A Dama Desconhecida

Lady on a Train is directed by Charles David and adapted to screenplay by Edmund Beloin and Robert O'Brien from a Leslie Charteris story. It stars Deanna Durbin, Ralph Bellamy, David Bruce, George Coulouris, Allen Jenkins, Dan Duryea and Edward Everett Horton. Music is by Miklos Rozsa and cinematography by Woody Bredell.

Part murder mystery, part film noir, part comedy and part musical! And it's a Christmas movie as well! Lady on a Train has a lot going on for sure. It's a fun packed little movie that gives Durbin full licence to show her various talents before she retired out of the limelight three years later. In main essence it's the murder mystery aspect that drives the picture forward. Durbin plays Nikki Collins, a spunky young woman who loves reading detective mysteries, so when she witnesses a murder being committed from her train window seat, she's obviously all of a tingle. However, convincing the authorities of what she saw proves to be difficult and she decides to take up the case herself. Pretty soon she is up to her neck in intrigue and life threatening peril.

Things start getting twisty once Durbin meets the victim's bizarre family, a veritable roll call of miserablists and shifty shysters. Aided by mystery writer Wayne Morgan (Bruce), Nikki has to run the gamut of bluffing and boldness to stay one step ahead of the game, including imitating a chanteuse singer. This allows Durbin to the chance to warble three songs, with a version of "Silent Night" beautifully tender and a sensuous and sultry rendition of "Gimme a Little Kiss, Will Yah, Huh?" Having us in the palm of her hand. It builds nicely to a darkly tinged last third, where Bredell's noirish photography comes into its own and the resolution of the tale is most satisfactory. Good laughs, good suspense and good songs, well worth a viewing. Story was filmed as a straight British thriller in 1940 titled A Window in London, with Michael Redgrave starring. 7/10

The 1930s and 40s had some lovely actresses. But few of them could compare to the dazzling Deanna Durbin. With her sparkling eyes, her wholesome smile, her beautifully blonde hair, and her charming personality, Durbin outshines everyone else in this film by far, and lifts a drab story to the level of enjoyment. She plays Nikki Collins, a smart young woman, the "Lady", in Charles David's "Lady On A Train", who, from her train compartment, witnesses an unlikely murder in a nearby building.

Technically, the film is a whodunit. But, from the beginning, viewers understand that the story is a spoof, not to be taken seriously. Playing amateur detective, Nikki races around amid various characters and comic situations, attempting to find the killer. But she's just too lucky and too clever for the plot to be considered credible.

The setting is New York City on Christmas Eve, with snow falling. As a result, the film has a soft, soothing feel to it, despite the criminal component. The film's humor is what I would describe as old-style. For example, one sequence has Nikki trying to get the attention of a mystery writer, while the writer and his girlfriend sit in a crowded theater. Nikki moves in and out of rows, disrupting the audience, with predictable humorous consequences.

In the film, Durbin sings a couple of songs, and thereby interrupts the film's flow. But, in one case, the interruption is justified, as it becomes, for me, the highlight of the entire film. Into a telephone, she sings two full verses of "Silent Night". With her magically radiant face and her beautiful singing voice, she exalts the already beautiful Christmas carol to resplendent melodic purity. This sequence is almost hypnotic in its simple beauty, and alone redeems the film from its many flaws.

Usually, I don't care for films that exist seemingly just to advance the career of the film's star. However, "Lady On A Train" is an exception. The story is not very interesting, the gags are tiresome, and the acting is average. But, through sheer force of her charming personality, Deanna Durbin alone makes this film worth watching.

...that turns briefly into a noir thriller near the end, and takes place almost entirely on Christmas Eve. Of course the plot is manipulated to make time for a couple of songs, including Cole Porter's "Night and Day," when she has to pretend she's a night club singer during her investigation.

The film begins while her train is pulling into New York, and during a brief pause before continuing to Grand Central Station it pauses long enough for her to see a murder being committed in a warehouse window across the tracks. Naturally since she's been reading a murder mystery, so nobody believes she saw a real murder, so she tries to enlist the author of her book to help her solve the crime. Somehow she stumbles into the reading of the will for the dead man and is mistaken for his nightclub mistress, who is the sole heir. It's too bad Durbin did not continue her career, as she does a great job playing an adult role with a winning blend of comedy, drama, romance and still a bit of music.

Deanna Durbin is a "Lady on a Train" in this 1945 mystery/comedy also starring David Bruce, Dan Duryea Edward Everett Horton, Ralph Bellamy, Patricia Morison, and George Coulouris. The film is directed by Durbin's future husband, Charles David.

Photographed and wardrobed like the great star she was, Durbin plays Nikki Collins, a débutante who comes to New York to spend the Christmas holidays with her aunt. On the train en route to Grand Central, she looks out the window and sees the murder of an old man. Determined to investigate, she appeals to the mystery writer whose novel she was reading (Bruce). She nearly wrecks his life. His fiancée (Patricia Morison) is suspicious of Nikki, and thanks to Nikki, he gets beat up a lot. Meanwhile, her father's assistant (Horton) can never find her. Nikki finds herself involved with the victim's money-grubbing family and puts herself in danger.

A screwball comedy with the delightful Durbin doing a great job, singing like a dream, and looking fabulous. It's very slight but fun and directed by David with a good pace. The child Durbin was a little manic for me, but I love her adult work. Plus, she had possibly the best voice and best trained voice in films. The rest of the cast is wonderful, particularly David Bruce as the hapless author.

It's a shame that Universal, with such a valuable commodity, didn't buy and/or develop better properties for her. Durbin is often compared with Judy Garland, who definitely got better treatment at MGM.

Durbin was smart to retire while at the top, though with the coming musicals of the '50s, I'm sure her star would have risen even higher. In many hearts, 60 years later, she's still a star.

This marks the first film I've seen by Ms. Durbin from beginning to end and I must say I found it to be a lot of fun. This film is without a doubt a star vehicle for Ms. Durbin; I think I counted 7 costume changes, at least 5 different blond hairstyles over the course of the picture and it was well directed by her husband Charles David. There was also the (I think) required scene where she got to speak to someone on a white telephone. The plot of the picture is that Ms. Durbin sees a murder from her train window and enlists the aid of a mystery writer to solve the crime. I am a fan of film noir and this film is sort of a combination film noir (good mystery plot, chases in dark alleys), musical (Durbin singing "Silent Night" and "Night and Day" among others)and comedy (many slapstick scenes involving Ms. Durbin as an amateur detective). You might even call this picture screwball noir. Ms. Durbin was probably the most popular star under contract to Universal until Abbott and Costello arrived and this film marked one of the few change of pace roles she was given and she literally shines in the part. The only negative comment I have is that there are a few dated racial stereotypes that I wish had been eliminated. Other than that, I found it to be stylish entertainment.