Eu e o Sr. Satã

Paul Muni leads a talented cast in Archie Mayo's dark comedy about a wise-guy (Eddie Kagle/Muni) who, murdered, finds himself entangled in one of Satan's (Claude Rains) schemes to outwit his arch-rival and steal the soul of a righteous judge who happens to look exactly like Kagle. Kagle is willing to do the devil's handiwork as long as he can get revenge upon his murderer. But living vicariously in the life of a good man (Judge Parker), loved by an even better woman (Barbara/Anne Baxter) Kagle begins to question the evils of his life.

While Angel on my Shoulder is not quite a redemption story, it endows its characters with just enough conscience to make them sympathetic. The characterizations are strong - especially for the three leads - Muni, Rains and Baxter. All three are excellent, and help to make the film worth watching. The script is good, and occasionally very clever, but also slips once in a while. The pace is steady though not brisk. The cinematography is, at times, a bit hokey, but this fits the occasional lapses into silliness which the story indulges.

Recommended for young adults and older adults. Aspects of the film may frighten younger viewers and some of the key humor may not be appropriate for kids.

It's the film everyone remembers from those Saturday afternoon TV film matinees. The producer, Charles R. Rogers, had a pretty bleak record when it came to producing films on his own (he was once a V.P. at Universal before going solo). But with "Angel" he knocked it out of the park. He inserted age-old movie favorties and combined them into one story. Gangsters, fights, comedy, drama, fantasy... what's not to love?

"Angel on My Shoulder" (1946) offers up classic performances by such legendary stars as Paul Muni, Anne Baxter, and Claude Rains. All cast to type, they give performances that are timeless. When you think of any of these stars, think of them in this film and it will give you a pretty good idea as to what each was known for.

Although this film was put together during the tail end of World War II and was designed as escapist fun, it holds up today. In fact, it begs for a good re-make. One was done for TV back in 1980, but fell flat. So bad was that version, that they should pay you to watch it. Yet if someone was to do it correctly today, they would have a real gem on their hands.

If you haven't seen the original 1946 version, catch it on TV. It belongs in everybody's movie-watching repertoire.

I admit I'm a sucker for both postwar noir and movies about heaven, hell, the Devil et al, from "Dante's Inferno" through "Petey Wheatstraw," so maybe I like this one more than you would. But I do like it a lot. Paul Muni is hilarious, mugging outrageously when he's not leaping through the air to rumble with devils or thugs.

Never been the biggest Claude Rains fan--his prissiness wears on me midway through any film he's in--but he makes a good, nasty Satan. The scenes in Hell, which looks like the boiler room on the Titanic, are priceless. Lots of good character actors playing brawny devils, lunkheaded mooks, tough dames, flustered Man Fridays and such. The plots a little more clever than you'd expect from this kind of film, with a very nice twist at the end. Definitely worth seeing if you're a fan of the oldies.

Paul Muni was an actor who was way ahead of his time. Who else could have played Louis Pasteur, Emile Zola, and a gangster, all with perfect accents, inflections, and facial expressions? His kind of acting was so way ahead of his time - most actors in the 1930s and 1940s were typecast into roles that didn't allow them to play a variety of characters. But not Paul Muni. Most actors in the 1930s and 1940s did NOT do accents, even though by today's standards, we consider this a requirement - but not Paul Muni.

Having just watched "The Life of Emile Zola", Here his portrayal of Eddie Kagel blew me away. The movie itself is slight, and has some humorous moments. But Paul Muni's performance raises it above the rest.

Paul Muni is a dead convict brought back to earth by the devil in "Angel on my Shoulder," a 1946 film also starring Claude Rains and Anne Baxter. Muni is Eddie, a convict fresh out of jail who is killed by his partner Smiley and goes straight to you know where. Let's just say it's hot. The devil, played by Claude Rains, needs help himself. A Judge Parker is keeping too many candidates out of hell, and he sees that Eddie is a ringer for the Judge. So he arranges for Eddie to get into the judge's body as he sleeps so that he can ruin the judge's reputation and Eddie can get revenge on Smiley. But even the best-laid plans of the Devil can go astray.

During and after World War II, films dealt with psychiatry, with angels, with death, and with people returning from the dead. All of this had to do with the emotional and adjustment problems that returning soldiers had and with the loss of loved ones in countless families. "Angel on My Shoulder" is along the same idea as "Here Comes Mr. Jordan" and "A Guy Named Joe," and a close brother of "Heaven Can Wait" and the later "The Bishop's Wife." This is an excellent example of the genre, with top acting by Paul Muni, Anne Baxter, and Claude Rains. Muni is great in a Bogart type of role - he gives a performance imbued with toughness and humor as a bad guy who begins to see the other side of evil. Anne Baxter is very good as his patient but suffering fiancée, endeavoring to understand the difference in the judge's personality. As the Devil, Claude Rains is inspired casting. He's elegant, charming and manipulative, and gets plenty nervous when he sees things aren't working out as he planned.

Wonderful film, and a good chance to see the fine actor Paul Muni in a lighter role than he usually played.