AVALIAÇÃO DA IMDb
5,3/10
448
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.A theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.A theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.
Fred Aldrich
- Detective
- (não creditado)
Budd Buster
- Mike - Stage Doorman
- (não creditado)
Tom Coleman
- Senator in Play
- (não creditado)
Oliver Cross
- Theater Patron
- (não creditado)
Tom Ferrandini
- Theatre Patron
- (não creditado)
Joe Gilbert
- Theatre Patron
- (não creditado)
Pat Gleason
- Reporter
- (não creditado)
Avaliações em destaque
I've just seen The Phantom Of 42nd Street for the first time and found it fairly enjoyable, but a little talkie at times.
A critic and police investigate a series of murders that have taken place on the set of a play. Three people have been killed in all and in order to catch the killer, a performance of Julius Caesar is held. Will the killer be caught?
This is an interesting little movie and atmospheric but I found it a little slow moving in parts.
The cast includes Dave O'Brien (The Devil Bat), Kay Aldridge and Alan Mowbray (Terror By Night).
Though not brilliant, The Phantom Of 42nd Street is worth watching. A good time filler for an hour or so.
Rating: 2 and a half stars out of 5.
A critic and police investigate a series of murders that have taken place on the set of a play. Three people have been killed in all and in order to catch the killer, a performance of Julius Caesar is held. Will the killer be caught?
This is an interesting little movie and atmospheric but I found it a little slow moving in parts.
The cast includes Dave O'Brien (The Devil Bat), Kay Aldridge and Alan Mowbray (Terror By Night).
Though not brilliant, The Phantom Of 42nd Street is worth watching. A good time filler for an hour or so.
Rating: 2 and a half stars out of 5.
From PRC, Producers Releasing Corp, comes the moidah of an actor. Dave OBrien is "Tony", mister suave reporter, who is trying to solve the case. Kay Aldridge is the actress Claudia, who may or may not be involved. lots of talking, talking with suspects, who may or may not be suspects. O'Brien certainly did it all; writer, actor, director. probably best known for "Reefer Madness", 1936. Met Harry Truman. died quite young at 57 from a heart attack. Keep an eye out for Cyril Delevanti... was the old guy in "Night of the Iguana". Directed by Al Herman; this was one of his last films. had started in silents, doing short films, and moved into the talkies. the sound and picture quality is pretty bad, but there ARE captions, so i guess we're lucky it's watchable at all, after eighty years. showing on FilmDetective streaming channel. it's okay. that about all.
A newspaper's drama critic turns detective when he gets mixed up with murder among members of a theatre company. Eventually, a series of murders occurs apparently committed by a mysterious phantom.
Not a bad little detective mystery from low-budget PRC. That's thanks mainly to a lively turn from O'Brien as Woolrich and the decorous Kay Aldridge as Claudia. Then there's the familiar Frank Jenks as the comedy relief cabbie, and a surprisingly delightful Vera Marshe as the lame brain waitress Ginger. The screenplay makes good use of its theatrical setting, and I suspect many of those backstage set-ups were real backstage scenes from PRC's sound stage. Of course, 50-some minutes is scarcely enough time to develop a strong list of suspects or mystery plot, but there's enough colorful characterizations to compensate. All in all, an adequate little time-passer.
Not a bad little detective mystery from low-budget PRC. That's thanks mainly to a lively turn from O'Brien as Woolrich and the decorous Kay Aldridge as Claudia. Then there's the familiar Frank Jenks as the comedy relief cabbie, and a surprisingly delightful Vera Marshe as the lame brain waitress Ginger. The screenplay makes good use of its theatrical setting, and I suspect many of those backstage set-ups were real backstage scenes from PRC's sound stage. Of course, 50-some minutes is scarcely enough time to develop a strong list of suspects or mystery plot, but there's enough colorful characterizations to compensate. All in all, an adequate little time-passer.
This is a creative cheapie from PRC. I like Dave O'Brien. He ought to have had a major career in films. He's good here, but I guess PRC was not the place to forge a career.
I think I saw this on local TV years ago. If not, I saw many mysteries like it.
This is about murders involving a theatrical family. Alan Mowbry, looking quite gone to seed, plays the patriarch. He gets to ham it up a little in "Julius Caesar." Forty-second Street! Wow, are there ever phantoms wandering around! At the time this was made, they were pining for the days of the Ziedgfeld Girl. Then there were legitimate theaters, where plays were performed. Next came years of decline: peep shows, etc. Now it is all cleaned up and is like a vast mall. It isn't much fun. The phantoms will go elsewhere.
I think I saw this on local TV years ago. If not, I saw many mysteries like it.
This is about murders involving a theatrical family. Alan Mowbry, looking quite gone to seed, plays the patriarch. He gets to ham it up a little in "Julius Caesar." Forty-second Street! Wow, are there ever phantoms wandering around! At the time this was made, they were pining for the days of the Ziedgfeld Girl. Then there were legitimate theaters, where plays were performed. Next came years of decline: peep shows, etc. Now it is all cleaned up and is like a vast mall. It isn't much fun. The phantoms will go elsewhere.
After watching this poverty row mystery -- and re-running the climactic scene three or four times -- there's no need for a spoiler alert. I still have no idea who committed the murders nor why. Which sorta' takes the wind out of watching Dave O'Brien as the drama critic for the New York Record playing amateur sleuth, probing the slayings that are decimating the cast of a New York repertory theater. Then again, why was the film called "Phantom of 42nd Street" when live theater had long given way to grind movie houses on 42 Street by the time it was made in the 1940s? That's easy. While "Phantom of 47th Street Between Seventh and Eighth Avenues" would have been more accurate, it wouldn't have had nearly the cache. And fitting it on marquees -- especially at theaters that played PRC releases -- would have been a challenge.
Você sabia?
- CuriosidadesClaudia Moore (Kay Aldridge) drives a 1941 Buick convertible.
- Erros de gravaçãoWhen someone takes a shot at Tony backstage, incredibly, most of the people backstage don't hear the shot.
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- Tempo de duração58 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Fantasma da Rua 42 (1945) officially released in Canada in English?
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