O Filho de Robin Hood

To my knowledge, it must be the only Robin movie featuring Robin Hood Sr and Robin Hood Jr , the son the former may have had with Marian, here oddly absent whereas all Robin Hood the First 's companions have been summoned to fight again against a Lord -Regent who does not respect the Magna Carta : so begins a tyranny which denies all kinds of freedom ;they must take up again the fight against this villain.

The "twenty years after" trick would be resumed by Richard Lester in his "Robin and Marian"(1976) , but his movie was nostalgic, whereas this "bandit" is very tongue in chick , epitomized by an all-dressed-in green Cornell Wilde , who runs to the damsels in distress ' rescue , here the threatened queen ,no less!

Of the myriad epic adventures revolving around the legendary figure of Robin Hood, this is the one (despite the inherently low-key nature of it all) to come closest – in spirit, accomplishment and entertainment value – to the definitive 1938 Errol Flynn vehicle: I suppose it was mere coincidence that both had two directors assigned to them! For one thing, the look of the film is just as gorgeous (Tony Gaudio, one of the cinematographers involved, was also partly responsible for THE ADVENTURES OF ROBIN HOOD) but the action is similarly zesty, the leads (Cornel Wilde – actually playing the Son Of – and Anita Louise) equally likable and well-suited, and the rogues' gallery (including Henry Daniell, George Macready and Ian Wolfe – even if, admittedly, only the first gets a character of any real substance) no less formidable. Of course, a good deal of the plot is familiar from previous versions – since the off-spring of the crusading outlaw goes through much the same paces as his father: from the initial antagonism between him and the leading lady, and also between him and Robin's band of "Merrie Men" (apparently, they fail to notice the comparable attire!), to the presence of a usurper on the throne (who not only comes face to face with the hero for the first time when the latter interrupts the Regent's banquet, but the villain even tries to ensnare Wilde via an archery contest which Robin Jr. attends – and wins – under heavy disguise!). The script does, however, supply its own exciting embellishments to the formula, such as devising an elaborate plan to rescue the child king from certain death at the hands of the tyrant eager to get him out of the way – while the expected storming-of-the-castle at the climax by the forces of good takes a back seat to the inevitable duel between Wilde and Daniell (which surprisingly occurs out in the open at nightfall). The supporting cast also includes the likes of Jill Esmond – the ex-Mrs. Laurence Olivier – as the Queen Mother (whose character disappears half-way through), Lloyd Corrigan (as the typically bumbling Sheriff of Nottingham), John Abbott (as Will Scarlet) and Eva Moore (so memorable as Rebecca Femm in my all-time favorite film, James Whale's THE OLD DARK HOUSE [1932], relegated here to only a couple of scenes in one of her last roles). For the record, Wilde, Daniell and Macready would all appear in a number of other enjoyable swashbucklers over the years: interestingly, Daniell had previously dueled with Errol Flynn himself in THE SEA HAWK (1940), whereas Macready would eventually graduate to chief villain for this film's immediate follow-up i.e. ROGUES OF SHERWOOD FOREST (1950; which I actually watched early on in the year) http://www.imdb.com/title/tt0042901/usercomments-2.

As the Robin Hood legend goes Robin Hood was the son of a noble forced into outlawry when he defended King Richard I against the usurpation of his brother John. The fictional Robin Hood was ennobled again by a grateful king and he lived for a while happily ever after.

But now it's the troubles of a new generation, old Robin Hood played by Russell Hicks opposes the Earl of Pembroke who is the regent for the minor King Henry III, son of King John who Robin Hood had so much problems with. Just the fact that Henry Daniell is playing Pembroke is enough to tell you who the villain is. He wants to do a Richard III number and make himself king.

Hicks is getting old, but he's got his son Cornel Wilde to do the real heavy action stuff and he and the Merry Men of both generations get to do their thing again. Wilde is once again The Bandit Of Sherwood Forest.

I feel bad for William Marshall the Earl of Pembroke who was the son of the first William Marshall who had the same title. Neither Marshall was a bad guy given the mores of the times. In fact he married the King's sister and had his own entry into the royal family.

Daniell, the man with the built in sneer in his voice is aided and abetted by George MacReady and there's a pair of villains to worry about especially in the same film.

Jill Esmond plays the Dowager Queen and Mother of the king played by Maurice Tozzin. Her lady in waiting is Anita Louise who is where Cornel wants to make some time with. But saving the king comes first.

Wilde is a natural swashbuckler, it didn't hurt his career that in real life he was a master fencer, a member in fact of the US Olympic team before he was an actor. The best parts always seemed to go to Errol Flynn or Tyrone Power.

History gets trashed in The Bandit Of Sherwood Forest but with the cast it has, the film is a royal treat.

Columbia Pictures reportedly spent about $1 million on this fairly robust entertainment, chronicling the adventures of Robert of Huntington (American star Cornel Wilde), the son of the legendary Robin Hood (Russell Hicks). It's 20 years since Hood Sr.'s adventures, and there's a new tyrant to deal with, the nefarious William of Pembroke (ever-reliable Henry Daniell). This piece of work wants to murder the current boy-king (Maurice Tauzin) and become king himself. But Robin still associates with his legendary Merrie-Men, and is soon joined by Robert, who's just as adept at handling swords and bows & arrows.

A first-rate cast (Jill Esmond as the queen, Anita Louise as Roberts' love interest Lady Catherine, Edgar Buchanan as Friar Tuck, George Macready as Fitz-Herbert, Ray Teal as Little John, etc.) helps to make this very pleasant if nothing altogether special. While there is enough violence on hand, very little of it is actually bloody, and the action is well-executed. The music is by Hugo Friedhofer, who'd worked on the very popular Errol Flynn Robin Hood movie, and it's appropriately rousing. The athletic and charismatic Wilde is a fine choice for the dashing lead, who has a sense of humour and a very confident attitude. Daniell is, as always, a perfect movie villain. You only have to know him briefly to know that he's pure evil. But what really makes the difference is the fact that Columbia shot this in Technicolor, which gives the adventure a degree of freshness. Some of the colours just pop off the screen.

Screenplay credited to Wilfrid H. Pettitt & Melvin Levy, based on a story by Paul A. Castleton & Pettitt and a novel by Castleton. Henry Levin and George Sherman share director credit, but maintain an effective unity of vision.

Six out of 10.

Hot off the heels of his starring role as Chopin in A SONG TO REMEMBER, actor CORNEL WILDE was actually a fine choice to play the swashbuckling title role since he was an athlete of Olympian proportions. ANITA LOUISE, originally considered for the Maid Marian role in Flynn's film version, plays the lovely Lady Catherine.

It's strictly Saturday matinée stuff from Columbia, splashed with gorgeous Technicolor scenery but unfortunately a script that is only occasionally interesting enough to warrant the royal treatment given the production values and costumes.

Interestingly, Tony Gaudio photographed it (he did Errol's ROBIN HOOD) and all of it looks like it was filmed yesterday in the brightest of hues. JILL ESMOND, RUSSELL HICKS (as Robin Hood), LLOYD CORRIGAN, GEORGE MACREADY, EDGAR BUCHANAN (as Friar Tuck) and reliable villain HENRY DANIELL (wickedly plotting the death of a boy King) are all satisfactory in supporting roles. Only really miscast actor seems to be JOHN ABBOT as Will Scarlett.

It works on a certain level as a zestful Robin Hood film, but is really nothing special despite spirited performances by CORNEL WILDE and ANITA LOUISE as the leads.

For an entertaining hour and twenty minutes, it's well worth watching but it's directed without any particular style by George Sherman.