AVALIAÇÃO DA IMDb
7,2/10
13 mil
SUA AVALIAÇÃO
Um compositor e a sua irmã descobrem que a razão pela qual são capazes de comprar uma bela mansão gótica na costa a um preço muito baixo é o passado repugnante da casa.Um compositor e a sua irmã descobrem que a razão pela qual são capazes de comprar uma bela mansão gótica na costa a um preço muito baixo é o passado repugnante da casa.Um compositor e a sua irmã descobrem que a razão pela qual são capazes de comprar uma bela mansão gótica na costa a um preço muito baixo é o passado repugnante da casa.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 2 vitórias e 1 indicação no total
David Clyde
- Ben - Boat Owner
- (não creditado)
Betty Farrington
- Carmel's Ghost
- (narração)
- (não creditado)
Helena Grant
- Servant
- (não creditado)
Lynda Grey
- Ghost of Mary Meredith
- (não creditado)
Holmes Herbert
- Charlie Jessup
- (não creditado)
Leyland Hodgson
- Taxi Driver
- (não creditado)
John Kieran
- Foreword Narrator
- (narração)
- (não creditado)
Queenie Leonard
- Mrs. Taylor
- (não creditado)
Moyna MacGill
- Mrs. Coatsworthy
- (não creditado)
Jessica Newcombe
- Miss Edith Ellis
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The Uninvited is directed by Lewis Allen and adapted to screenplay by Frank Partos and Dodie Smith from the novel Uneasy Freehold written by Dorothy Macardle. It stars Ray Milland, Gail Russell, Ruth Hussey, Donald Crisp and Cornelia Otis Skinner. Music is by Victor Young and cinematography by Charles B. Lang.
"They call them the haunted shores, these stretches of Devonshire and Cornwall and Ireland which rear up against the westward ocean. Mists gather here... and sea fog... and eerie stories..."
Wonderful old fashioned ghost story that neatly blends romance and a light comedic tone into the pot, The Uninvited is very much a movie of significance. It marks a point in cinematic time when the ghost story proved it could be played for true unnerving impact. It remains a sub-genre of horror that is sorely lacking in bona fide classics, spookers that have longevity, the ability to raise the goose flesh no matter how many times they are revisited. With a new special edition DVD recently released, and the likes of Martin Scorsese and Guillermo del Toro championing its cause by putting it on their lists of favourite frighteners, The Uninvited is proving its worth as an old sub-genre classic.
Plot is pretty conventional stuff. It's 1937 and Milland and Hussey play a brother and sister who fall in love with a cliff side house they stumble upon whilst holidaying on the southwest coast of England. Sure enough they snag themselves the house at a ridiculously cheap price, this even though they are warned of some previous disturbances at the address. Cue a mysteriously locked room that when opened reveals itself to be deathly cold, pets that will not go up the stairs and then comes the hauntings... So far so formulaic, then, but as the story begins to unravel in the second half of the movie, where the light touch is left behind, a fizzer of back story comes to the fore and one or two extra surprises leap out of the narrative. This is not lazy plotting, it is well constructed, the mystery element is strong and sidles up nicely with the spooky goings on.
"If you listen to it long enough, all your senses are sharpened. You come by strange instincts. You get to recognise a peculiar cold that is the first warning. A cold which is no mere matter of degrees Farenheit, but a draining of warmth from the vital centres of the living."
This is a spooker that, unsurprisingly for the time, is devoid of visceral shocks and blunderbuss like scares. This is more about atmosphere (Lang was Oscar nominated for his noirish photography) and fear of the unknown, where the sound of a sobbing woman in the darkness chills the blood. Perhaps surprisingly for the time? We do get to see spectral images, and they still work and create the desired effect, who needs a computer generated image spitting blood when you can have ethereal spookiness floating eerily above the ground? While we are at it, who needs a beefed up pretty boy actor fighting the good fight against evil when you can have an elegant Ray Milland doing it with a glint in his eye instead? The cast are very effective, with Russell really making a mark so early in her career, while Young's score is both sinister and tender (the song Stella by Starlight would become a popular standard) at all the right times.
A genuine ghost story for those who prefer the sparing atmospheric touch to the noisy carnage approach. 8/10
"They call them the haunted shores, these stretches of Devonshire and Cornwall and Ireland which rear up against the westward ocean. Mists gather here... and sea fog... and eerie stories..."
Wonderful old fashioned ghost story that neatly blends romance and a light comedic tone into the pot, The Uninvited is very much a movie of significance. It marks a point in cinematic time when the ghost story proved it could be played for true unnerving impact. It remains a sub-genre of horror that is sorely lacking in bona fide classics, spookers that have longevity, the ability to raise the goose flesh no matter how many times they are revisited. With a new special edition DVD recently released, and the likes of Martin Scorsese and Guillermo del Toro championing its cause by putting it on their lists of favourite frighteners, The Uninvited is proving its worth as an old sub-genre classic.
