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5,4/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaShipped to Louisiana, the mummy Kharis from Egypt roams the bayou, tormented by his forbidden love for Princess Ananka.Shipped to Louisiana, the mummy Kharis from Egypt roams the bayou, tormented by his forbidden love for Princess Ananka.Shipped to Louisiana, the mummy Kharis from Egypt roams the bayou, tormented by his forbidden love for Princess Ananka.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Lon Chaney Jr.
- Mummy
- (as Lon Chaney)
Eddie Abdo
- Pierre
- (não creditado)
Enrique Acosta
- Bit
- (não creditado)
Julius Aicardi
- Bit
- (não creditado)
Nina Bara
- Young Cajun Woman in Cafe
- (não creditado)
Alfredo Berumen
- Workman
- (não creditado)
Avaliações em destaque
Coming after THE MUMMY'S GHOST, this limp and repetitive last entry in the Kharis series may be the weakest of all four, and it's kind of gratifying that Universal finally stopped the cookie cutter here. It's by no means awful, but by now there's a severe case of "been here, done that" festering about and there isn't much new to help us along. Lon Chaney merely goes through the motions to get his paycheck and gives the most listless of his three mummy performances. Peter Coe takes the award as the worst high priest, but Martin Kosleck is an okay choice as his treacherous assistant even though he isn't given enough to do. The script is little more than a plodding chase which has the clumsy Kharis always coming within inches of seizing his beloved princess, only to narrowly miss her time and time again as she manages to escape from his grasp.
One redeeming quality is Virginia Christine's first appearance as the reincarnated Princess Ananka. Her resurrection sequence from a muddy swamp is not only the high spot of this picture, but it's one of the best in the entire saga. By the way, what's interesting is that if keen viewers of THE MUMMY'S HAND recognized from a quick hotel receipt shot that the story began in 1940, and then you add up the "30 years" later of THE MUMMY'S TOMB & THE MUMMY'S GHOST, and top it off with the "25 years later" of THE MUMMY'S CURSE, you'd see that this entry would take place in 1995 ... !?!?
** out of ****
One redeeming quality is Virginia Christine's first appearance as the reincarnated Princess Ananka. Her resurrection sequence from a muddy swamp is not only the high spot of this picture, but it's one of the best in the entire saga. By the way, what's interesting is that if keen viewers of THE MUMMY'S HAND recognized from a quick hotel receipt shot that the story began in 1940, and then you add up the "30 years" later of THE MUMMY'S TOMB & THE MUMMY'S GHOST, and top it off with the "25 years later" of THE MUMMY'S CURSE, you'd see that this entry would take place in 1995 ... !?!?
** out of ****
There is still life in this curse, barely. The premise has ran its course. Too many familiar scenes and the thrill is just hanging on. This although is still creepy to watch and fun for a rainy night. The living mummy Kharis(Lon Chaney Jr)now seeks his lost love(Virginia Christine) in the bayous of Louisiana. Also notable are Kurt Katch and Jackie Lou Harding. A "mummy" fan's must.
This fourth and final movie in the original "The Mummy" franchise picks up from where the last one ended but despite being made the very same year has recast our leading lady which is a damn shame.
It tells the story of our mummy once against being brought back to seek out his reincarnated lost love. This time however after the events of the last film she is suffering from amnesia and every one in her life is in terrible danger.
Oddly the quality of this franchise in regards to cinematography has been inconsistent and this is one of the worst. Combine that with some hammy performances and yet again the movie cannot rise above being distinctly average stuff.
Despite all this the entire franchise has had a certain charm, but I think 4 movies were sufficient especially considering how similiar they all are.
A fitting finale.
The Good:
Carries on the story nicely
The Bad:
Timelines of the series make no sense
Cinematography has dipped
Recasting
Much of the plot is confusing
Things I Learnt From This Movie:
Everyone who wears a Fez is evil
Amnesiacs are a great source of free labour
I can't take a character seriously if they're wearing a safari hat!
It tells the story of our mummy once against being brought back to seek out his reincarnated lost love. This time however after the events of the last film she is suffering from amnesia and every one in her life is in terrible danger.
Oddly the quality of this franchise in regards to cinematography has been inconsistent and this is one of the worst. Combine that with some hammy performances and yet again the movie cannot rise above being distinctly average stuff.
Despite all this the entire franchise has had a certain charm, but I think 4 movies were sufficient especially considering how similiar they all are.
A fitting finale.
The Good:
Carries on the story nicely
The Bad:
Timelines of the series make no sense
Cinematography has dipped
Recasting
Much of the plot is confusing
Things I Learnt From This Movie:
Everyone who wears a Fez is evil
Amnesiacs are a great source of free labour
I can't take a character seriously if they're wearing a safari hat!
