Amigos da Onça

Although not critically acclaimed as one of the team's best, Abbott and Costello use some of their best loved and remember skits in this film. The movie is worth watching for the "Who's On First?" skit alone. Good, clean, fun for the entire family.

If for nothing else, this movie can be watched for the most famous of the Abbott and Costello routines: "Who's on First?" It's performed to perfection here, with the 1980's showboat background to add some nostalgia to the mix, as well as great costumes. And watch what poor Lou has to go through when he attempts to sing while Bud is giving stage directions for the scenery!

There's also a routine reminiscent of the famous mirror scene from "Duck Soup", and a scene where Costello's shooting at some ducks that might have inspired the camping trip episode on "I Love Lucy".

There's a familiar face from a now classic Christmas movie, as the showboat captain is played by Henry Travers, known for his role as the angel, Clarence in "It's a Wonderful Life".

There's enough here to hold your interest and keep you laughing.

This movie is too often considered great just because of the "Who's on First" routine. Now don't get me wrong, that is the best part of it, but there are other wonderful parts of it as well. This is the first costume piece that Abbott and Costello ever did. I don't know that it had to be set on a Riverboat, but it did give them the opportunity to do a lot of great gags. This movie also includes the classic "My Bonnie Lies Over the Ocean" routine where Costello thinks he is getting stage directions from Abbott and the "feathers in the cake" routine.

A couple of comments on "Who's on First": this is one of the funniest comedy routines ever, and you can be easily amused just by reading it. What makes it so great in the hands of Abbott and Costello is their ability to stay in character while doing it. Throughout the routine Abbott cannot understand why Costello doesn't get what he is saying, and Abbott tries many times, in vain, to figure out the names of the players. The routine seems to be shot in one take, and we are the better for it. Watch it many times and pay attention to only Abbott or Costello and you'll get what I mean about them always staying in character. They rarely look at the audience, the continue their thoughts (as their characters) and the fact that neither of them understands why the other is not making sense is what makes this work.

It's not surprising that Abbott and Costello eventually got to do a movie on a showboat. Remember it was only 8 years earlier that Universal Studios did their classic version of Showboat and I'm sure that Carl Laemmle, Jr. wanted to take advantage of the set that was still there.

The Naughty Nineties in fact take whole characters from the Showboat plot. Henry Travers's character of Captain Sam is a total ripoff of Captain Andy and Alan Curtis and Lois Collier make a passable nonsinging Gaylord Ravenal and Magnolia Hawkes. Collier sings, but there are no classic duets like in Showboat. And Curtis's character is a riverboat gambler like Ravenal.

That being said the plot such as it is involves Rita Johnson and her two associates, Curtis and Joe Sawyer, gaining possession of Henry Travers's showboat with which they then set up some crooked gambling to make a quick profitable kill.

Abbott and Costello are part of the Showboat crew. Abbott is an actor in the Victorian tradition and Costello is as usual a lovable all around klutz that Travers must be keeping around for laughs.

If it's laughs Travers wants, he's made a sound investment because the boys do provide the public with plenty of that. The Naughty Nineties is famous as the film they did their classic Who's on First baseball routine. It had been done previously in their debut film, One Night in the Tropics, but in an abbreviated form.

Actually there is one routine involving poor Lou as he thinks he's eating a cat, I mean the feline type cat.

Joe Sawyer joins a list of otherwise serious actors like Douglass Dumbrille, Lionel Atwill, and Lon Chaney, Jr., who got in on the comedy with the boys. Sawyer does his own version of the famous Niagara Falls routine involving him sleepwalking and he looks like he's having a ball doing it. Sawyer makes a perfect foil for Bud and Lou's monkeyshines.

And I think the audience will enjoy it as much as Joe Sawyer.

In order to really appreciate Abbott and Costello, one needs to understand where their careers fell on the timeline. Bud and Lou's careers actually can be broken down into, at least, four different eras, which is a lot when you think about it, since their partnership only lasted about 20 years total. You can break them up into the vaudeville era (1936-1940), the glory years (1940-1945), the tough years (1945-1948), the resurgence (1948-1953) and the end (1953-1956).

This film falls at a moment when they were starting to loose their audience. Unfortunately, Bud and Lou's biggest success came during World War II. A nation needing to be cheered up and needing a morale boost fell for Abbott and Costello during those four horrible years. They were the morale boosters in chief and they became the most popular and the most rich actors in Hollywood during those years. But, as the war began to wind down, so did the popularity of the boys. They needed to start making changes and you see this happening in a lot of their films moving forward into the 1950s.

When this film was released in 1945, Germany had already surrendered a few months before and Japan was just a few months away from surrendering. The war was over and the feelings and attitudes of a post-war America were beginning to change. Also, television was just on the horizon. People were looking towards other things to do or see.

As this film opens up, Dexter and Sabastian (Bud and Lou), get work on a showboat named the River Queen. Dexter is an actor and Sabastian is his trusted "assistant". The owner of the River Queen, Captain Sam Jackson (Henry Travers), falls into the scheme of a handful of con artists, who are bent on getting the showboat for themselves, so they can run their illegal gambling casino. This is something Sam wants nothing to do with. It takes the help of the boys to come help save the Captain and his daughter, Caroline (Lois Collier), from these dastardly criminals.

What sets this film apart from a lot of Abbott and Costello's films from the same time period is this one features a smorgasbord of their different and classic acts, including their best, "Who's on First". Another thing a person needs to know about Abbott and Costello is their talent, their act and all their skits grew out of the vaudeville era. Working in vaudeville meant you were working with everybody. All the talent shared their acts, jokes and skits with each other. It was part of the vaudeville culture. So, when you see the Three Stooges, or Wheeler and Woolsey or even Martin and Lewis, do the same joke or skit that Bud and Lou did, that shouldn't be considered a negative. It's how things were.

It is true this film is not a great one. There are moments that seem sloppy in their design. It makes you wonder if the whole process was becoming stale to whoever was involved in the film or was it just becoming overly repetitious. This is most evident during the "duck shoot" skit. We may be laughing at the absurdity of it all, but we also aren't buying that any of this could possibly fool anyone. What was interesting about all of this, is watching this tired, formulaic development, that would eventually become Abbott and Costello's main direction once they get to television in the 1950s. Foreshadowing maybe?

This film is still worth a watch. It has some rough edges and might seem a little plastic in its design, but overall is a delight to see. They give us one skit after another. They intertwine all of that with a little story and textbook characters (for this kind of a romp), that get us to the end, but adults might seem slightly robbed, because there is a childish nature to some of the performances that happen in the film. But, who cares? It's Abbott and Costello, who were legends of their day. They didn't need to answer to nobody. They were the richest guys in Hollywood. You don't do that when you are making bad stuff. Plus, anything with "Who's on First", is a gold mine.

6.2 (D+ MyGrade) = 6 IMDB.