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Kolberg

  • 1945
  • 1 h 51 min
AVALIAÇÃO DA IMDb
6,0/10
827
SUA AVALIAÇÃO
Heinrich George and Veit Harlan in Kolberg (1945)
DramaDrama de épocaDrama históricoÉpicoÉpico de guerraÉpico históricoGuerraHistóriaRomance

Adicionar um enredo no seu idiomaDuring Napoleon's German campaign, the city of Kolberg is isolated from Prussian forces. Residents organize resistance against the French army besieging and bombarding the city, refusing to ... Ler tudoDuring Napoleon's German campaign, the city of Kolberg is isolated from Prussian forces. Residents organize resistance against the French army besieging and bombarding the city, refusing to surrender.During Napoleon's German campaign, the city of Kolberg is isolated from Prussian forces. Residents organize resistance against the French army besieging and bombarding the city, refusing to surrender.

  • Direção
    • Veit Harlan
    • Wolfgang Liebeneiner
  • Roteiristas
    • Veit Harlan
    • Alfred Braun
    • Joseph Goebbels
  • Artistas
    • Heinrich George
    • Kristina Söderbaum
    • Horst Caspar
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    827
    SUA AVALIAÇÃO
    • Direção
      • Veit Harlan
      • Wolfgang Liebeneiner
    • Roteiristas
      • Veit Harlan
      • Alfred Braun
      • Joseph Goebbels
    • Artistas
      • Heinrich George
      • Kristina Söderbaum
      • Horst Caspar
    • 25Avaliações de usuários
    • 6Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos37

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    Elenco principal34

    Editar
    Heinrich George
    Heinrich George
    • Bürgermeister Joachim Nettelbeck
    Kristina Söderbaum
    Kristina Söderbaum
    • Maria Werner
    Horst Caspar
    Horst Caspar
    • Gen. Gneisenau
    Gustav Diessl
    Gustav Diessl
    • Lt. Schill
    Paul Wegener
    Paul Wegener
    • Stadtkommandant Loucadou
    Otto Wernicke
    Otto Wernicke
    • Bauer Werner
    Charles Schauten
    • Napoleon
    Claus Clausen
    Claus Clausen
    • Frédéric-Guillaume III
    Irene von Meyendorff
    Irene von Meyendorff
    • Königin
    Heinz Lausch
    • Friedrich Werner
    Kurt Meisel
    Kurt Meisel
    • Claus Werner
    Paul Bildt
    Paul Bildt
    • Rektor
    Jakob Tiedtke
    Jakob Tiedtke
    • Reeder Golnow
    Hans Hermann Schaufuß
    Hans Hermann Schaufuß
    • Zaufke
    • (as H.H. Schaufuss)
    Franz Schafheitlin
    • Fanselow
    • (as F. Schafheitlin)
    Herbert Klatt
    • Kolberg Bürger
    Theo Shall
    Theo Shall
    • Gen. Loison
    André Saint-Germain
    • französischer Offizier
    • (as St. Germain)
    • Direção
      • Veit Harlan
      • Wolfgang Liebeneiner
    • Roteiristas
      • Veit Harlan
      • Alfred Braun
      • Joseph Goebbels
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários25

    6,0827
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    Avaliações em destaque

