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Anna e o Rei do Sião

Título original: Anna and the King of Siam
  • 1946
  • Approved
  • 2 h 8 min
AVALIAÇÃO DA IMDb
7,0/10
2,8 mil
SUA AVALIAÇÃO
Linda Darnell, Rex Harrison, and Irene Dunne in Anna e o Rei do Sião (1946)
Period DramaBiographyDramaRomance

Adicionar um enredo no seu idiomaIn 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.

  • Direção
    • John Cromwell
  • Roteiristas
    • Talbot Jennings
    • Sally Benson
    • Margaret Landon
  • Artistas
    • Irene Dunne
    • Rex Harrison
    • Linda Darnell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    2,8 mil
    SUA AVALIAÇÃO
    • Direção
      • John Cromwell
    • Roteiristas
      • Talbot Jennings
      • Sally Benson
      • Margaret Landon
    • Artistas
      • Irene Dunne
      • Rex Harrison
      • Linda Darnell
    • 41Avaliações de usuários
    • 19Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 2 Oscars
      • 6 vitórias e 6 indicações no total

    Fotos25

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    Elenco principal59

    Editar
    Irene Dunne
    Irene Dunne
    • Anna Owens
    Rex Harrison
    Rex Harrison
    • King Mongkut
    Linda Darnell
    Linda Darnell
    • Tuptim
    Lee J. Cobb
    Lee J. Cobb
    • Kralahome
    Gale Sondergaard
    Gale Sondergaard
    • Lady Thiang
    Mikhail Rasumny
    Mikhail Rasumny
    • Alak
    Dennis Hoey
    Dennis Hoey
    • Sir Edward
    Tito Renaldo
    • Prince Chulalongkorn - as Adult…
    Richard Lyon
    Richard Lyon
    • Louis Owens
    John Abbott
    John Abbott
    • Phya Phrom
    • (não creditado)
    Aristophanes
    • An Elephant
    • (não creditado)
    Victor Bach
    • Midget Page Boy
    • (não creditado)
    Cha Bing
    • Wife of King
    • (não creditado)
    Jan Bryant
    Jan Bryant
    • Wife of King
    • (não creditado)
    Oie Chan
    • Old Woman
    • (não creditado)
    Si-Lan Chen
    • Dance Director
    • (não creditado)
    Maxine Chevalier
    • Wife of King
    • (não creditado)
    Dorothy Chung
    • Amazon Guard
    • (não creditado)
    • Direção
      • John Cromwell
    • Roteiristas
      • Talbot Jennings
      • Sally Benson
      • Margaret Landon
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários41

    7,02.7K
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    Avaliações em destaque

    10Enrique-Sanchez-56

    BETTER than the KING and I

    Summary: BETTER than the King and I This has always been my favorite version of this story. Why? Not just because it was done first (1946); that is, before the King and I (Play-1951; Film-1956), does it make it better. Not because the original story was a drama rather a lively Broadway musical. Not even because the story was written by a woman about a woman and not about a man as was shifted later by Brynner. The performances by Irene Dunne, Rex Harrison, the production values, the direction are all done at such a fine intimate level. The true nuance of the hardship that Anna went through in her dealings with this imperial king is felt throughout. The musical never depicts this which such finely-wrought detail and care. With our 21st century sensibilities we might think that there is something goofy about Rex's performance. Does anyone really know what life was in 19th Century Siam? I believe this even after reading about the difficulty Harrison had with the depiction of this role. There is nothing Charlie Chan-ish about this performance. The strictness and order of the Asian mindset does create a cultural chasm at times for us in the West. The Asian languages are structured differently than our Western languages. The use of articles is almost non-existent, therefore the sometimes stilted manner of vocal delivery may sound staccato. The Asian vocal chords are sometimes different from Western vocal chords. There exists a predominance of higher pitched voices. And so what of it? Was the King and I more real than this movie? The only thing that can be said about Brynner is that he is physically more imposing than Harrison and Brynner has a rather slight Mongolian aspect to him which brings more authenticity to his appearance. Finally and besides my objections above, ANNA AND THE KING OF SIAM is movie full of heart and compassion. Each turn of events is handled with care and not given a Hollywood finish and sheen. ANNA is recommended hands down. The finale, though some jaded observers would dismiss as formulaic, is indeed a grand and quiet moment not to be missed.
    8abcj-2

    The best version of them all!

