A Bela e a Fera

This might be my nominee for the most beautiful film ever made. It ranks as one of my absolute favorites.

So many images stick in your head afterwards: the billowing draperies; the beast's flashing eyes when he first appears; the way his ears prick up when a deer moves through the woods-- he's trying to talk to Belle but can't help but be distracted-- one of those perfect moments; the way his hands smoke from the fresh blood when he's returned from the hunt; the living eyes in the carved stone; the hall full of arm/candelabras, turning as Belle passes by; Josette Day (quite an image all by herself); the moment that I can't even describe when she sort of folds into the sheets and vanishes-- so on, so on.

This is, in short, what film can do, when it tries. This was made long before computer graphics and the accompanying revolution in special effects, but if any of our modern directors deployed their resources as imaginatively, or as sensitively, as Cocteau did in the 40s, film today might be worth the paper it's printed on. But they don't and it isn't. Ah well. Get this and watch it; all due praise to Disney, but this is the fairy tale to see.

Based on the classic French fairy tale of the same name, Jean Cocteau's fantastical fantasy masterpiece is as grand and lavish as it is thought provoking and beautiful. Through a haunting and mystical atmosphere, French director Jean Cocteau creates a fairy tale world that completely lives and breathes on it's own. This world is complimented by an assortment of characters that all have their own unique charm, along with serving relevance to the poetic tale itself. The story follows a man that gets lost in the woods and happens upon an enchanted castle. While there, he takes a rose on the request of his youngest daughter, Belle. However, the castle is owned by a half man, half beast that likes to be called, simply, 'The Beast'. The Beast tells the man that the penalty for taking his beloved roses is death, but offers him a chance to get out of it, in exchange for one of his daughters...an offer which Belle accepts.

Most people will know this classic story as the Disney animated film from the early 1990's. That one wasn't bad for Disney, but I think most will agree that this largely ignored version is a far superior telling of the tale. The Beauty and the Beast works because underneath it's fairytale setting; it's a tender love story. It's a story of how love can transcend superficial boundaries. The Beast is, obviously an ugly character on the outside, albeit one with a heart of gold on the inside, thus allowing Belle to fall in love with him and the audience to feel for the character in spite of his physical affliction. This story has become legend, in both cinema and literature and several stories have taken influence from it since - from soft-core bestiality porn flick, 'The Beast', to the classic 'King Kong'; The Beauty and the Beast is one of the most important stories ever written, and Jean Cocteau has more than done it justice with this film.

This is my first taste of Jean Cocteau. I've heard many a good thing about the man (including that he inspired the majestic 'Eyes Without a Face'), and judging by this film alone; they would appear to be true. The way that Cocteau creates the atmosphere in the movie is superb, and also very subtle. There's no real macabre imagery on display, and Cocteau relies on smoke and the lavish Gothic settings to do it for him. It's true that the beast itself looks a little rubbish; but it still looks a damn sight better than a lot of the CGI incarnations that we see all too much of today. If what I've heard is right; Cocteau is responsible for much of what cinema has come to rely on, but even if it isn't true; this film is a must see.

This is what true movie-making is about. There is no CGI, no pop culture jokes, no stupid sex scenes. This IS what love stories are made of.

The classic fairy tale is given remarkable treatment by Jean Cocteau as he tells the tale of a beautiful girl who falls in the love with a tortured but charming Beast (played by Jean Maris in a stunning performance). This movie just seems to have it all: it's visuals are very impressive, the romance is very charming and not at all phoned in, the story is engaging and surprisingly tense, and the acting is just superb. Although there are no big movie names, you won't care for a second as this talented group will win you completely over.

Not only is this fantasy at it's very best, it often comes off more as a poem rather than a movie but you won't care. It's one of the most visually dazzling poems ever put on film.

I first saw this film, believe it or not, as a young boy of about four or five. The year was about 1952 or 1953, and I watched it on a typical TV set for those days - a very small screen with a very grainy picture. I remember being mesmerized by the film, particularly the ending. I must have asked my mother the name of it, for I never forgot it. I'm sure I didn't understand it much, it was just that I was swept away by the artfulness and magic of it. Its memory remained in my consciousness for about forty years, during which time I never once saw the film or even heard about it. Then I happened to run across it in a catalog. I just had to have it and ordered it immediately. It was an incredible experience to see this film again after so many decades, and to connect again with my child-self. I could see why the movie had made such an impression on me and haunted me all these years. As it turned out, the film had even more meaning for me as an adult, since the main theme had a special, personal relevance for me. Amazingly, I had also developed an obsession with roses, and tended to a garden of hundreds of rose bushes. All in all, a very beautiful film and a simple yet magical tale.

You can venture into this hypnotic domain and dive as deeply into its myriad of meaning and interpretation as you care - whether in the deeps or the shallows or somewhere in between, you'll find a mesmerising presentation of true originality from a legendary pioneer. The scenery, the costumes, the performances, the imagination and the innovation are all supremely wound around a tale few would not have encountered before, albeit through the animation of a slightly differing yarn. If that is what brought you here I hope you have not been disappointed, that it unlocks a door to so many treasures of cinema past, to diverse worlds and continents and by legends occasionally mightier than those found here.