    gottfriedjosef

    Bad prints make it hard to judge

    Kolberg isn't remotely a good movie, but at the same time it's no worse than 99.9 percent of the tripe that is and has always been made by Hollywood. It's hard to objectively discuss this film because of having to precede any actual comments with obligatory expressions of PC horror. But even more so, the quality of the copy in general circulation is so terrible it is difficult to form a fair opinion of how the film does or does not work as a piece of entertainment and or art. The structure of what I saw is so far beyond episodic as to be virtually incomprehensible at times - and I doubt that a film this professional on other levels could ever originally have been so choppy and unclear. It looks to be very heavily edited, with a meat cleaver, by a blind person. Perhaps it was cut to remove as much material as possible that would make the German cause sympathetic, or perhaps just for length (it is still quite a long movie). The color (in the copy I have) is close to indescribable. In fact, when a friend asked me if I saw it in color, it took me a few minutes to think of a way to answer him. It isn't color and it isn't black and white - but it is hideous and must be far, far removed from what Kolberg originally looked like. It's got a cast of thousands, impressive and beautiful (or so it seems through the dim veil of putrid picture quality that I experienced) locations and sets and some good acting, particularly by the patriarchal male lead. The person who plays the Queen of Prussia is outstandingly beautiful. As to 'horrible' 'terrifying' etc., propaganda, Kolberg is much subtler and less specific than the typical exercise for the moron millions churned out by Hollywood such as Casablanca, or any number of movies in which Errol Flynn or Harrison Ford single-handedly-defeats-the (fill in the blank), etc. I find it rather refreshing to get another perspective, as the old one is wearing quite thin these 60 years after 'freedom' supposedly won, and all that. Kolberg's effectiveness as propaganda (the dark days descending over Germany) is interestingly substantiated in the history of genocidal mass rape and murder of Germany civilians in the wake of the Soviet conquest of just the provinces in which Kolberg is set. That the leading actor - an actor, not a politician - was starved to death in a Soviet (you remember the Soviets - our allies in right vs. wrong, freedom vs. slavery World War II?) concentration camp in 1946 certainly gives a certain air of credence to the pronouncements of the film.
    6chaworth-1

    Was that it?

    Kolberg's legendary status owes not a little to its unobtainability and complete absence from television. I have the distinct impression that the best of Veit Harlan's direction ended up on the cutting room floor as a panicking Dr Goebbels insisted on drastic revision before this thundering epic could be shown -should I say, inflicted on- the German public in the last days of WWII. There are some magnificent scenes of battles and the episode in the Kolberg town council chamber is brilliantly scripted and acted, but the something is very wrong about the way the final print was put together. Lead character Maria is a virtual stranger; the details of her trials and tribulations along with her affair with Schill have to be guessed at, as does much else. The sets throughout are splendid - but it's all a stage with nothing happening. Continuity is appalling. I understand that we are watching 1hr 45mins out of over 90 hours of footage taken and that all the negatives are lost. We will never know what we are missing.
    2nd_Ekkard

    The last big picture of the third reich...

    First of all, this one will not be out in the stores or at your local rent-a-flick...The movie is the last effort of 1945´s german movie propaganda to strengthen the people´s will to fight on. Therefore, this - as many other propaganda pictures - is not offered to the public. Still, you might get it in universities with an interest in history of the third reich.

    The story of the movie is not all that important... What matters is the great heinrich george, the rich colours, the hateful atmosphere of the movie - and the tragedy of reality as a background: Shortly after the making of "kolberg" was finished, germany was finished either:

    The movie has a romantic perspective on a reactionary, aggressive, irrational and leader-oriented ideology... Not too far away from John Wayne, though I find him very entertaining as a green beret, either.
    8bkoganbing

    Now It's Part Of Poland

    I suppose some kind of cosmic justice has been meted out to all concerned in regard to Kolberg the town and Kolberg the final propaganda product film of the Third Reich. This piece of turf that became the symbol of German resistance to Napoleon whose story Josef Goebbels had hoped to inspire the Reich populace to resist and fight the invaders from east and west in 1945 is now part of Poland.

    The film is an awesome piece of spectacle especially when you consider the money spent and the manpower appropriated from the battlefield by Dr. Goebbels to be extras, playing being French and Prussian soldiers for the camera and missing the real war where doubtless a lot of them would be killed. I wouldn't be surprised if a lot of candles were lit for Goebbels in many German households today because of it.

    The story is after Austerlitz Napoleon pretty much had the run of things in Europe for a while. In his march toward Russia he met this incredible resistance from the former Hanseatic League town of Kolberg. Inspired by its mayor played by Heinrich George and Horst Caspar as General Gneissenau the place held out against incredible odds until the Treaty of Tilsit was signed, one of the few places in the future united Germany to do so. A whole lot like the way the City of Leningrad held out for years against the Nazis invading though that was a comparison the Third Reich would not be making.

