Desde Que Partiste

Título original: Since You Went Away

1944
Livre
2 h 57 min

AVALIAÇÃO DA IMDb

7,5/10

5,4 mil

SUA AVALIAÇÃO

Shirley Temple, Claudette Colbert, Joseph Cotten, and Jennifer Jones in Desde Que Partiste (1944)

With her husband away to fight in World War II, a housewife must care for their two daughters alone.

Reproduzir trailer1:40

1 vídeo

99+ fotos

Drama Guerra Romance

Adicionar um enredo no seu idiomaWith her husband away to fight in World War II, a housewife must care for their two daughters alone.With her husband away to fight in World War II, a housewife must care for their two daughters alone.With her husband away to fight in World War II, a housewife must care for their two daughters alone.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,5/10

5,4 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Ganhou 1 Oscar
- 6 vitórias e 9 indicações no total

Vídeos1

Trailer 1:40

Official Trailer

Fotos105

Avaliações de usuários109

7,55.3K

Avaliações em destaque

movibuf1962

The premier Sunday afternoon experience.

I saw this yesterday on TCM. Yes, it is sentimental, patriotic, and a bit syrupy in the dialog. But it was released in 1944 (filmed right in the middle of the war), so the sentiment and especially the times are aptly reflected. More than anything else, the film's virtues are the performances. Claudette Colbert reminds me very much of Norma Shearer's matriarch in 'The Women:' warm, intelligent, and very likable, but surrounded by the constrictions and circumstances of the time. (It's interesting to hear her tell Joseph Cotten two hours into the film that she feels useless and is not contributing to the war effort when in fact she's been contributing all along.) Cotten is wonderful as her surrogate mate (still carrying a torch after all these years) and daughters Jennifer Jones and Shirley Temple are quite good. The standout scene, of course is Jones and real-life husband Robert Walker parting at the train station. The Steiner score (echoing the chugging of the train) and especially Jones' tearful run as the train departs are especially heartbreaking. (Does she sense her soldier's fate? There's something almost psychic in her face as she reads the engraving on the watch.) Good performances also from Agnes Moorehead and Selznick veteran Hattie McDaniel. Nominated for a ton of Oscars, and deservedly so.

9ralphdl

Classic Gem

Yes, this film can be accused of being cliched and peppered with propaganda. It had it's share of critics even when it was released. It had the tall task of being compared to " Mrs. Miniver" but in the end it stands on it's own as a classic gem. To really enjoy and understand this movie (and truly, all vintage movies)you must place yourself in their time and place.. the context of the times.

I grew up hearing the stories of the hardships of the depression and WWII. My family was not as well off as the family in this film but the emotions were the same. If "since you went away" seems at times to be a little preachy, consider it a peak into a long gone America that we sorely could use a lot of today.

In the meantime, enjoy the wonderful acting, direction, lighting and beautiful score- and of course, the greatest goodby scene of all time! The train station farewell is a masterpiece by itself...get your kleenex!

Siblvane

Underrated and I disagree with other viewer's comments

I thought this film was nicely naturalistic rather than melodramatic- in that the naivete, sincerity and hopeful nature of people in the context of 1940s smalltown America was honestly portrayed by all of the principle actors. A pleasant counterpoint to "The Best Years of Our Lives"- yes, admittedly much more of a striving to be cheerful/optimistic bit of propaganda than "Best Years", but similar in tone nonetheless. I also recommend this film for the intriguing casting of Robert Walker (best known as psychopath Bruno Antony in Hitchcock's "Strangers on a Train") as Jennifer Jones' somewhat wishy washy yet ultimately tragic boyfriend- the infamous scene where Jones tearfully bids him farewell as his battlefield destined train departs is classic. Genuinely emotional. Not one of the all time best movies I have ever seen, but certainly worth a watch. Probably of interest to Shirley Temple fans, too, as it is one of her 'young adult' roles.

10jblake1243

This one holds up well

Saw it last evening on TCM. Excellent performances by a stellar cast, filmed at a time when Hollywood and American movie audiences were fully experiencing World War 2 on the "home-front". This film has somehow managed to avoid becoming "dated" and remains entertaining, appealing and instructive to a contemporary audience. The story is primarily about a middle class family and its attempts to deal with problems caused by the war. The characters are decent people confronted by issues that test their faith and ability to carry on with life in a normal way. I particularly enjoyed the performances of Claudette Colbert and Monty Woolley, although the entire cast did excellent jobs. The music was appealing and appropriate and helped create the mood intended. TCM played the opening "Overture" which added to the production quality. Three hours is a long sitting but this one is worth it.