This entry in the "Mummy series" is unlike all the others, but that's what makes it interesting!
One of THE most interesting sequences in this film is when the Princess awakens in the bog (due to the sunlight), and slowly rises to her feet, totally covered with mud, and staggers to town. A very dramatic scene!
One of THE most interesting sequences in this film is when the Princess awakens in the bog (due to the sunlight), and slowly rises to her feet, totally covered with mud, and staggers to town. A very dramatic scene!
"The Mummy's Curse" was the fifth and final installment of Universal's mummy series and the third to star Lon Chaney as Kharis.
At the close of the previous film, "The Mummy's Ghost" Kharis and the reincarnated Princess Ananka are seen descending into a swamp located in New England. As this film opens we find out that they have magically been transported to the Louisiana bayous. Anyway, it seems that a certain swamp is about to be drained and the locals fear that the ancient mummy will be dredged up. As luck would have it, he is.
Dr. James Halsey (Dennis Moore) along with colleague Dr. Ilzer Zandaab (Peter Coe) have come to the area to recover the two mummies for a museum. Dr. Zandaab turns out to be the latest in along line of Egyptian High Priests charged with returning Kharis and Ananka to Egypt. Zandaab along with assistant Raghab (Martin Kosleck) revives Kharis (Chaney) in an old abandoned church and instructs him to find the Princess Ananka and to kill anyone who gets in his way. This he does.
Meanwhile Ananka (Virginia Christine) climbs out of the bayou and wanders aimlessly through the countryside. She is befriended and taken in by the locals. Eventually Kharis finds her and takes her back to Zantaab and.......
The film features a flashback sequence lifted in tact from "The Mummy's Hand" (1940) which itself was largely made up from footage taken from "The Mummy" (1932). In this sequence we see Tom Tyler as the unbandaged Kharis. The slim and muscular Tyler bore little resemblance to the heavier Chaney.
Watch for two veterans of the silent screen, William Farnum and Charlie Stevens in minor roles.
The Mummy was resurrected briefly for 1955's "Abbott & Costello Meet The Mummy".
At the close of the previous film, "The Mummy's Ghost" Kharis and the reincarnated Princess Ananka are seen descending into a swamp located in New England. As this film opens we find out that they have magically been transported to the Louisiana bayous. Anyway, it seems that a certain swamp is about to be drained and the locals fear that the ancient mummy will be dredged up. As luck would have it, he is.
Dr. James Halsey (Dennis Moore) along with colleague Dr. Ilzer Zandaab (Peter Coe) have come to the area to recover the two mummies for a museum. Dr. Zandaab turns out to be the latest in along line of Egyptian High Priests charged with returning Kharis and Ananka to Egypt. Zandaab along with assistant Raghab (Martin Kosleck) revives Kharis (Chaney) in an old abandoned church and instructs him to find the Princess Ananka and to kill anyone who gets in his way. This he does.
Meanwhile Ananka (Virginia Christine) climbs out of the bayou and wanders aimlessly through the countryside. She is befriended and taken in by the locals. Eventually Kharis finds her and takes her back to Zantaab and.......
The film features a flashback sequence lifted in tact from "The Mummy's Hand" (1940) which itself was largely made up from footage taken from "The Mummy" (1932). In this sequence we see Tom Tyler as the unbandaged Kharis. The slim and muscular Tyler bore little resemblance to the heavier Chaney.
Watch for two veterans of the silent screen, William Farnum and Charlie Stevens in minor roles.
The Mummy was resurrected briefly for 1955's "Abbott & Costello Meet The Mummy".
Você sabia?
- CuriosidadesAccording to actress Virginia Christine, when Lon Chaney Jr. carried her, she was attached to a harness that went around his neck and her waist. The actress has stated that Chaney was drunk through most of the picture. In the scenes where he carries her up the steep, crooked, worn steps of the shrine, "he is absolutely stoned" and was "weaving , going side-to-side on these uneven steps." Because they were attached, Christine was concerned what would happen if the inebriated, husky Chaney fell. She was very relieved when the director stopped the shoot and replaced Chaney with a stand-in.
- Erros de gravaçãoThe previous installment, A Sombra da Múmia (1944), ended with Kharis and Ananka sinking into a marshy swamp in Massachusetts. Approximately 25 years later, while draining a swampy Louisiana bayou, Kharis and Ananka are freed from their muddy tomb, allowing Kharis to resume his reign of terror among the bayou dwelling Cajuns. It is never explained how the swamp, containing the Mummies, was moved from Massachusetts to Louisiana over the passing years.
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