A Pérola

Adaptation of John Steinbeck's "The Pearl". I had to read the short novel in junior high. I found it bleak and depressing but powerful. I never even knew there was a film of this until TCM showed it tonight. I was very impressed.

It's a Mexican film and the story was changed to fit into that environment. I never even knew Mexico had a film industry back in the 1940s--films like this are never shown. That's a shame because this film was great. The acting was just OK but that's good--if it had been better acted this might have been unbearable. They didn't lighten up the book or change the ending like Hollywood would have done. And the direction and cinematography were just beautiful--this film should be seen just for the imagery alone. From the opening shot of the women in white robes standing silently by the sea the movie pulls you right in.

This is not for everyone. It's dark and depressing but just great. Despite the change of setting it retains all the power of the short novel. The only debit I could think of was the sometimes intrusive music score--some scenes would have worked much better silently. Still, well worth seeing. I give it an 8.

I am a Brit happily married to a Mexicana for many years and lived in Mexico for a number of years.

La Perla is a photographic masterpiece of significant beauty and well worth seeing for the magnificence of the incredible use of natural light to highlight the scenery.

In addition to the two main stars the cast contains a number of actors whose work I have enjoyed immensely and the scenes depicting the singing and dancing at the local fiesta bring back to me countless memories of pleasure during my life in that beautiful country.

This film really does reflect the Golden Years of the Mexican Fim Industry.

This is a wonderfully shot film whose story, while not totally believable, could serve as allegory. Perhaps the family of the Mexican fisherman-diver played by Armendariz would have been happier if he had not discovered the pearl at all, but the poverty that endangers their baby's life makes his joy at this discovery (in a good underwater scene) credible. Immediately afterward, he finds himself beset by freeloaders and robbers (including his own brother), and the spiral continues until it ends in flight, hunger, death and a sort of redemption: the pearl is hurled back into the sea that spawned it. Apart from the story, the highlight is the Mexican scenery, the village and villagers, and the skillful and evocative camera angles. As one reviewer wrote, it's unlikely a villagers' celebration would have been as elaborate as the one shown in "La Perla," but it is enjoyable. Perhaps one semi-cynical message that could be gained from this film is that if you strike it rich, tell as few people as possible.

What can go wrong when you gather several geniuses in their respective fields: California's John Steinbeck(who later won the Literature Nobel prize), Gabriel Figueroa, Mexico's greatest movies photographer, and one of the all time greats in international cinematography, Mexico's Emilio "Indio" Fernandez??? This movie is among Mexico's greatest movies of all times. It is a story of greed and poverty(which by the way could still be a contemporary story), it is an impacting story about a poor Fisherman whose son was denied treatment by the ambitious foreign Doctor in the Village, and who later tries to steal from the ignorant Fisherman, a very valuable pearl he found in the sea. This movie was produced for RKO Radio Pictures and it was released in both English and Spanish. As an added piece of information, El Indio Fernandez, the Director, who was in platonic love with Olivia de Havilland wanted her to be the star of the picture, but more than likely this was never offered to her; So much was the love that he had for Olivia, that the street where he lived in Mexico was named Dulce Olivia(sweet Olivia) at his request. This movie was filmed in 1945, precisely during the "Golden Age" of Mexico's Cinematography.

By the advent of the pearl, everyone appears to be changed in character into a monster of greed, except the protagonists, the fisherman, his wife and their baby, who instead turn into refugees and victims. It's an anatomy of greed with a definite morality, that a great fortune must lead to greed, criminality, death and loneliness. It doesn't have to be like that, but in this story, that is definitely the case in hopeless despair with no illusions surviving, As the pearl enters their lives they start dreaming of all the possibilities it imports, and there is great festivity in the entire village, as all the poor people rejoice in the fisherman's good fortune, but there are always opportunists, and at the appearance of a chance of fortune they will go at any length and sacrifice all human values for their greed. A return to absolute poverty seems to be the only solution to the problem. John Steinbeck's story is a grim study in the weakness of common man, what is lacking here is any wisdom in any man, the fisherman doesn't even have any reliable friend whom he can trust for advice, and the one who helps him gets shot for it. It is impossible not to have objections against such a hopelessly dark and bleak assessment of man, since there must be alternatives. Nothing is completely black, and although the fisherman and his wife survive their via crucis, there must be a new life for them.