Trinta Segundos Sobre Tóquio

Forget the schlocky fictions of Bruckheimer and Bay's PEARL HARBOR with its footnoted version of the Doolittle raid. If you want to see a more detailed, realistic, historical as well as romanticized version of the Pearl Harbor "pay back," see this one. It is the classic MGM treatment with a skilled cast including Spencer Tracy and Van Johnson.

If you do see PEARL HARBOR, rent this one too so you can see how to tell a real romance set against a historical event. And if you want the full picture of how the Doolittle raid was made possible, see DESTINATION TOKYO, the film telling the story of the submarine that snuck into Tokyo bay to help guide the bombers over the city.

I think this film is one of the best WWII films (if not the best) made during the war. The principal reason is that it's true and based on the famous Doolittle Raid on Japan on April 18, 1942. The movie follows the lives of a few of the members of that raid and focuses specifically on the experiences of Lt. Ted Lawson, who wrote the book. While a few of the stateside scenes are a bit corny and mushy, it nicely weaves in the story of one flyer and his wife and the way they handle their impending separation due to the upcoming mission. One needs to remember the need to portray and establish patriotism and an "apple pie and mom" sense during a difficult wartime environment when the film was released in 1944. In fact, just as the Doolittle Raid was carried out to bolster flagging US morale after Pearl Harbor (Dec 7, 1941)and a series of US and allied losses in the Pacific war in early 1942, this movie of the raid again plays the role of morale booster for the home front in 1944. The flying scenes, as well as the special effects, are pretty good for the 1940's movie making era and perfect for most WWII aviation buffs. This Hollywood movie version of the book of the same name written by Lt. Ted Lawson and edited by Robert Considine is fairly true to the book, with very minor changes for story continuity and some levity. Spencer Tracy does a good job as Lt. Col. Jimmie Doolittle and adds the needed seriousness to the early part of the film. Van Johnson's role of Lt. Ted Lawson was perfectly played and Phyllis Thaxter as his wife is charming. The story of the early part of their marriage adds the right tone to this movie and sort of personifies all of these types of marriages and relationships that were "put on hold" because of a war. The movie turns quite serious, of course, once the raid begins. The underlying story is quite serious and relates the story of a group of flyers who volunteered for an extremely dangerous mission without even knowing what the mission is. I think this is one of the main attractions of this movie for me...that someone is willing to sacrifice their life for their country when asked to possibly do just that. It is selfish acts like this that we in the US should continue to recognize and to be eternally grateful to those of the WWII generation such as those who took part in this famous and unique event in US aviation history.

One of those made-during-the-war war movies that comes with the customary Frank Capra-like homeland security flag-waving and all of that but this is a good flick that stands the test of time.

Oh, it's cornball and the soldiers make like scouts at jamboree but there's an edge here--perhaps because the outcome of the WWII encounter was still in doubt at the time.

As a movie, though, "30 Seconds" has a lot going for it: romance (Van Johnson-Phyllis Thaxter), buddies (Johnson and a young Robert Mitchum), strong Army-Navy relations, strong American-Chinese relations--and plenty of great character parts played by people like Robert Walker, Spencer Tracy and Don DeFore, later to become George Baxter in TV's "Hazel."

There's nothing dated about the cinematography employed here. When the Ruptured Duck flies over Tokyo, you feel like you're right there in the cockpit and the crew's low-altitude escape to China is nothing less than harrowing.

It may not be a 20-20 account of the Doolittle mission to ramp up U.S. spirits after Pearl Harbor but it's a entertaining film with a lot of heavy hitters along for the ride, people like Dalton Trumbo (screenplay)and director Mervyn LeRoy.

Yes, it's one-part propaganda, one part-chin uplifter but there's a lot more to it and it makes my all-time top 10 war movie list.

I felt this was a great movie. Having read "I Could Never Be So Lucky Again" by Jimmy Doolittle, I am happy to report that the film's storyline is very much like the events actually unfolded. I thought that Vance Johnson did a great job with "Lawson" as well as his supporting cast. The special effects for the film seem to be ahead of their time. The flying, bombing, and ship sequences are very good for the 1940's. Although some of the characters may seem "campy" (especially Cpl. Thatcher) with today's movie characters, they do reflect the way that movies were made during WWII. It is nice just to see the B-25's that they used in the film since not many exist anymore. If you ever get a chance to see one in person I would suggest doing so; it really gives you a sense of what these brave men actually dealt with on a daily basis. This movie is a must see for any history buff.

Van Johnson, Spencer Tracy and a supporting cast make this movie one of the special few war films that show a naturalistic view of men in combat. Johnson is scared, confused at times, and when he's at the controls, exactly like so many pilots I know - professional. There are elements of jingoism in this film, although remarkably toned-down, certainly less than "..Colonel Blimp", a British war-time effort. Johnson is the classic middle-class guy caught up in a shooting match, same as he was in "Battleground". Some younger viewers may see the special effects as hokey, but I feel the model work was and is unsurpassed, and without any blue-screen trickery! The Hornet flight-deck scenes are amazing in the use of full size B-25's. One other note -"Japanese" are seen on screen only from a distance, curiously.