois cientistas nucleares que trabalham para os alemães a mudar de lado.Na Segunda Guerra Mundial, os Aliados competem contra o tempo para convencer dois cientistas nucleares que trabalham para os alemães a mudar de lado.Na Segunda Guerra Mundial, os Aliados competem contra o tempo para convencer dois cientistas nucleares que trabalham para os alemães a mudar de lado.

  • Direção
    • Fritz Lang
  • Roteiristas
    • Albert Maltz
    • Ring Lardner Jr.
    • Boris Ingster
  • Artistas
    • Gary Cooper
    • Robert Alda
    • Lilli Palmer
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    3,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Fritz Lang
    • Roteiristas
      • Albert Maltz
      • Ring Lardner Jr.
      • Boris Ingster
    • Artistas
      • Gary Cooper
      • Robert Alda
      • Lilli Palmer
    • 44Avaliações de usuários
    • 44Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Vídeos1

    Cloak and Dagger
    Trailer 1:35
    Cloak and Dagger

    Fotos121

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    Elenco principal79

    Editar
    Gary Cooper
    Gary Cooper
    • Prof. Alvah Jesper
    Robert Alda
    Robert Alda
    • Pinkie
    Lilli Palmer
    Lilli Palmer
    • Gina
    Vladimir Sokoloff
    Vladimir Sokoloff
    • Polda
    J. Edward Bromberg
    J. Edward Bromberg
    • Trenk
    Marjorie Hoshelle
    Marjorie Hoshelle
    • Ann Dawson
    Ludwig Stössel
    Ludwig Stössel
    • The German
    • (as Ludwig Stossel)
    Helene Thimig
    Helene Thimig
    • Katerin Lodor
    Dan Seymour
    Dan Seymour
    • Marsoli
    Marc Lawrence
    Marc Lawrence
    • Luigi
    James Flavin
    James Flavin
    • Col. Walsh
    Patrick O'Moore
    Patrick O'Moore
    • The Englishman
    • (as Pat O'Moore)
    Charles Marsh
    Charles Marsh
    • Erich
    John Bagni
    • Italian partisan
    • (não creditado)
    Lex Barker
    Lex Barker
    • Man Rescued at End
    • (não creditado)
    Eugene Borden
    • Inspector
    • (não creditado)
    Paul Bradley
    Paul Bradley
    • Bit Role
    • (não creditado)
    Frederic Brunn
    • German
    • (não creditado)
    • Direção
      • Fritz Lang
    • Roteiristas
      • Albert Maltz
      • Ring Lardner Jr.
      • Boris Ingster
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários44

    6,63.7K
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    Avaliações em destaque

    7arthur_tafero

    Better Than Average WW2 Spy Film

    This is old-school filmmaking by a master of directing; Fritz Lang, creator of M and many other fine films. Cloak and Dagger was made shortly after WW2, so it has that real WW2 feeling that only films from the 40s have. The two major stars, Gary Cooper and Lili Palmer have a wonderful chemistry that works, as well as all of the supporting actors. The production values are first-rate; Lang would make sure of that. The storyline is interesting; spies for the A-Bomb during the war. Recommended for good WW2 atmosphere.
    7brogmiller

    "I'm scared stiff!"

    This is the fourth and last of Fritz Lang's American espionage films and it is certainly a strange one. Written by Albert Maltz and Ring Lardner Jr. who were later blacklisted for their Communist sympathies, the film's anti-atomic sentiments have been expunged by the studio. As expected from Expressionist Lang the film looks wonderful but despite some thrilling moments it is on the whole uneven.

    Inspired by the exploits of OSS operative Michael Burke this has Gary Cooper as a mild-mannered nuclear physicist who is attempting to smuggle a fellow physicist out of occupied Italy. He is aided in this by Italian partisans, one of whom is played by Lilli Palmer. Naturally, a romance blossoms.......

