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I agree that this is a terrific movie, and by "History vs. Hollywood" standards rates fairly high. The point of the movie is to characterize the Japanese soldiers as brutal and often sadistic in their treatment of the enemy. In the history of modern warfare, the Japanese in WWII were by far the most inhumane. There is nothing in this movie that is unfair in the portrayal of Japanese treatment of Filipinos. Later, American and other Allied POW's were subjected to even worse horrors. The film also correctly characterizes the Filipinos as tough, hard fighters, and unfortunate victims of a superior Imperialist (militarist) society, which was run by the Japanese Army, and victimized with extreme prejudice. I will disagree with one contributor to this forum who offers that the brutal treatment of Filipinos was one of the reasons for entering the war. Not so. The reason for entering the war was the gradual aggressive military movements of Japan spanning the previous 20 years, culminating in the invasion of China followed by the attack on Pearl Harbor.

Back to Bataan (1945) - Director: Edward Dmytryk A classic Hollywood blood and guts, he-man favorite. John Wayne stars as an Army colonel who organizes guerrilla fighters in Japanese occupied Philippines with the aid of Spanish speaking Anthony Quinn. The line "War is Hell" was made for movies like this. Non-stop action. Watch it if your man enough! Made in all-American black and white!

The only thing that distinguishes "Back to Bataan" from scores of other routine war films is its historical theme, which remains an uncommon and important one. Few young Americans today have even heard of the Filipino and American disaster at Corregidor and the Bataan Death March that followed, during which numerous sick and hungry prisoners of war were beaten and killed by their Japanese guards. Although the movie accurately portrays the spirit of Filipino resistance to the Japanese, the individual characters from John Wayne down are cut from the usual Hollywood cardboard. Even the real American survivors of Japanese imprisonment, filmed here some months after their liberation during the invasion of the Philippines, are shown, supposedly right after they got out of the Japanese prison camp, freshly shaved and with neatly trimmed hair. Similarly, the guerrilla force led by John Wayne looks little the worse for wear even after two and half years of jungle warfare (whixh seem like about a week in this movie).

The Japanese lynching of the school principal is well handled. The man has not set out to be a hero, but put under the gun, literally, he is simply unable to haul down the American flag. The invaders hang him as an example.

Despite its weaknesses, "Back to Bataan" is still watchable and even enjoyable as a different view of World War II, especially if you're a high-schooler who hasn't yet become too cynical about Hollywood war movies. John Wayne and Anthony Quinn are their usual solid selves, and Beulah Bondi (as a naive but tough American matron)is an unusual asset in this kind of action film.

Classical warfare movie with big John Wayne and the flick talks about the Phillipines battle , during WWII , concerning on defenders and resistance fighters , but Japan has just invaded ; regarding events happened in Bataan , Corregidor and Leyte . Exciting warfare movie about a tough Colonel who forms guerrilla army to raid Japanese and to help Americans landing on Leyte . The Japanese army has overrun the Philippines , sending General MacArthur packing , promising to return . The US Army's defense of its Philippines colony and the allied Malay countries/colonies behind it counted on its island fortress of Corregidor on Luzon -and a few others- but loses it in the 6 May 1942 Japanese combined forces attack . Meanwhile , it's sent to the Duke to hold the fort . A small group of soldiers commanded by Colonel Joseph Madden (John Wayne , he's based on on a real-life American who fought with the resistance movement) are among the escaping survivors who are ordered by general Douglas McArthur to organize a guerrilla . As Colonel Madden takes on the Japs aided by Capt. Andrés Bonifácio (Anthony Quinn) along with a small platoon of Filipino resistance fighters . As a group of soldiers flee from Japanese repeatedly attack and they head for blowing-up the Japanese installations . The defenders gave a few days for posterior victories and future US conquest like Midway , Island Salomon and Bismark . As the small army endeavoring to blow up a pivotal Japanese staff at a fake celebration of Independence .

This classic warlike movie is nicely starred by John Wayne at one of his best roles as a two-fisted Colonel , he's accompanied by a plethora of first-rate secondaries . Stirring actioner warfare completed with slice of military stereotypes although some characters are very one-dimensional . This rousing action saga results to be a a good film dealing with war in human terms . However , there are some nasty , ominous villains well played by Asian players who bear offensive racial stereotypes , as the Japanese are all nasty and evil . There is a fair bit of flag-waving and patriotism , but that was just what was needed when the picture was made . It may not be an awesome film , but this is a thrilling and well made war epic . This colorful movie contains action , breathtaking battles , thrills , stock-shots , historical events and the battle scenes are impressively made . Stalwart main cast , Wayne and Quinn , both of whom give splendid interpretations . Being stunningly supported by Belulah Bondi , Richard Loo , Lawrence Tierney Abner Biberman , Vladimir Sokoloff and Paul Fix as a grizzled as well as sympathetic veteran .

