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It's 1944 and while the tide of war has turned in the direction of the Allied forces, the prospect of the invasion of Japan was still a deadly reality. Once again Hollywood did its part in the propaganda battle to bolster American morale. A Wing and a Prayer touched all the bases with studio stars, heroic sacrifices and plenty of action. I first saw this film as a kid in the 1950s and I still remember gripping my seat everytime a plane hit the carrier deck. Put into the context of the time it's a good film by a very good Director.

"Wing and a Prayer" really gives those of us not born yet a realistic idea of what life on a carrier was like going up against Japan in World War II. The tough decisions brought on by war were very poignant as were the losses of friends and shipmates in combat. The film was a bit murky at the end as to how the carrier (name?!) fit in with the Battle of Midway and the Japanese ship models were pretty cut-rate, even by 1940's standards. Using U.S. Navy Wildcat planes with white circles painted over their US star to represent Japanese planes was campy, but understandable since the US was in the process of really shooting all of the real zero's out of the sky during the time of the movie. Harry "MASH" Morgan was a 29 year old pilot hotshot that was nice to see him in his prime. Don Ameche did a very good job being a serious-as-death commander who had to be a hard *ss in order to send men into mortal combat. A great film!

I'm intrigued by war movies, especially war movies within a country at war. This also happens to be my country, and in fact -- though I will never know the details -- my dad was in this action. This has the required swelling of patriotic fervor at the end, and does so with a minimum of racist demonization.

Its about the one really risky time in the war. There was never any doubt that the Germans (and Italians) would lose in Europe once the US entered the war; the only question was the cost. But in the Pacific, the situation was truly dire between Pearl Harbor and this battle. After this battle, it was a war of factories.

But before, it was touch and go. Everyone in the States would have known the pivotal role of the event and would have their stories about tactics and bravery.

There are three notable things about this movie.

The first is that it is nearly all wrong in terms of the history. The reason for this is that the US had broken the code (JN-25). This was not something that could be announced; the US knew the details of the Japanese plans and were able to stage an ambush. But that hardly explains the other, gratuitous historical inaccuracies. One can only think that no one cared what the actual tactics were as long as communal dedication was apparent.

A second rather shocking thing is that all the combat footage is genuine. These are real warriors in the real place, with less than half of the movie (obviously overlain) produced as a fiction. Looking at these men and operations deepens the experience, knowing how rare it is to see this before Vietnam.

But the most interesting to me is one character. He's pretty much the central character of the fiction: a torpedo plane pilot. Now picture this; you have a real story of national import around which history does swing. You have actual footage which in other, later, contexts with narration stands strong. You have all this and you want to insert Hollywood; what do you do?

Well, you insert a character who is a Hollywood actor, someone who has left Hollywood and enlisted but who still carries his Oscar on combat missions! Its yet another example of this phenomenon I call the narrative fold. Pretty cool.

Oh, the fictional parts are bad in nearly all respects, excepting one scene. An airman has been killed and his buddy is packing his effects for transport back to his girl. Going through things to place in a suitcase, he finds an empty tube of toothpaste and tosses it in the trash. Then he reconsiders -- a very poignant moment -- and pulls it out of the trash to send to the woman. Its one thing that works. All the rest would wait to be decoded.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

The movie itself is entertaining and rather predictable at times. Kind of like the movie mill war stories of that era. The roll played by Don Ameche was not a Don Ameche roll. Ameche is better known for his humor, IE: The Bickersons and Cocoon. The roll of a sad, by the book Navy officer must have been a stretch for him, but he did it in perfection. He became a dark shadow in scenes where he just walks through and always alone. The lonely man, hardly cracking a smile. Everyone hating him, tough to the point, lonely, misunderstood and doing the job he was appointed to do. It makes you wonder how many men had to be this way during any war.

Ameche should have won an Acadamy Award for his role in this movie.

"Wing and a Prayer" is a decent WW II film made in 1944. It stars Don Ameche, Dana Andrews, William Eythe, Cedric Hardwicke, Charles Bickford, Harry Morgan, and Richard Jaeckel (so young it's unbelievable). It's directed by Henry Hathaway.

The story concerns Naval decisions made during World War II before the Battle of Midway. It's not complete -- because of the time that it was made, info was still classified. We had broken the Japanese code and knew what was going to happen at Midway. This particular film is about a carrier, probably in real life, The Enterprise, that was supposed to make the Japanese think the Navy was spread all over the place so that they wouldn't anticipate the forces at Midway. When they were seeing carriers in different spots, they were in fact seeing only this carrier. The crew was told not under any circumstances to engage with the Japanese, which caused fatalities and problems when pilots could not defend themselves.

The crew was in the dark, of course, and had no understanding of this policy, so they were angry and frustrated.

Don Ameche plays a very stern flight commander, Bingo Harper, a man without a sense of humor, who seems detached from his men. Andrews plays lieutenant commander Edward Moulton, and William Eythe plays Hallam "Oscar" Scott, a film star who carries his Academy Award with him for luck.

This is a 20th Century Fox film, and Andrews and Eythe were two actors who came up during World War II and were groomed by Fox to take over for its absent actors. Eythe bore a resemblance to Tyrone Power and was being groomed for stardom. The role he plays here is undoubtedly based on Power, who was indeed a movie star-pilot with an unusual first name. And he had kissed Betty Grable, just like Hallam. Unlike Dana Andrews, Eythe probably would never have made first ranks - he is rough around the edges, awkward physically, and he just didn't have star quality. He was given some excellent roles, but after Zanuck found out he was gay and pretty openly the lover of actor Lon McAllister, he got rid of him. Eythe found work in television and on the stage but died at the age of 38 of hepatitis.

All in all, a pretty good movie, though the characters aren't very well developed, particularly Andrews' role. The minor characters have more back story.