    The character of Professor Jesper is surely one of the dullest heroes in film history which makes the casting of Gary Cooper a masterstroke. He carries it off wonderfully with his customary ease and we are with him all the way. He is especially sympathetic in his scenes with the marvellous Helene Thimig and Vladimir Sokolov and utilises the old charm with the double agent of Warner's contract player Marjorie Hoshell who is straight out of a film noir. His scenes with the Gina of Lilli Palmer just about work. There is certainly an emotional chemistry between them but alas not a physical one. As for Miss Palmer this is her first Hollywood film and proved to be a baptism by fire. Not only is her role as a traumatised bordering on paranoid resistance fighter extremely demanding, she was given a hard time by the director. Lang was known to be a bully and like all bullies picked on those least able to fight back. At one stage the entire crew walked out in protest at his treatment of her. When filming ended he told her; "I'll look after you in the cutting room." To his credit he did and she comes out very well. Needless to say Herr Lang was respectful towards Mr. Cooper!

    The scene that lingers longest and the one directed by the sadistic Lang with true relish is the fight between Cooper and the Italian fascist agent of Marc Lawrence. Their gruesome and vicious struggle is played out to the sound of an Italian street singer while the child's toy ball bouncing down the stairs to the feet of the corpse is very effective and evidently a nod to his masterpiece 'M'.

    Lang never concealed his loathing of meddling Hollywood producers and here once again his original ending in which the Germans appear to have the atomic bomb, has been cut. The horrors of Hiroshima and Nagasaki were of course all too recent and it is one of Life's supreme ironies that ex-Nazi scientists were assisting America in its nuclear programme.

    Despite its weaknesses this is still extremely watchable thanks to its charismatic cast, Lang's mastery of light and shade and of course the sine qua non of a Warner's film, Max Steiner's score.
    7AAdaSC

    James Bond prototype

    Gary Cooper (Professor Jesper) is a nuclear scientist who is sent on an espionage assignment into Switzerland to discover and report back what progress the Nazis have made in developing an atomic bomb. It's World War II and the race is on to blow each other up. He is told that respected scientist Helen Thimig (Katarin Lodor) is to be his point of contact but his assignment turns into a rescue mission on meeting her. When this fails, he switches his focus to Italy where he links up with the Italian Underground movement in order to rescue Vladimir Sokoloff (Polda), another super-brain scientist.

    The film reminded me of a James Bond style spy story. The cast are all OK and there are plenty of sequences that propel the plot forwards, although the film loses it's pace a bit with the romantic section between Cooper and Resistance fighter Lilli Palmer (Gina), which slows things down for about 20 minutes.

    As regards the plot, I'm not sure it makes sense. Jesper is sent to find out information and report back, but he ends up in the front-line as a spy with a gun who has to fight and defend himself and is involved in a kidnapping plot. Totally unreal but it really doesn't matter. It's an enjoyable film with a collection of memorable sequences, eg, the French Resistance at the beginning, the scene when Cooper confronts undercover Gestapo agent Marjorie Hoshelle (Ann Dawson), the Italian Resistance and the episode in the truck, and the fight scene between Cooper and Marc Lawrence (Luigi).
    7TheLittleSongbird

    Bleak thrills

    One of 'Cloak and Dagger's' biggest attractions was having Fritz Lang as its director, have said more than once about liking Lang a lot as a director and this film does nothing to change my mind. Of the cast, Gary Cooper is the most familiar name to me and while there are performances of his that are great there are a few that are not so good. The story sounded really interesting on paper and sounded like it would be a very atmospheric film.

    'Cloak and Dagger', when seeing it, could easily have been very run of the mill and very routine. Instead, to me on the most part it was really quite gripping. While 'Cloak and Dagger' is not one of Lang's best films, not by a long shot, and there are better spy thrillers out there, but it is still well done and better than a lot of similarly themed films from around this period and doesn't do anything to squander Lang's or Cooper's talents (a good thing, wastes of talent get on my nerves).