Plot is pretty conventional stuff. It's 1937 and Milland and Hussey play a brother and sister who fall in love with a cliff side house they stumble upon whilst holidaying on the southwest coast of England. Sure enough they snag themselves the house at a ridiculously cheap price, this even though they are warned of some previous disturbances at the address. Cue a mysteriously locked room that when opened reveals itself to be deathly cold, pets that will not go up the stairs and then comes the hauntings... So far so formulaic, then, but as the story begins to unravel in the second half of the movie, where the light touch is left behind, a fizzer of back story comes to the fore and one or two extra surprises leap out of the narrative. This is not lazy plotting, it is well constructed, the mystery element is strong and sidles up nicely with the spooky goings on.
"If you listen to it long enough, all your senses are sharpened. You come by strange instincts. You get to recognise a peculiar cold that is the first warning. A cold which is no mere matter of degrees Farenheit, but a draining of warmth from the vital centres of the living."
This is a spooker that, unsurprisingly for the time, is devoid of visceral shocks and blunderbuss like scares. This is more about atmosphere (Lang was Oscar nominated for his noirish photography) and fear of the unknown, where the sound of a sobbing woman in the darkness chills the blood. Perhaps surprisingly for the time? We do get to see spectral images, and they still work and create the desired effect, who needs a computer generated image spitting blood when you can have ethereal spookiness floating eerily above the ground? While we are at it, who needs a beefed up pretty boy actor fighting the good fight against evil when you can have an elegant Ray Milland doing it with a glint in his eye instead? The cast are very effective, with Russell really making a mark so early in her career, while Young's score is both sinister and tender (the song Stella by Starlight would become a popular standard) at all the right times.
A genuine ghost story for those who prefer the sparing atmospheric touch to the noisy carnage approach. 8/10
This 1944 Paramount film is one of my very favourites. Long hailed as Hollywood's first attempt at a "serious" ghost story, it will no doubt please most all fans of the genre. Ray Milland and Ruth Hussey play Roderick and Pamela Fitzgerald who are siblings. They are nearing the end of their seaside holiday in Cornwall, England when they happen to come across a lovely old deserted Georgian house while chasing their terrier, Bobby. The Fitzgeralds meet the dour owner (played by Donald Crisp) and they purchase the small mansion for a surprisingly affordable amount of money. Naturally, the house is haunted. The acting - particularly that of Gail Russell as the luminous, moonstruck Stella Meredith - is effective and charming. The black-and-white cinematography by Charles Lang is exquisite as is Victor Young's hauntingly lovely theme, "Stella by Starlight". The film has a moody, frisson quality which few films of the "ghost genre" can match. In one of her very few film appearances, Cornelia Otis Skinner is memorably sinister as Miss Holloway who was a friend of Stella's mother, the deceased Mary Meredith. A thoroughly enjoyable film with some real jolts and a great atmosphere, ghost fans should be enthralled by this one.
In 1937, the composer and music critic Roderick Fitzgerald (Ray Milland) and his sister Pamela Fitzgerald (Ruth Hussey) are spending a holiday on the English coast. When their dog chases a squirrel, they need to break in an abandoned manor named Windward House and Pamela immediately falls in love with the real state and convinces her brother to invest his savings purchasing the house.
They seek out the owner, Commander Beech (Donald Crisp), who lives with his twenty year-old granddaughter Stella Meredith (Gail Russell) far from the house, and he accepts their offer and sells the house for a very low price. Soon Roderick and Pamela move to the Windward House and he and Stella falls in love with each other. Roderick and Pamela also discover that the house is haunted and in Roderick's studio they feel a chill and near dawn they overhear uncanny sobs of a woman. They investigate and learn that a tragedy happened in the manor: Stella's father had an affair with a Spanish model and her mother died falling of the rocky coast and the model died of pneumonia. They also discover that the house is haunted by two ghosts, one of them evil and the other one trying to protect Stella.
"The Uninvited" is a creepy ghost story, with a great performances and a good story. The mystery is predictable and is not difficult to guess who the evil ghost is, but the movie has many scenes that startle the viewer and is supported by a magnificent cinematography in black and white. In accordance with a documentary about "The Uninvited", Gail Russell was a shy actress and her personality helped her in her performance since she was really scared. The serenade "To Stella by Starlight", by Victor Young, is another plus of this movie. Further, "The Uninvited" is the first Hollywood movie to take ghosts seriously since until this date this theme was explored in comedies. My vote is nine.
Title (Brazil): "O Solar das Almas Perdidas" ("The Manor of the Lost Souls")
They seek out the owner, Commander Beech (Donald Crisp), who lives with his twenty year-old granddaughter Stella Meredith (Gail Russell) far from the house, and he accepts their offer and sells the house for a very low price. Soon Roderick and Pamela move to the Windward House and he and Stella falls in love with each other. Roderick and Pamela also discover that the house is haunted and in Roderick's studio they feel a chill and near dawn they overhear uncanny sobs of a woman. They investigate and learn that a tragedy happened in the manor: Stella's father had an affair with a Spanish model and her mother died falling of the rocky coast and the model died of pneumonia. They also discover that the house is haunted by two ghosts, one of them evil and the other one trying to protect Stella.
