Adicionar um enredo no seu idiomaWhile bird-fancier Lady Christabel Beauclark (Dame Margaret Rutherford) scurries around demanding certain territorial rights for British birds from other countries, Her Ladyship's niece is f... Ler tudoWhile bird-fancier Lady Christabel Beauclark (Dame Margaret Rutherford) scurries around demanding certain territorial rights for British birds from other countries, Her Ladyship's niece is falling in love with the family's butler, Tom Gilbey (Michael Wilding). The birds are forgo... Ler tudoWhile bird-fancier Lady Christabel Beauclark (Dame Margaret Rutherford) scurries around demanding certain territorial rights for British birds from other countries, Her Ladyship's niece is falling in love with the family's butler, Tom Gilbey (Michael Wilding). The birds are forgotten when war breaks out, and Gilbey now finds himself in love with the niece whose love w... Ler tudo
- Direção
- Roteiristas
- Artistas
- Joan Heseltine
- (as Penelope Ward)
- Monsieur Rolland
- (as Paul Boniface)
- Dutch Officer
- (as Andre Randall)
- Polish Officer
- (as Gerard Hinge)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A sequel in name only to 'French Without Tears' (1939), based on Terence Rattigan's West End hit of 1936, which had got the newly formed company Two Cities Films on its feet five years earlier; they prevailed upon Rattigan to lend his name to this occasionally risqué nonsense utilising material which had been left over by Rattigan when he recently completed his play 'When the Sun Shines' in 1943. If you can't be bothered to keep track of the elaborate ebb and flow of romantic entanglements that flit before you, there's always the usual collection of familiar faces in supporting roles to enjoy, particularly cherishable contributions coming from Peggy Cummins, Margaret Rutherford and Roland Culver.
About 5 plots seem to be going on at once here, and everything is introduced in a very roundabout way, not coming together until the final minutes. Surely the best part of the film, apart from Tom the Butler, is Brigid the translator, who adds a lot of charm and wit to the story.
Tom goes away to join the army, and comes back an Officer, and in love with Joan - who is older and has of course moved on! So what is a guy to do? She's now teaching English to foreign soldiers, half of whom have crushes on her, but Tom ain't gonna be licked..
An hour and 20 minutes in length, but English Without Tears at times feels a lot longer. It has its moments (don't miss the caricaturist near the start, and the Aunt's crying over the poor defenceless murdered Thrush..) but gets dull at times. It is worth it to stay tuned to the end though. 7/10
Michael Wilding is the star of this film as Tom Gilbey, and he carries the film. The time span is more than five years. Gilbey goes from being the butler in the large household of Lady Christabel Beauclerk and her family, to a major in the British Army. Penelope Dudley-Ward is Joan Heseltine, part of the family, who is in love with Gilbey. That is, before the war. A few other characters add some humor or charm.
Rutherford's Lady Beauclerk has a couple of very funny scenes, one in a talk before a League of Nations gathering in Paris - all about birds. The suspicions of delegates from some other countries provides a little humor. Lilli Palmer plays Brigid Knudsen, a multi-lingual interpreter who winds up in London privately tutoring foreigners in English. Lady Beauclerk does her patriotic duty and turns her mansion into a type of club and social center for the allied foreign officers. Joan is teaching large groups of men to speak and properly pronounce English. Peggy Cummins plays Bobbie Heseltine, her younger sister, who wants Joan and Tom to get together. Roland Culver is Sir Cosmo Brandon. Claude Dauphin is Francois and Albert Lieven is Felix.
The plot bounces around a bit, and all these characters had substantial parts. One has a feeling of being a little taxed at trying to keep track as the story packs quite a lot into a short film of 87 minutes. So, the comedy is rather sparse, the romance is sort of on the sandwich ends, and the wartime Homefront drama and comedy takes up the last two-thirds.
It's a fair film, mostly interesting for the fine cast, although it does give an authentic picture of one piece of the Homefront at that time in WW II London. With the title change for obvious connection to the highly successful Hollywood comedy of 1936, the best this film can be is a distant cousin to "My Man Godfrey."
Here's the best line in the film, while Gilbey was still working as a butler before the war. Tom Gilbey, "We can't alter human nature. Foreigners, after all, are foreigners."
Você sabia?
- CuriosidadesPrimula Rollo (A Second A.T.)'s only film. She was married to David Niven and they had two children. She died at 28 after being seriously injured in a fall during a game of hide and seek at Tyrone Power's home - mistaking a cellar entrance for a closet. David was heartbroken for many years afterward.
- Citações
Tom Gilbey: We can't alter human nature. Foreigners, after all, are foreigners.
- Cenas durante ou pós-créditosDuring opening credits, the bridge sections lift up to allow the "Two Cities Film" logo to sail through the channel, advancing toward the camera.
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Detalhes
- Tempo de duração
- 1 h 29 min(89 min)
- Cor
- Proporção
- 1.37 : 1