    I watched this film because I'm such a fan of Irene Dunne, particularly in her light-hearted romantic and screwball comedies. There are some amusing situations, but this is ultimately a drama and certainly not a lavish musical. It still, to me, is the best version of them all.

    This film hits hard right out of the gate with Anna and her son caught in a situation that neither quite expect. Rex Harrison plays the King surprisingly well despite not looking as exotic as Yul Brenner or as truly authentic as Yun-Fat Chow. Dunne's determination and caring for her son spur her on and make her brave and strong in an understated fashion as the film progresses. The main characters repartee is a delight to witness. Their chemistry is just right, and they do not have the luxury of lavish musical numbers to draw them together. One just knows they have a great respect for each other from very fine acting.

    I will say that I found this version the most emotionally charged of the three motion pictures, yet it is not a Peyton Place melodrama. Maybe that's why I love it so. It's so well-made in every aspect that it really packs that emotional punch for me. I didn't even recognize the usually very recognizable Lee J. Cobb and somehow missed his name in the credits the first time.

    I think this is about as fine an epic drama about forbidden romance and opposing cultures as I've seen. I give most of that credit to the wonderful performances of the leads and the incredibly adept script. It entertains, tugs at your heartstrings, and doesn't disappoint. I highly recommend it as the best version of them all:)
    7jlanders13

    A good role for Irene Dunne

    "Anna And The King Of Siam" is the original, non-musical, version of what was later re-made with Deborah Kerr and Yul Brenner as "The King And I". This is one of the few Irene Dunne originals that is not better than the remake. Irene Dunne was a highly original and intelligent woman and had few equals either before the camera or in her private life.

    In fact, if you consider all of Irene Dunne's original movies that have been remade into newer versions with the same name: such as "Back Street" 1932 or "Magnificent Obsession" 1935 or "Showboat" 1936 or "Age of Innocence" 1934 - or under a different title: such as "An Affair To Remember" which was a remake of "Love Affair" 1939 or "Something's Got To Give" which was essentially the same plot as "My Favorite Wife" 1940 - it amazes me that she was nominated six times for best actress and NEVER WON!

    Usually, her original versions are much better than the remakes. Anna and the King of Siam would have been had the remake not included such a lovely musical score and been so beautifully filmed in color.
    9peacham

    Strong Performances highlight Film Classic

    Too many people who have seen "the King and I" before viewing this film have unjustly compared it unfavorably to the musical. You can't compare Sir Rex and Mr. Brynner as the King. the performances are so different. Harrison gives a wonderfully cruel yet compassionate performance. he is a slyer, more intellectual Monkut than Brynner was. His scenes with Irene Dunne bubble with chemistry. Dunne is every inch the Anna that Deborah Kerr was and gets a scene that was removed from the remake. The performance she gives after the death of her son was stunning!

    I recommend this film over the musical for sheer consistency of style. Sir Rex and Ms. Dunne are wonderful together and the entire film its a gem fro start to finish.
    8Mitch-38

    Fine Adaption of Classic

    Very enjoyable tale of Governess teaching Siam Ruler's children, then butting heads with the deified king over issues of culture and custom.

    Irene Dunne and Rex Harrison star, and they work well together, from the frosty start, to the begrudging respect into the romantic overtones that develop. Their chemistry is the key to holding the film together - and it works. The sets are marvelous, and the supporting cast (Gale Sondergaard, Lee J. Cobb [yes-I said Lee J. Cobb!] et al) are quite good.

    There's been much ado about comparing this movie with THE KING AND I. Margaret Langdon did not write a musical about her experiences there, she wrote a book. Rodgers and Hammerstein wrote the musical, based on the book. The two are certainly two different entities, and should be based on their singular merits and faults. It's about as silly as trying to link REBEL WITHOUT A CAUSE and GREASE!

    Yes, Anna's character is a tad dowdy, if not prudish; yet these are values from the 1860's, not Woodstock in the 1960's. It's really not fair to judge the characters motivations by our present standards or perceptions of morality. True, it would have been better to cast an Asian actor as Mongkut, yet these were not the realities of 1940's Hollywood; and we well know this.

    Overall, we watch cinema to be entertained and escape, and ANNA AND THE KING OF SIAM provide more than ample reward for the viewer, in that regard.