This is one of a handful of feature films that have featured the story of the World War II Battle of Bataan , they include ¨So proudly we hail¡¨ by Mark Sandrich (1943) ; ¨Bataan¨ (1943) by Tay Garnett and ¨They were expendable¨ (1945) by John Ford . The film is set into a lush , abundant jungle with a dense fog made by usual RKO production designer , Albert S. D'Agostino , and contains an atmospheric as well as evocative musical score by the ordinary Roy Webb . It is well set in South Pacific , Philippines and shot in Tarzana Ranch , Thousand Oaks , Baldwin Estate , Santa Anita , California . The motion picture was professionally directed by Edward Dmytryck , a good Hollywood craftsman . Edward has a sensitive handling of actors and provides an exact compositional sense . Edward handles in all -especially the battle scenes- with flair play and vigour . He is a classic director , his films deal with a deep description of civilized societies , he believes that corruption is an essential part of it , that society punishes sincerity , innocence and love, vengeance and greed determine the behavior of people .

The actual deeds about Bataan concern an unsuccessful attempt by US and Filipino troops under General Douglas MacArthur to defend the peninsular against the Japanese 1 Jan-9 April 1942 . Following the surrender of Bataan , MacArthur was evacuated , but Allies captives were force-marched 95 km/60 mi to the nearest railhead in the Bataan Death March,ill-treatment by the Japanese guards during the march killed about 16.000 US and Filipino troops .

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War movies can be a tricky recipe to pull off because they've been done so often and fall into clichés sooo easily. This film was saved by bravura and sincerity. It's a good film. What at first may seem like a generic Duke vehicle quickly exposes itself as a small ensemble drama on an epic stage.

Part of the appeal of this film is to watch it with history in mind. It tackles a lesser known part of WWII history, the war and guerilla movements in the Philippines. This film is totally unselfconscious in how it deals with the war, in one scene it features real Bataan POWs marching in a parade and introduces them documentary style with a narrator, and it hired Filipino extras and actors for important roles. This is what really touched and surprised me, how it elevated and glorified Filipino nationalism, culture, and history (Jose Rizal and Andres Bonifácio are frequently quoted and reverently referred to throughout the film); and, in an age where African American actors still were unfairly stereotyped and Asian actors almost nowhere to be found in Hollywood films, this treated Pinoy characters as equals and as heroes. This openmindedness on the part of the filmmakers was refreshing, but very reflective of the US fighting men's appreciation of the contributions of the Filipino people.

The film is passionate about the people it portrays. It's common for wartime films to be full of propaganda and overly zealous, but this film is more touching and intimate in its approach. Patriotic speeches actually have meaning and tears behind them, swelling music doesn't feel manipulative, no doubt because it was filmed with so many soldiers and civilians involved and in 1945, these people had just gone through all this and everything is done with a real and raw memory. It feels like it's built on real stories and people, and the actors seem to know they're not dealing with run of the mill cutout characters. There's a sincerity inherent in all of their performances because of the immediateness of the subject matter. John Wayne is less gruff than usual (and even downright dashing). Anthony Quinn's confused young man: brooding heartbrokenly when he's away from his informant fiancée, tender when he's around her, not sure how to fulfill what many feel is his destiny, and his own personal journey is lovely. Beulah Bondi (as a teacher evacuee who helps the men out) teary eyed when she thinks of her students; the motley crew mix of American GIs and Pinoy volunteers who surrounds the two officers, casual and down to earth. It's a tight cast in a friendly fight to upstage the others, and you'd better believe they milk every scene for what it's worth.

The film moves along quickly and realistically. Instead of complicated plot movements and intricate bloated twists, the story seems like it was taken from any number of jungle war experiences which makes it fascinating and unpredictable, like real history. Director Edward Dmytryk, later blacklisted, paid no heed to Production Code regulations for violence, and filmed scenes that were fairly explicit (for the time) in their portrayal of cruelty and violence inflicted on soldiers and civilians in an attempt to realistically dramatize some of the atrocities that occurred during the war which lends the film an air of impending danger and gravitas.

From before the era of ambiguous and complex war stories (which is how I usually prefer my war flicks to be served), this one of the best "classic" war films I've ever seen. (If you like this, check out "An American Guerilla in the Philippines" which was shot on location by the great Fritz Lang in 1949/50 and very similar in many regards.)