8dexter-10

Agony on the Homefront

The formula for a successful film incorporates good direction, a deep and talented cast, a sophisticated script, and a profound theme. This film has all of the above. The poignant theme is that of the Homefront's waiting for soldiers to safely return from the various battle zones of World War Two, with full knowledge that some would not return. In this film, released just two weeks after D-Day, the daily lives of the characters are dominated by the pall of war, and the casualty reports. Non-patriotic foils are sprinkled throughout, especially those who regularly violate the rationing system. In essence, the main thrust of the film to the audience is this: Do not despair, everyone with servicemen abroad is experiencing the same fears and emotions. Like "Casablanca" and other films produced during the war, the message of common sacrifice prevails. Everyone is in the same boat, or so says Hollywood. This film is both entertaining and instructive, as intended. If this film has a weakness, it is the title. It would better be something like "what would I do when you're no longer here to tell my troubles to?" No longer here could be for the duration of the war--or for eternity.

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Curiosidades
Jennifer Jones and Robert Walker play young lovers. In real life, they were at the end of a failed marriage and divorced shortly after. She later married David O. Selznick, the producer of this film.

Erros de gravação
Colonel Smollett (Monty Woolley) struggled to place a garden glove on his right hand. Later, during the same scene in the victory garden, he wears a glove only on his left hand. At the start of the scene he was wearing two gloves. He took them both off, and then put on the right glove upside down before putting on the left glove. Next, when his hands (and soon all of him), were entirely off camera, he had enough time to remove the right glove, which he then carried in his gloved left hand.

Citações
Anne Hilton: Jane, dear, come into the living room. I'd like to talk to you.
Jane Hilton: What's the matter, Mom?
Anne Hilton: Well, mayn't I talk to you if I want to?
Jane Hilton: Of course, but you sound so strange.
Anne Hilton: Do I? I'm sorry, I don't mean to.
Jane Hilton: What is it? Why couldn't Brig hear? Is that why you sent her - ? Not about... Pop.
Anne Hilton: No. Sit down, darling. Jane, dear, I'm terribly proud of the way you've grown up. I'm sorry Pop missed it.
Jane Hilton: Oh, is that all? That's sweet of you, Mother.
Anne Hilton: No, dear, it isn't...
Jane Hilton: It's so wonderful being at the hospital. I wish you could come and visit.
Anne Hilton: I will.
Jane Hilton: But some of it's so sad. If you could see those boys. And they're so cheerful, most of them.
Anne Hilton: I know. They have such courage. I like to think that you have that kind of courage, too, darling.
Jane Hilton: What are you trying to tell me?
Anne Hilton: That when a man goes off to war, we have to be...
Jane Hilton: Bill!
Anne Hilton: The telegram came just a few minutes ago. It was addressed to you, but I opened it.
Jane Hilton: Did it say he was missing, or what? I don't care if he's wounded, I don't care what's happened to him, if only...
Anne Hilton: No, dear, it said he... it said he died in action at Salerno.
Jane Hilton: Oh, it couldn't be! It couldn't be! It could be a mistake, couldn't it, Mother? I've heard that sometimes - sometimes they get the names mixed up.
Anne Hilton: Oh, no, honey, you mustn't fool yourself! That would be the worst thing of all. You've got to face it, as hard and cruel as it is.
Jane Hilton: Yes, I know. I've known it all along. Oh, Mother!
Anne Hilton: Cry, darling. Cry your heart out. I won't try to tell you that you'll get over it soon, because it will take time - maybe a long time.

Cenas durante ou pós-créditos
Opening credits prologue: This is a story of the Unconquerable Fortress: the American Home . . . 1943

Versões alternativas
Cut to 130 minutes for a 1949 reissue.

Conexões
Featured in America at the Movies (1976)

Trilhas sonoras
There's No Place Like Home (Home, Sweet Home)
(1823) (uncredited)
Music partly composed, and arranged by H.R. Bishop from a Sicilian air
In the score during the opening scenes (picture of Hilton home)
Reprised in the score later