    Enredo

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    • Curiosidades
      Sir Rex Harrison thoroughly enjoyed co-starring with Irene Dunne. He thought her "an excellent actress" and was pleased that she had the confidence to follow her own instincts. He recalled, "She too went her own way and tactfully used the director, as I later learned to do myself, to her own advantage; she listened to what he had to give, and discarded it or used it, as she wished."
    • Erros de gravação
      As the various Consulates are being established, there are several errors involving the national flags; the British Union Jack is shown upside down, the French flag is replaced by that of The Netherlands, and the US flag is shown with 48 stars (correct for 1946, but in 1870 there were only 37 states).
    • Citações

      Kralahome: [the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"] Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still protests his loyalty to Your Majesty.

      King Mongkut: So, a camel's nose is in the tent. The partition of Siam, it has begun.

      Kralahome: For a long time, we've said this hour must come. Now it is no longer talk. It is upon us. What do we do?

      King Mongkut: Nothing. We shall do nothing whatever in this matter... because there is nothing we can do.

      Kralahome: Your father took such a man once and burned out both his eyes, hung him in the sun in a cage over cool running water, until he went mad.

      King Mongkut: [Heartbroken, yes resigned] We have not the right to waste ourselves on something which cannnot be changed. We shall save what strength and cunning we may have to hold together what is left of Siam. And if we cannot save all that is left, we shall save what we can.

      Kralahome: [after a long pause] Tell me something Toongramon. A long time ago, I came to you and asked you to leave a life of peace, and to be King. If I could ask you now to make that choice, what would your answer be? Think well before you answer that. Think what this can mean to you.

      King Mongkut: You feel great responsibility for me, don't you, Chow Koon?

      Kralahome: You might still be living peacefully at the monastery if I had not persuaded you. Perhaps it is not too late to return. Think well on that. The monastery instead of this place, where you have only enemies and danger. Well, you know this is not the end. The ships of Europe will crowd thicker on our seas, greedy for conquest. They have the power... and the cunning. They know how to set your nobles against you, how to buy and threaten them. How can you hope to hold Siam together against enemies without and within? All that it can mean to you is that, in the end, you will die in a lost cause.

      [pause]

      Kralahome: I have done you a sorry service to have brought you to this moment.

      King Mongkut: [after a moment] I think you take too much credit on yourself, Chow Koon. There is a man born for every task, and I was born for this one. Remember, I was prince before I was monk. Let me ask you, if you were in my place, what would your answer be?

      [Long pause. He cannot answer]

      King Mongkut: Then give me as much credit as you allow yourself, my friend.

      Kralahome: If only we had more time.

      King Mongkut: [Court musician can be heard playing "Home, Sweet Home" outside the King's window] She's got someone else at it.

      Kralahome: She?

      King Mongkut: That woman and her house!

      [Calls to court musician]

      King Mongkut: Stop it!

      [Music stops]

      King Mongkut: Take a lesson from her, my friend, and you'll never give up on anything. Give her a house.

      Kralahome: But...

      King Mongkut: Give her a house! If she was meant to be a sign to us, she deserves a reward.

      [Really angry now]

      King Mongkut: And if she wasn't, well, give her a house anyway, before she drives me out of my mind!

    • Versões alternativas
      The 2006 UK DVD was cut by 2 secs by the BBFC to remove a horse-trip.
    • Conexões
      Featured in Rodgers & Hammerstein: The Sound of Movies (1996)
    • Trilhas sonoras
      Home Sweet Home
      (1823) (uncredited)

      from "Clari, The Maid of Milan"

      Music by H.R. Bishop

      Lyrics by John Howard Payne

      Sung by the King's children and played often in the score

      Sung a cappella a bit by Mikhail Rasumny

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    Perguntas frequentes

    • How long is Anna and the King of Siam?
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    • What is 'Anna and the King of Siam' about?
    • Is "Anna and the King of Siam" based on a book?
    • Is it possible to read Anna Leonowens' memoir online?

    Detalhes

    Editar
    • Data de lançamento
      • 6 de setembro de 1946 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Ana y el rey de Siam
    • Locações de filme
      • Los Angeles County Arboretum & Botanic Garden - 301 N. Baldwin Avenue, Arcadia, Califórnia, EUA
    • Empresa de produção
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 8 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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