    Very atmospheric photography is an obvious good point, and the same goes for the lighting. Both add to the film's bleak atmosphere. Lang directs with great skill, didn't get the sense that he was bored or unsure of what he was doing, instead in control of the material and getting much out of it as possible. The script doesn't ramble or feel melodramatic, with it feeling as tight and cohesive as ought generally. The story more often than not is dripping in tension, at its best nail-biting, and the time that the film is set in is superbly portrayed in a frighteningly bleak manner and not shying away.

    There is one fight scene that is particularly tense. Cooper does very well in his role once he warmed into it. Lilli Palmer excels even better in a sensitive performance as a character just as interesting. Everybody else is solid, with Robert Alda being especially memorable.

    Unfortunately, 'Cloak and Dagger' does start off a bit too sluggishly and uncertain, would go as far to say routine.

    While the central relationship settles believably once things get going (which it took perhaps a little too much time to do so), it wasn't one that settled straightaway and took time to. The music is too intrusive in volume and tone, over-emphasising the mood.

    Altogether, solid film if not a great one. 7/10
    7hrkepler

    I'm Not Bond, I'm Not James Bond

    Oftenly overlooked and seemingly forgotten Fritz Lang's WWII espionage thriller. Although passable by Lang's standards, but entertaining enough for die hard noir and spy genre enthusiasts. This film is most notable because of being one of the first mainstream movies with anti-nuclear attitude. Lot of that was cut out from final film of course.

    'Cloak and Dagger' is war time melodrama in dark espionage sauce - there is romance, there action, there are thrills. Still the film feels little uneven at places. Gary Cooper's performance as professor Jesper was cool and charming, but at places he seemed too skilled and experienced as an secret agent opposed that he supposed to be just scientist inexperienced at secret agent field. That kind of gives the film James Bond like fairy tale super agent feel. Not that is a bad thing itself.

    Fritz Lang is one of those directors whom every film I want to see, and 'Cloak and Dagger' didn't disappoint me at all. Entertaining flick with enough juice to nail the viewer to the screen from beginning to end.

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    Enredo

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    Você sabia?

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    • Curiosidades
      Due to military intelligence and secrecy reasons, Hollywood film studios were prevented by the U.S. government from mentioning the OSS (the Office of Strategic Services) in movies during World War II. However, this movie was first released in September 1946, which was after the end of World War II, hence explaining why the OSS was mentioned in this movie.
    • Erros de gravação
      Establishing footage of Switzerland goes back to about 1920, based on the vintage women's fashions and automobiles briefly seen, even though it's supposed to be contemporary mid 1940's WWII era.
    • Citações

      Prof. Alvah Jesper: I am scared stiff. For the first time thousands of our fine scientists are working together, and to make what?... A bomb! But who was willing to finance before the war, to wipe out tuberculosis. And when are we going to be given a billion dollars to wipe out cancer? I tell you we could do it in one year!

    • Cenas durante ou pós-créditos
      Opening credits prologue: Toward the end of the war... the mountain border of Southern France.
    • Conexões
      Featured in You Must Remember This: The Blacklist Part 2: Crossfire - The Trials of the Hollywood Ten (2016)
    • Trilhas sonoras
      Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325
      (uncredited)

      Music by Johann Strauss

      Hummed and danced by Gina in the apartment

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    Perguntas frequentes19

    • How long is Cloak and Dagger?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 28 de setembro de 1946 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Alemão
      • Italiano
      • Francês
    • Também conhecido como
      • Cloak and Dagger
    • Locações de filme
      • Providencia Ranch, Hollywood Hills, Los Angeles, Califórnia, EUA
    • Empresa de produção
      • United States Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 9.719.952
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 2.862.025
      • 12 de ago. de 1984
    • Faturamento bruto mundial
      • US$ 9.719.952
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 46 min(106 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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