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Alma Russa

Título original: Counter-Attack
  • 1945
  • Approved
  • 1 h 30 min
AVALIAÇÃO DA IMDb
6,8/10
589
SUA AVALIAÇÃO
Rudolph Anders, Marguerite Chapman, Frederick Giermann, George Macready, Harro Meller, Paul Muni, Erik Rolf, Philip Van Zandt, and Wolfgang Zilzer in Alma Russa (1945)
DramaGuerra

Adicionar um enredo no seu idiomaDuring WW2, a Mexican stand-off ensues between a group of German soldiers and a team of Soviet fighters trapped together in the basement of a bombed-out Russian building.During WW2, a Mexican stand-off ensues between a group of German soldiers and a team of Soviet fighters trapped together in the basement of a bombed-out Russian building.During WW2, a Mexican stand-off ensues between a group of German soldiers and a team of Soviet fighters trapped together in the basement of a bombed-out Russian building.

  • Direção
    • Zoltan Korda
  • Roteiristas
    • John Howard Lawson
    • Janet Stevenson
    • Philip Stevenson
  • Artistas
    • Paul Muni
    • Marguerite Chapman
    • Larry Parks
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    589
    SUA AVALIAÇÃO
    • Direção
      • Zoltan Korda
    • Roteiristas
      • John Howard Lawson
      • Janet Stevenson
      • Philip Stevenson
    • Artistas
      • Paul Muni
      • Marguerite Chapman
      • Larry Parks
    • 17Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos11

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    Elenco principal65

    Editar
    Paul Muni
    Paul Muni
    • Alexei Kulkov
    Marguerite Chapman
    Marguerite Chapman
    • Lisa Elenko
    Larry Parks
    Larry Parks
    • Kirichenko
    Harro Meller
    • Ernemann
    Roman Bohnen
    Roman Bohnen
    • Kostyuk
    George Macready
    George Macready
    • Col. Semenov
    Erik Rolf
    Erik Rolf
    • Vassilev
    Ludwig Donath
    Ludwig Donath
    • Prof. Müller
    Rudolph Anders
    Rudolph Anders
    • Stillman
    Philip Van Zandt
    Philip Van Zandt
    • Galkronye
    Frederick Giermann
    • Ludwig Weiler
    Wolfgang Zilzer
    Wolfgang Zilzer
    • Krafft
    • (as Paul Andor)
    Ivan Triesault
    Ivan Triesault
    • Sgt. Johann Grillparzer
    Louis Adlon
    Louis Adlon
    • Huebsch
    Louis V. Arco
    • German Colonel
    • (não creditado)
    John Bagni
    • Paratrooper
    • (não creditado)
    Trevor Bardette
    Trevor Bardette
    • Petrov
    • (não creditado)
    Richard Bartell
    • Ostrovski's Assistant
    • (não creditado)
    • Direção
      • Zoltan Korda
    • Roteiristas
      • John Howard Lawson
      • Janet Stevenson
      • Philip Stevenson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,8589
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    10

    Avaliações em destaque

    7dexter-10

    The terror of it all.

    Seldom does a film capture the tone of the moment of significant historical events. This movie indeed does. One of the most dramatic events of World War Two was the counter attack by the Soviet troops against the Nazi invaders. The power of it all is beyond comparison to this very day. This film gives the audience a good account of the action, the drama, and the sense of just how far the Russians would go to drive the German army from its land. Paul Muni is extraordinary, and his acting gives meaning to the theme of this film that "there is no such word as impossible." In this movie, the heroic revenge of the Russians is exceeded only by the terror of it all.
    6SnoopyStyle

    tries to be smarter

    It's 1942 and the Soviets have fallen back under German attack. The Soviets are secretly building a bridge to launch a counter-attack. They sent paratroopers to help partisans in enemy territory to locate German forces. With intel of impending German reinforcements, they launch a surprise attack. Paratrooper Alexei Kulkov with local guide Lisa Elenko take seven German soldiers prisoners but become trapped under a collapsed building.

