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IMDbPro

Pensando Sempre em Você

Título original: The Very Thought of You
  • 1944
  • Approved
  • 1 h 39 min
AVALIAÇÃO DA IMDb
7,0/10
802
SUA AVALIAÇÃO
Dane Clark, Dennis Morgan, and Eleanor Parker in Pensando Sempre em Você (1944)
Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.
Reproduzir trailer2:38
1 vídeo
5 fotos
DramaGuerraRomance

Adicionar um enredo no seu idiomaArmy sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.

  • Direção
    • Delmer Daves
  • Roteiristas
    • Alvah Bessie
    • Delmer Daves
    • Lionel Wiggam
  • Artistas
    • Dennis Morgan
    • Eleanor Parker
    • Dane Clark
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    802
    SUA AVALIAÇÃO
    • Direção
      • Delmer Daves
    • Roteiristas
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Artistas
      • Dennis Morgan
      • Eleanor Parker
      • Dane Clark
    • 27Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:38
    Official Trailer

    Fotos4

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal55

    Editar
    Dennis Morgan
    Dennis Morgan
    • Sgt. Dave Stewart
    Eleanor Parker
    Eleanor Parker
    • Janet Wheeler
    Dane Clark
    Dane Clark
    • Sgt. 'Fixit' Gilman
    Faye Emerson
    Faye Emerson
    • Cora Colton
    Beulah Bondi
    Beulah Bondi
    • Harriet Wheeler
    Henry Travers
    Henry Travers
    • Pop Wheeler
    William Prince
    William Prince
    • Fred
    Andrea King
    Andrea King
    • Molly
    John Alvin
    John Alvin
    • Cal Wheeler
    Marianne O'Brien
    • Bernice Wheeler
    Georgia Lee
    Georgia Lee
    • Ellie Wheeler
    • (as Georgia Lee Settle)
    Richard Erdman
    Richard Erdman
    • Jimmy
    • (as Dick Erdman)
    Francis Pierlot
    Francis Pierlot
    • Minister Raymond Houck
    Richard Bartell
    • Trailer Camp Manager
    • (não creditado)
    Joseph E. Bernard
    Joseph E. Bernard
    • Mailman
    • (não creditado)
    Walden Boyle
    • Manager
    • (não creditado)
    Loie Bridge
    Loie Bridge
    • Landlady
    • (não creditado)
    John Burton
    • Wounded Soldier
    • (não creditado)
    • Direção
      • Delmer Daves
    • Roteiristas
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    7,0802
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    Avaliações em destaque

    8Handlinghandel

    A Little Fragmented But Very Poignant

    In some ways, this is a series of vignettes cobbled together. The main story involves Eleanor Parker and Dennis Morgan. She had been a soda jerk when he was a chemistry student in the nearby college. Now they are reunited by chance while he is on leave from the service.

    Her father is Henry Travers, very touching as a man viewed by many, himself most of all, as a failure. There is an implication that he's had emotional problems, as well. His wife, Parker's mother, is the absolutely always excellent Beulah Bondi. She looks tired, drawn, and grim when Parker first brings Morgan to the family Thanksgiving dinner but loosens up a bit once they've made her a grandmother.

    Then there is comic relief Dane Clark, Morgan's military buddy. Dane Clark's is not a name that springs readily to mind when one thinks comedy but he is good. Faye Emerson is excellent as the girl he falls for while he and Morgan are on leave.

    Then there is the always fascinating Andrea King, one of Parker's sisters. She has become jaded while her husband is off at sea. She has become a loose woman. When he reappears, as handsome William Prince, they somewhat improbably reconcile.

    The movie is the slightly cheery side of a film noir. It has all the elements of noir. The difference is that it has a happy ending. Under the happiness, though, is terrible sadness -- both at home and fighting for our country overseas.
    8pgilvoz

    Moving romance with solid performances... the good old kind!

    I happened to see it today on TCM and am glad I did (I actually remembered I had already seen it). Eleanor Parker is lovely and nuanced in this one, and as the previous comments say, her chemistry with Dennis Morgan was terrific. Morgan was a much better actor than many of his roles. Dane Clark and Faye Emerson were also better-than-average performers who always made a mark in their films. The dysfunctional family situation is surprisingly straightforward for its time. And the philandering sister is handled with finesse by Andrea King, another reliable supporting star at Warners throughout the 40s and 50s.... All in all, a good time at the movies... and it still holds up after 62 years.
    6bkoganbing

    The Boy From Cal-Tech, The Girl From Pasadena

    The Very Thought Of You concerns a wartime romance between Dennis Morgan and Eleanor Parker, the people I describe in my review title. Though the film is dated by its time, it's still a pleasant romantic film about life and love in World War II America on the home front.

    Dennis and his buddies have been spending a cold, but relatively safe war so far in the Aleutians where the Japanese began an offensive, but are now stranded there. Someone in Washington decided to send his platoon to an area of actual fighting. Where does Dennis go, but to Pasadena as opposed to home. Pasadena is where the California Institute of Technology is and where Dennis attended school and he apparently identifies more with that town than where he is from.

    Dane Clark accompanies Morgan and soon the two are involved with a pair of hometown girls, Eleanor Parker and Faye Emerson. Parker who comes from a large family has divided opinion about her wartime fling, opposition especially coming from Beulah Bondi. In fact what with wartime housing and travel restrictions it seems that the fates themselves are working against the romance.

    There's a nice subplot going involving an older sister of Parker's, Andrea King and her marriage to sailor William Prince. King's been doing a little stepping out and isn't sure she didn't marry in haste as so many in wartime do.

