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"Wing and a Prayer" is a decent WW II film made in 1944. It stars Don Ameche, Dana Andrews, William Eythe, Cedric Hardwicke, Charles Bickford, Harry Morgan, and Richard Jaeckel (so young it's unbelievable). It's directed by Henry Hathaway.

The story concerns Naval decisions made during World War II before the Battle of Midway. It's not complete -- because of the time that it was made, info was still classified. We had broken the Japanese code and knew what was going to happen at Midway. This particular film is about a carrier, probably in real life, The Enterprise, that was supposed to make the Japanese think the Navy was spread all over the place so that they wouldn't anticipate the forces at Midway. When they were seeing carriers in different spots, they were in fact seeing only this carrier. The crew was told not under any circumstances to engage with the Japanese, which caused fatalities and problems when pilots could not defend themselves.

The crew was in the dark, of course, and had no understanding of this policy, so they were angry and frustrated.

Don Ameche plays a very stern flight commander, Bingo Harper, a man without a sense of humor, who seems detached from his men. Andrews plays lieutenant commander Edward Moulton, and William Eythe plays Hallam "Oscar" Scott, a film star who carries his Academy Award with him for luck.

This is a 20th Century Fox film, and Andrews and Eythe were two actors who came up during World War II and were groomed by Fox to take over for its absent actors. Eythe bore a resemblance to Tyrone Power and was being groomed for stardom. The role he plays here is undoubtedly based on Power, who was indeed a movie star-pilot with an unusual first name. And he had kissed Betty Grable, just like Hallam. Unlike Dana Andrews, Eythe probably would never have made first ranks - he is rough around the edges, awkward physically, and he just didn't have star quality. He was given some excellent roles, but after Zanuck found out he was gay and pretty openly the lover of actor Lon McAllister, he got rid of him. Eythe found work in television and on the stage but died at the age of 38 of hepatitis.

All in all, a pretty good movie, though the characters aren't very well developed, particularly Andrews' role. The minor characters have more back story.

Three months after the greatest disaster in the american history with the surprise military strike of Pear Harbor by the imperial Japanese navy air service, December the 7th, 1941, the American HQ set up a desperate strategy based on a simulation of disarray within the American navy so that the Japanese confidence goes up artificially and incites them not to deviate from their supposed plan of campaign: to take ownership of Pearl Harbor, this objective implying beforehand a passage through Midway where the American navy is firmly waiting for the Japanese navy.

The film focuses on an aircraft carrier unexpectedly playing the role of a bait and we witness the daily life of these airmen forced to behave cowardly every time they meet a Japanese zero. The atmosphere is typical of old war movies: ultra-patriotic, childish and cheesy, pretty close to a propaganda film, in a certain manner. We globally remember the team spirit, the heroism of the airmen, the dignity of the entire crew and the excellent cinematography given the technical means of the time.

The movie itself is entertaining and rather predictable at times. Kind of like the movie mill war stories of that era. The roll played by Don Ameche was not a Don Ameche roll. Ameche is better known for his humor, IE: The Bickersons and Cocoon. The roll of a sad, by the book Navy officer must have been a stretch for him, but he did it in perfection. He became a dark shadow in scenes where he just walks through and always alone. The lonely man, hardly cracking a smile. Everyone hating him, tough to the point, lonely, misunderstood and doing the job he was appointed to do. It makes you wonder how many men had to be this way during any war.

Ameche should have won an Acadamy Award for his role in this movie.

Wing and a Prayer (1944)

This is a Navy film made in 1944, set in early 1942. That says a lot to start--it's realistic, but it's also meant for support the troops, support the families back home, and avoid giving the enemy any information that might hurt the U.S. This one is set in the Pacific on an aircraft carrier, so there are both conventional sailors as well as pilots. Much of the movie is about ordinary down time, which builds up the interpersonal stuff, and gives the range of types on the ship--up to a limit (no minorities, for example).

There were a lot of movies made during the war about the war, and most employed a star or two to give them an audience. Here we have Dana Andrews, already a stalwart at this early point in his career, and Don Ameche, who was the bigger name at the time. But what makes the movies distinctive beyond this is always some twist, some specific aspect of the war that gets highlighted. The main one here is the ship is on a special mission to head toward the fringes of Japanese controlled water and give the impression that the U.S. Navy is scared and incompetent.

This makes for a lot of tension after awhile because the men really want to fight, and they are told to turn away. It's an interesting angle (with not a lot of historical truth to it, apparently). But it shows in part how the Navy had highly sophisticated plans that the average Joe couldn't and didn't know about. And so everyone should just be confident, everyone including all the folks watching it on Main Street, far from being able to help or knowing the truth.

The other unique twist is that one of the pilots is an Academy Award Winning actor. It's clear from the first action scene that he's not really competent, but he's cute and popular, gets lots of mail, and he carries his Oscar statuette with him everyone (including on missions). A fun Hollywood twist...and of course, it isn't left alone. All of this, the ruse, the actor, the whole waiting game, is a set up for a spectacular finish.

Trivia notes: There is a 16mm movie shown to the troops during fun time, and it's called "Tin Pan Alley," a 1940 Betty Grable flick with lots of flesh. It's naturally a hit with the men. And it's streamable on Netflix. Naturally I had to watch it...so look for my review of that one, too. Not half bad, but…. one of the moments that is a surprise (and a deflection) is when a plane takes off and crashes, and during some of the shots of the rescue there are mistakenly other ships in the distance.

That last 20 minutes is great war film stuff, including a unique section where the action is told only through sound. It's a small but brilliant addition to a strong, somewhat straight forward film.

The best characteristic of this film is the fine quality of the film in terms of cinematic depth-of-field and clarity. There is excellent camera work, especially in the complicated action scenes. Each scene is balanced and seemingly well-edited. The theme of the movie is somewhat weak relative to the fight/no fight stance of the U.S. Navy, and it is overpowered by the many action scenes which resemble a "Victory at Sea" format. The facts of the battle at Midway Island as presented in this movie are somewhat questionable. The superior forces of the Japanese Imperial Navy could best any navy in early June of 1942. That good fortune played a role in the American fleet's victory is not in question, that poor planning and accident forced the Japanese Imperial Navy's tactics is also accepted. Beyond these general facts it is difficult to accept the overstatement that the position of the U.S. Navy was that "This is the battle we've been praying for." There is also some question in the film as to the accuracy of the reports concerning the U.S. torpedo planes' success. In essence, the Battle of Midway was decisive, and very lucky for the Americans. To present the battle and victory as well planned and well coordinated is misleading. A word on acting: Don Ameche as Commander Bingo Harper is outstanding. His performance is solid in terms of the classic dramatic hero. As commander, he never wavers from his responsibility, he does what must be done, and he understands both how much victory means and what price must be paid.