Henrique 5º

With tensions between England and the arrogant French pushed to breaking point, King Henry the Fifth sets out with his armies to conquer and quell the French in their native land. The film builds up with to the historic battle of Agincourt with the troops and the king camping together and making progress across the land.

Whenever Henry V (to use the shorten title) comes on TV I always tape it simply because I always assume that it is a masterpiece of English cinema – such is it's reputation in many circles. However this reputation may not be that well deserved as I have decided from my viewing of it today. The plot is Shakespeare and I will not criticise it, but I know myself that it is not a story that I would pick if asked to chose from his canon of work – I prefer the darker stuff or the out and out comedies. That aside the film tells a straightforward tale, here used to raise morale and fly the flag of Britain and England during WWII. As such it works but I needed it to be more than just a flag waving exercise, I wanted more detail and more thought. Such scenes exist within the play but Olivier does not use them as well as he uses the grandstanding speeches and battle scene – his focus is not on thought but on scale.

As director he does quite well in early stages and in the actual battle itself. The device of opening ad closing in the playhouse works to good effect and is clever but far too many scenes have poor camera angles or are poorly framed. The battle scene is good but too much of the film is ordinary in terms of looks and style. As actor Olivier carries the King well but is too one dimensional for me and I didn't have to put any thought into him to watch the film. He holds back for much of the film but leaps up for more upbeat scenes or rousing speeches. The support cast all sound natural with the dialogue although some of the roles are a little bit hammy, they still hold the film together well.

Overall this is an enjoyable film that has good spectacle to it and key scenes are very good. However the lack of anything under the surface is a problem and it is one of the lesser Shakespearean adaptations I have seen. Still worth a look but if you're like me, you'll be left wondering `was that it?'

It's a splendid rendering based on Shakespeare play with a nice staging , dealing with the warrior king Henry V and his grand victory at the battle of Agincourt on St. Crispin's Day, October 15, 1415 . The movie begins with an ingenious initiation , the camera from a first general shot on the background lead us until a foreground where some actors are playing at the Glove theater in 1600 , then several dramatic scenes take place and eventually going back to the Globe for the final scenes . The film is alrightly based on historic events well made by filmmaker and star Sir Laurence Olivier. They are the following ones : Henry V vanquishes Charles VI in Agincourt (1415) and took over Normandy . Charles VI of France signs Troyes treatise in what Henry V is wedded to Charles's daughter . His descendant Heny VI of England will proclaim himself King of France but Charles VII (anterior Delphin) will be crowned king of France in Reims and the ¨100 years war¨ going on until 1453 (date of downfall Byzance).Grand staging of the Shakespearean play of King Henry V .

This is the first of three principal movies directed by Laurence Olivier along with ¨Hamlet¨ and ¨Richard III¨ based on Shakespeare plays . It's an astounding , stirring , stunning and thoughtful film with glimmer , glittering , colorful cinematography and splendid costume . Partly intended as a wartime morale-booster for the British . Certain parts of the play were consequently omitted , such as Henry's hanging of a friend as an example of firm justice . Laurence Olivier won a honorary and special Oscar for his producing , directing and acting in bringing English history part to vivid life of the screen made with pageantry and perfection . The excellent secondary cast is completed with usual players of the English stage theater and films with important careers : Leo Genn (Quo Vadis) , Leslie Banks (Jamaica inn) , Robert Newton (Treasure's island) , Ralph Truman (El Cid) , Felix Aylmer (Ivanhoe) , Ernest Thesiger (Bride of Frankestein) , Neal McGinnis (Jason and the Argonauts) , Freda Jackson (Brides of Dracula). The especial departments are outstanding , thus : Robert Furse in wardrobe and costumes , the classical musician William Walton and the photographer of superproductions Robert Krasker . Rating : Good and notable . Well worth seeing.

Laurence Olivier's production of Shakespeare's Henry V adds some creative and colorful touches to Olivier's usual fine performance in the lead role. Like the play itself, it's not as deep as the best of Olivier's Shakespeare films, but it works quite well and is an entertaining movie.