    This was shown at a time when the Soviets were still Allies. Aside from the war action scenes, this is essentially an one room play. My only concern is that I don't see these characters talk so easily. The writing is definitely trying to be smarter than most. Alexei should definitely force the prisoners to sit down. There is a few things about this that rings a little false. It wouldn't matter as much if this isn't reaching for the higher levels. This is not the standard war movie. It's trying to be more and the little annoyances hurt.
    10hofstra72-1

    impact on a little kid

    I was 7 years old when I saw this movie in 1945. the war swirled around me and this was a movie about success against an enemy of America. At 7, you have no political insights as to what is going on. It's the "good guys vs. the bad guys", the "cowboys vs. the indians" from a little kids perspective, and I was for the good guys, which in this case were the Russians. I guess it was OK to root for the Russians as long as we had a common enemy. This was my first exposure to propaganda movies, but not my last. When Paul Muni and Larry parks were identified as "Commie supporters" after the war was over, they paid a price for what they believed in. With the Communist conspiracy lurking, this hysteria impacted and destroyed a lot of people, a sad day for our country. Obviously, this movie made an impact on me, as it still is one of my favorites, all politics aside. From a historical perspective, it showed, that the Russians weren't always our enemies, a fact we would rather not acknowledge today. I guess it will always hold true, that "the enemy of my enemy, is my friend".
    7planktonrules

    One of those pro-Soviet films during that brief period when it was politically expedient to do so.

    During World War II, Hollywood did something they never would have dared do before the war or only a couple years after the war...they made Pro-Soviet movies. In films such as "The North Star" and "Song of Russia", the Russian people are portrayed as noble, decent and, above all, America's friends. Why? Well, because the Soviet Union was an ally of the USA during much of the war...and the films were propaganda pieces aimed as softening the views Americans had of the USSR (which had often been very negative before this). "Counter-Attack" is another of these pro-Soviet films. Now this isn't saying it's bad...but it did serve the purpose of improving American perceptions of these allies.

    The plot of this one is very simple. A pair of Russian soldiers are trapped under debris in the basement of a building...and there are about a half dozen Germans trapped with them. Alexei (Paul Muni) has gotten the drop on them...disarming them and taking them prisoner. But he cannot escape...and while they are trapped, he decides to ask these Germans questions, as he has good reason to believe that one of them is an officer in disguise as an enlisted man. But time is working against him, as he cannot sleep or they'll kill him. And, he hopes that his Russian comrades come before the Germans do to rescue them.

    This film isn't as wide-eyed and saccharine as the pro-Soviet films I listed above. Instead, it's intelligent without laying the propaganda on too thickly. As a result, it's a very good film...and isn't yet another silly pro-Russian story. The only negative is that the story, at times, tends to be rather talky.
    GManfred

    Cat-And-Mice

    Most of "Counter-Attack" takes place in a collapsed factory building in which 2 Russians and 7 Germans are trapped. Ordinarily, in a picture of this type, the action comes to a screeching halt and the film becomes a talkathon. But the story benefits greatly from the presence of Paul Muni, one of America's great actors, as the Russian soldier who is holding the 7 German soldiers captive until rescuers arrive.

    The Russians are trying to drive the Germans from Russian soil, and have sent a handful of paratroopers ahead to gather information on troop movements, and the group is trapped after an explosion at a factory doubling as a German messaging outpost. That the film does not perish from Death by Dialogue is a tribute to Paul Muni's superior acting ability as well as an excellent script. If it comes on soon, catch it and see if you don't agree.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Underwater bridges were a real Soviet Army engineering feat used in WWII. A report on such submerged bridges was published in the U.S. War Department's journal "Tactical and Technical Trends", no. 29, July 15, 1943.
    • Cenas durante ou pós-créditos
      Opening credits prologue: In 1942, Russia had been invaded to a depth of a thousand miles, and her armies seemed crushed. The world didn't know that these same "beaten" armies would turn, take back every foot of ground they had lost and then invade Germany itself.

      One night in this same year, 1942 . . . .under cover of fog . . . .Russian engineers were engaged in a strange activity . . . .on a river, facing the German lines . . . . .
    • Conexões
      Referenced in Nosso Amor de Ontem (1973)

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    Detalhes

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    • Data de lançamento
      • 26 de abril de 1945 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Counter-Attack
    • Locações de filme
      • Columbia/Warner Bros. Ranch - 411 North Hollywood Way, Burbank, Califórnia, EUA
    • Empresa de produção
      • Columbia Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 30 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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    Rudolph Anders, Marguerite Chapman, Frederick Giermann, George Macready, Harro Meller, Paul Muni, Erik Rolf, Philip Van Zandt, and Wolfgang Zilzer in Alma Russa (1945)
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