"The Uninvited" is a creepy ghost story, with a great performances and a good story. The mystery is predictable and is not difficult to guess who the evil ghost is, but the movie has many scenes that startle the viewer and is supported by a magnificent cinematography in black and white. In accordance with a documentary about "The Uninvited", Gail Russell was a shy actress and her personality helped her in her performance since she was really scared. The serenade "To Stella by Starlight", by Victor Young, is another plus of this movie. Further, "The Uninvited" is the first Hollywood movie to take ghosts seriously since until this date this theme was explored in comedies. My vote is nine.
Title (Brazil): "O Solar das Almas Perdidas" ("The Manor of the Lost Souls")
10Gafke
Roderick and his sister Pamela are vacationing along the English seaside when they discover a beautiful old house with which they fall immediately in love. They purchase the home from Commander Beech, an elderly man whose daughter and son-in-law once lived in the house. Almost as soon as Roderick and Pamela move in, the disturbances begin. A woman can be heard sobbing in the early morning hours and the smell of mimosa perfume is everywhere. Soon, Roderick takes a liking to the Commander's granddaughter, a very pretty but solemn and haunted looking girl named Stella. When Stella enters the house, the disturbances increase alarmingly, threatening her life and driving her perilously close to the sea cliffs. The Commander forbids her to set foot in the house, for he knows of the terrible tragedy that occurred there 20 years earlier. But the guilty secret he's been keeping all these years, a secret that involves Stella and her heritage, will not stay secret anymore and Roderick must face a vengeful ghost if he wishes to save the woman he loves.
This is a really great ghost story, a true classic of the genre. Everyone involved turns in a brilliant performance, especially Ray Milland as Roderick the sweet and likable composer and Ruth Massey as his spunky sister. Gail Russell as Stella is perfectly cast, always appearing shaken and fragile. The effects are terrific too! The crying ghost in particular will give you shivers as it echoes down the halls of the dark house and disappears with the dawn breeze. Light and shadow are used to maximum effect and despite the fact that this film was made in 1944, it never feels dated and it's lost none of its power to unsettle, disturb and even downright terrify.
Perfect viewing for a dark and stormy night. This is a flawless ghost story. Highly recommended.
This is a really great ghost story, a true classic of the genre. Everyone involved turns in a brilliant performance, especially Ray Milland as Roderick the sweet and likable composer and Ruth Massey as his spunky sister. Gail Russell as Stella is perfectly cast, always appearing shaken and fragile. The effects are terrific too! The crying ghost in particular will give you shivers as it echoes down the halls of the dark house and disappears with the dawn breeze. Light and shadow are used to maximum effect and despite the fact that this film was made in 1944, it never feels dated and it's lost none of its power to unsettle, disturb and even downright terrify.
Perfect viewing for a dark and stormy night. This is a flawless ghost story. Highly recommended.
If you're in the mood for a chilling, well-plotted, atmospheric mystery, you owe it to yourself to see this house-on-the-edge-of-a-cliff type of mystery. The intricate plot will delight mystery fans and the acting by Ray Milland, Ruth Hussey, Gail Russell, Donald Crisp and Cornelia Otis Skinner is excellent. Especially fascinating and chilling is the performance of Miss Skinner as Miss Holloway, the sinister owner of a clinic for disturbed women. Victor Young's background score adds immeasurably to the tense proceedings. His "Stella by Starlight" has become a classic composition for piano and orchestra. The old house itself with its huge windows overlooking the sea and its spacious interiors inhabited by an unseen presence, is the sort of dream house anyone would love to live in--except for 'The Uninvited'. Truly a high quality ghost story that also happens to be an absorbing mystery.
Você sabia?
- CuriosidadesWhen Stella enters a trance and speaks in Spanish during the seance, she says, "Listen, listen! It's not her! It's not her! Do not believe anything! Do not listen to her, because she's lying! You thief! Thief of my love!"
- Erros de gravaçãoThe film is set in 1937, but the "going-to-church" sequence features a car with headlights blacked out in the style required due to WWII in the early 1940s.
- Citações
Pamela Fitzgerald: Well, I must dash back to Lizzie. We're fighting over how much Sherry to put in a tipsy pudding. She wants to make it dead drunk.
- ConexõesFeatured in 100 Years of Horror: Ghosts (1996)
- Trilhas sonorasTo Stella by Starlight
(uncredited)
Music by Victor Young
Played on piano by Ray Milland (dubbed) and heard as a main theme in the score.
Richard Hayman and his Orchestra performed the music. Richard Hayman also played the harmonica solo in the piece.
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 6
- Tempo de duração1 hora 39 minutos
- Cor
- Proporção
- 1.33 : 1
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