In the early scenes, the movie combines the play itself with a very detailed look at how the play would have been staged in Shakespeare's own day. It's very interesting, and is nicely done. It takes advantage of the slower parts in the early scenes to draw attention to the stage, the players, and the crowd, giving you a very good feel for what the theater was like then. Olivier also uses this device to liven up considerably the long historical discourse of the Archbishop of Canterbury in the play's second scene.

After the early scenes, when the real action begins, the movie wisely pulls away from the theater setting and concentrates on the story itself. Olivier is always good in this kind of role, and the photography and settings do a good job of setting off the action. It is noticeable, though, that Olivier chose to omit several scenes or portions of scenes that have some of the commands showing Henry's harsher characteristics, so that the movie concentrates much more on the king's heroic side. What's left still works fine, but it does lose a little depth without this balance. The rest of the cast is certainly adequate, though most of them are overshadowed by Henry. A couple of the exceptions are Robert Newton, very well cast as Pistol, and Esmond Knight, who works well as Fluellen.

Some minor aspects may keep it from being one of the best Shakespeare adaptations, but it's creative, distinctive, and good entertainment. You can rarely go wrong with anything that combines Olivier and Shakespeare.

This is a brilliantly conceived movie-within-a-play-within-a-movie that showcases the genius of Laurence Olivier. Today's audiences are exposed mainly to Olivier the movie actor. But if you want to see a purer form of acting, see Olivier the stage actor. This is possible by watching his Shakespeare plays on film. And these films are by Olivier the "auteur," long before the term was coined. Olivier's is the legacy to which Branaugh and others, who essay Shakespeare on film, must live up to.

And lest you're expecting a camera pointed at a stage, don't worry. Olivier, who produced and directed most of his Shakespeare films, has actually used the film medium to enlarge his plays' visual scope, while maintaining the intimacy that is the essence of live theatre. Also, Olivier is mindful of how daunting the language of Shakespeare is for modern audiences and has modified much of the original script to be more comprehensible, while preserving the feel of Elizabethan English.

Olivier's "Henry V" was to England what Eisentein's "Ivan the Terrible" was to Russia — a familiar history rendered as a national epic, for morale purposes, while audiences were fighting off the Germans during World War II. There are other parallels. For example, both use static, formalized composition, in Henry V's case meant to resemble the images in medieval illuminated manuscripts and books of Hours. (In Ivan's case, according to Pauline Kael, like Japanese Kabuki.) Thus, a sound stage "exterior" backdrop becomes a tableau that serves to enhance, with its flat perspective and subjective scale, the view we have of that fabulous Age of Chivalry for which the play's Battle of Agincourt was the closing act.

I've always scoffed at the extravagant accolades which show business gives its own. But after seeing this film, or his equally brilliant "Hamlet," I can understand why Laurence Olivier was so good, that a knighthood wasn't enough, and so he was raised to the peerage.

I saw a modern remake of this film, 1989, recently with Kenneth Branagh. The battle showed sweat and blood, a non-theatrical production in comparison to this 1944, very theatrical, Olivier production. Some reviewers denounce the heavy-handed acting of 1944, but I find it charming.

Olivier has an economical charisma. His acting has few flourishes, but his voice says everything. Olivier in period costume is mesmerizing. As Shakespeare's bad-boy prince turned earnest King, Olivier takes charge and demands the return of English lands from the rather effeminate French nobility. Outnumbered 10 to one, his merry band of Englishmen dispatches the Dolphin at Agincourt. Then he courts the French speaking princess Katherine with broken French and economy.

The recreation of old London and the Globe Theatre was delightful. The audience and players went on in heavy rains without complaint. The mention of Falstaff's name is enough to get applause, though the buffoon has only a short death scene.

I do believe the play has been abridged. Many of the longer speeches seem shortened. Still, this is accessible Shakespeare. How can you go wrong? Never!