    George who was a favorite and favored player during the Third Reich is brilliant as Mayor Joachim Nettelbrick who spent as much time battling with Paul Wegener as the first commandant of the garrison as with the French. I had to think about that one for a bit, but it occurred to me that Hitler would probably have liked the citizen mayor showing up the professional army man as George continually does. After he was just a corporal and had conquered most of Europe against the advice of most of his generals. Of course then Gneissenau who is an ideal Aryan teams up with the mayor and they triumph.

    The battle scenes populated with extras who were thanking whatever Gods they worshiped that they were not in the real war only miles away are staged brilliantly. The message of Kolberg is resistance and none of the other Nazi prejudices made its way into the film.

    Veit Harlan one of the Third Reich's favored directors brought this one in which in Hollywood would have had the studio bean counters tearing the hair out of their heads. Krista Soderbaum who was the symbol of blond Aryan womanhood and Harlan's wife is also in the film who sustains several tragic losses, but carries on.

    In a booklet that accompanied the DVD of Kolberg I ordered it pointed out the film did not have quite the impact that Goebbels thought it would after its Berlin premiere on January 30, 1945. First of all it had limited bookings because 90% of the theaters in Germany had been destroyed by Allied bombings. And by the time it came out the people were really not responding too well to the Propaganda Ministry's pablum.

    I have to say that this last film from Goebbels is brilliantly conceived and executed. But after World War II Kolberg became and remains part of Poland with its German population expelled or worse by the Russian Army and Polish resistance. So what was it all about?
    jurched

    good story with deeper message

    Kolberg is one of those more timeless tales, of a small town besieged by a vast, greedy enemy. It is a story of the small people holding to their honour and duty, and ultimately triumphing over the mighty. The movie is set in the Napoleonic Wars, but the message is for the people of Germany just as they are being invaded by the Red Army and the American and British armies.

    Goebbels film studios managed to film and distribute this movie just as the final battles of World War II were being fought. Its message of defiant defense in the face of hopeless odds was meant to rally the severely demoralised Germans as their homes were being threatened by the enemy. The songs and vivid colours were meant to entertain and raise morale as life became darker and darker.

    Technically, its a masterpiece, and makes use of all kinds of modern shots, angles, and special effects. Its colours were terrible, though, but I trust it was the copy I saw. Of course, it might have been a result of the war constraints.

    Seen in this context, this film is even more interesting than the entertaining story it presents.

    Jurched

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Featured 15,000 to 20,000 actual German troops in the battle scenes, even as Germany's eastern and western fronts were collapsing. The director tried to make the shooting longer to save them from being sent to the front.
    • Erros de gravação
      Saxony didn't separate itself from the Holy Roman Empire. It was separated after the Rheinbund was founded in 1806, to which Saxony was included later. Also, in the movie the inclusion of Saxony is mentioned by King Franz II. In real life it didn't happen until December, almost four months after Franz's resignation.
    • Citações

      Bürgermeister Nettelbeck: [after Gneisenau asks Nettelbeck to surrender] You weren't born in Kolberg, Gneisenau. You are put here to Kolberg. But we grew up here. We know every stone, every corner every house here. We don't let go. Even if we have to claw in the ground of our city with our nails, we don't let go. First they have to cut off each of our hands or kill us one after the other. Gneisenau, you can't put the whole disgrace on an old man like me. and to give our city to Napoleon. I even promised our king: rather be buried below the ruins that capitulate. Gneisenau, Gneisenau, I never stand on my knees for anyone, now i'm doing it: Kolberg can't be given up, Gneisenau!

      Gen. Gneisenau: That's what I wanted to hear from you, Nettelbeck. Now we can die together.

    • Conexões
      Edited into Der 30. Januar 1945 (1965)
    • Trilhas sonoras
      Ein Volk steht auf

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    Detalhes

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    • Data de lançamento
      • 5 de outubro de 1953 (Suécia)
    • País de origem
      • Alemanha
    • Idiomas
      • Alemão
      • Francês
    • Também conhecido como
      • Burning Hearts
    • Locações de filme
      • Kolobrzeg, Zachodniopomorskie, Polônia
    • Empresa de produção
      • Universum Film (UFA)
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    • Orçamento
      • DEM 8.800.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 51 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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