Por Causa Dele

As a previous reviewer remarked regarding this fine film obviously has no knowledge of what a legend Deanna Durbin is with her singing voice she literally saved Universal studios from bankruptcy with her very first film at about the age of 14. With that first film Three Smart Girls she went on to have a very successful career till the age of about 27 when she retired and now lives happily in seclusion in France. Because of Him is the story of an ambitious waitress who dreams of being on the stage and with a little trickery on her side achieves her dream with the starring role of her first play much to the chagrin of the plays writer who thinks she is totally wrong for the part, but as with most of her films it comes right at the end.

Deanna is such a sweet, old fashioned woman, she was about 23 in "Because of him". Deanna was 13 in her first appearance with Judy Garland in the short "Every Sunday" 1936, and that came out 10 years prior to "Because I know him" 1946. Deanna blossomed into a beautiful young woman in her 1940s films such as this one. And her voice is wonderful again here singing her lovely opera songs especially the tear-jerker "Danny boy".

The golden age had some beautiful operatic singing women, Janette McDonald in the 1930s and early 1940s, and Kathryn Grayson and Deanna Durban in the 1940s. All angels

Deanna had a deep admiration for John and wanted to star in his show so badly that she folded a letter that she typed herself about being invited to star in John's show, and asked him for his autograph with him only seeing the side of the paper without the letter showing. Since Deanna was waitressing and John was a customer at the restaurant she waitressed at, she was able to pull it off with John not discovering until later what she'd done. John did take it better than many characters of his sort in these types of films would take it. Generally, he took it well enough to remain calm and sympathetic towards Deanna and to keep her scheming move quiet and between only the two of them. But he didn't take it well enough to actually grant her wish to star in his show, and bluntly advised her to go back to her home town. Then Deanna, well at least her friends and family, did not keep the next plot point quiet. They publicised in the newspaper that she attempted suicide due to John's rejecting her for his show.

John's reaction to that, like with the autograph/letter scheme, was lighter than one would've expected, and he then really developed a soft spot for her innocence and determination. After that came Deanna's beautiful "Danny boy", and Deanna and John were not the only ones without dry eyes. I have a sentimental side to Golden age music, it's simply got a sweetness and charm to it that no modern music can match. Deanna Durban, Kathryn Grayson, Janette McDonald, Judy Garland, Nelson Eddie, Allen Jones, Dick Powell's singing, Ginger Rogers, Jean Harlow, Ruby Keeler, Clark Gable, Gene Kelly, Cary Grant's acting and charm, along with many others' singing, acting, sweetness, and charm have all helped to have made the pre-mid-1950s age a wonderful place

Deanna Durbin has perhaps the most beautiful singing voice in the history of this planet. I never leave reviews but had to say something upon reading the review of the ignoramus who spoke of her singing in--to put it politely--disparaging terms. To you, sir, madam, or whatever else you could possibly be, do the human race a favor and please resign from it. That act alone would probably bring peace and sanity to a world sadly in need of it.

There's a reason she alone saved Universal Studios from bankruptcy. Because 60 years ago, people actually had ears, eyes, and brains. God save us all.

"The film is only let down by Durban's (sic) terrible singing." . . . Now that's a good one! Deanna Durbin was catapulted to national prominence in her first appearance on the Eddie Cantor radio hour - at the age of 14 - as a singer. That program elicited 4,000 letters of praise, and off she took like a rocket. Her films were enormously popular, and she sang in every one. She changed the course of operatic singing and single-handedly inspired a whole new generation of opera singers. The list of her professional musical admirers is as long as your arm and includes Lily Pons, Maria Callas and Joan Sutherland, who said,"I wish I knew how she did it." Rostropovich, the great Russian cellist, said he was inspired to capture with his cello the same purity and clarity that he found in Durbin's singing. Mel Torme said Durbin was "phenomenal." He said she could sing anything you put in front of her and do it to perfection. I am rarely able to endure operatic singing, but Durbin is so good at everything, I'd rush to listen to her call hogs if given the chance.

The fact that credibility is strained to the limits is not unusual in most of the Deanna Durbin films of this period. "Because of Him" is no exception--with a charming performance by Deanna and an excessively hammy one (intentionally so) by Charles Laughton. Both prove they have a way with comedy--as does Franchot Tone as a playwright who does not want Durbin to star in his new show. While the thin plot hinges on whether or not Deanna is successful in seeking the patronage of famous actor (Laughton) and starring in the theater, there is an air of mirth in the proceedings with just the right light touch to keep the story spinning to a happy ending.

Deanna, as usual, is in fine voice and gives a lovely rendition of "Danny Boy" and tosses off an operatic aria under most unusual circumstances. Her voice is showcased here and so is her comic timing. Easy to see why she was such a popular favorite in the '40s.