    Though The Very Thought Of You is dated as mores have certainly changed and arguably not for the better, the film is a nice voyage to a more innocent and hopeful time.
    10reelguy2

    Can take its place with the great screen romances

    This WW2 romance can take its place alongside Now Voyager and An Affair to Remember as one of the most romantic films ever made. It's easy to see why Dennis Morgan became one of the busiest (and highest paid) actors under contract to Warner Bros. in the 40s; he's an ideal leading man here, projecting masculine strength together with the soft-spokeness so essential to romances of this type. His scenes with lovely Eleanor Parker are a working definition of chemistry on the screen. Dane Clark registers delightfully as Morgan's hyperactive sidekick. And what a score by Franz Waxman - there's one short cue for the scene atop Mount Wilson that's an absolute masterpiece.

    Offsetting the tender romance of the story is the edgy handling of the scenes with Parker's fairly dysfunctional family, which includes her bickering parents, philandering married sister, and developmentally-challenged brother.

    This is a film deserving of a greater reputation -- and thanks to recent showings on TCM, that may already be happening.
    9trpdean

    What a surprise - a great movie

    I had very low expectations when I saw this yesterday. "Nothing else on" television was the excuse I made myself for watching it. I had no particular interest in the leads (though Eleanor Parker was good as the baroness in Sound of Music, I didn't really know her otherwise) and Morgan had generally left me flat (though I did like him in Christmas in Connecticut).

    And then I saw this quite realistic dialog about picking up two girls on a bus - and following them - and their reactions! And then a very strange bickering family - unlike any I expected to see in a World War II film - where families are almost always peaches and cream.

    And I thought, "well, this movie is different!"

    It got better and better and better - primarily because you really are brought to believe that despite despite overwhelming odds, these two - Parker and Morgan - really do fall in love.

    They're very modest, they've such limited hopes, and those hopes are so fragile - that you root for these two very gentle modest people so intently - as almost everyone they know - as well as all the worldwide events, conspire against them.

    It's a very simple movie plot that is told with such verve, such overwhelming conviction by the participants fully invested in the wonder of the tale, that you are simply swept away. With low expectations, I just love it - and looked to buy it when I next came to the computer.

    There are few movies that seem to bring people from another decade right into your home - real people with besetting problems and far from ideal surroundings - and whom you want to succeed so very badly.

    Thanks to all who participated in this movie! You won no awards but you certainly won my heart!

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    Enredo

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    • Curiosidades
      During filming, Eleanor Parker learned that co-star Andrea King had a husband away at war, just as she did, and that King lived far away from the studio. With wartime gasoline rationing factored in, Parker invited King to stay with her, as Parker's house was only a five-minute drive from Warner Bros.
    • Erros de gravação
      During an outdoor scene involving the rental car, there is a brief instance of the reflection of an crew member being seen, perfectly centered, in the car's right passenger "vent" window.
    • Citações

      Janet Stewart: Been out on a date?

      Molly: Yes. I want to talk to to you, Jan.

      Janet Stewart: I don't feel much like talking, Molly.

      Molly: Alright then listen. I think I know what the score is. You went ahead and got hooked, in spite of my advice. OK, so it's spilt milk. You made yourself a lonely bed and you're willing to lie on it.

      Janet Stewart: That's right.

      Molly: It isn't right. It's all wrong.

      Janet Stewart: Molly, please...

      Molly: Well what kind of a marriage have you got? A quick kiss, a swift kick and bingo - you're a war widow!

      Janet Stewart: Don't keep saying that.

      Molly: What kind of a man is it who'd talk a girl into an overnight marriage, knowing he's going off to war? Didn't it ever occur to him that you may never see each other again?

      Janet Stewart: It occurred to both of us. I know I'll see him again.

      Molly: You got some special kind of magic you sprinkled over him? Don't you think there are millions of girls who want to know their guys are coming back? Don't you think I wanted Freddy back once?

      Janet Stewart: Once? Don't you now?

      Molly: Sure I do. But don't you realise you can forget how a man really looks and talks and makes love? After two years, Freddy isn't real anymore.

      Janet Stewart: I'd remember everything about Dave, if we never saw each other again.

      Molly: That's because you can still feel his arms around you. Wait a couple of months, baby, and you'll be making double dates with me, just like we used to.

      Janet Stewart: No, I won't. Ever.

      Molly: No? Wait'll you get sick of the family and the cold cuts and Mom's nagging. Wait'll the smell of the orange blossoms in the valley gets you drunk at night and you're so alone, you're sick to your stomach.

      Janet Stewart: What do you think Freddy and all of the other husbands and sweethearts are fighting for?

      Molly: Well I didn't ask him to go.

      Janet Stewart: He didn't ask to go either. He went because there's a war to win and he is decent.

      Molly: Meaning I'm not?

      Janet Stewart: Yes, meaning just that. I've seen your lipstick smeared when you've sneaked in. Don't deny that you've...

      Molly: That's entirely my business...

      Janet Stewart: Oh, no it isn't, not when you butt into mine. I'd like to know how Freddy feels, away on a carrier for two years, wondering why you don't write. You and your being alone. How do you think he feels? I what if he knew you were spending his allotment on buying evening dresses for other fellows to enjoy? When he comes back, nobody'll blame him if he beats your head off.

    • Trilhas sonoras
      The Very Thought of You
      (uncredited)

      Written by Ray Noble

      Played during the opening credits

      Vocal rendition played on the car radio

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    Perguntas frequentes15

    • How long is The Very Thought of You?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 20 de outubro de 1944 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • Con sólo pensar en ti
    • Locações de filme
      • Mount Wilson, Califórnia, EUA(David and Janet's drive in the rental car)
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 408.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 39 min(99 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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