AVALIAÇÃO DA IMDb
6,2/10
848
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhile sharing a hotel suite during the World War II housing shortage in Washington, D.C., three friends discover that their respective marriages are not legally valid.While sharing a hotel suite during the World War II housing shortage in Washington, D.C., three friends discover that their respective marriages are not legally valid.While sharing a hotel suite during the World War II housing shortage in Washington, D.C., three friends discover that their respective marriages are not legally valid.
- Direção
- Roteiristas
- Artistas
Audley Anderson
- Waiter
- (não creditado)
Julie Arlington
- School Girl
- (não creditado)
Yolanda Baiano
- School Girl
- (não creditado)
Avaliações em destaque
... but it was funny--a nice diversion. This film featured six couples who end up sharing the honeymoon suite during the WWII housing shortage. Jane Wyman and Jack Carson are one of the couples who are married by a Justice of the Peace and end up at the hotel. Ann Sheridan and husband John Ridgely are the married couple who are currently staying in the honeymoon suite and have a hard time leaving when Wyman and Carson show up. Later, Alexis Smith and (real-life) husband Craig Stevens show up as an engaged couple who want to marry before Stevens leaves for his next military assignment. Eve Arden is a Soviet solider who just shows up (and maybe is staying in the room too? I don't know. There were so many people in there). Charles Ruggles rounds out the cast as Carson's boss, but later ends up as Wyman's boss.
Carson, who is supposed to be on his honeymoon with Wyman, refuses to stay in the suite because of all the extra people. Wyman's character, is a complete dim-wit and doormat. Sheridan and Smith walk all over her. It seems that the three ladies are also acquainted with one another, which is most likely the main reason why Wyman won't kick them out. Wyman's character, in my opinion, is the only sour note in the film, because her character is so irritating. She brags about her haircut to multiple people in the film and it's terrible. She has that matronly poodle cut hair style that so many women during the 1940s-1950s adopted which instantly aged them 10-15 years. Sheridan and Smith, while definitely wearing 1940s hairstyles, look much more sleek and sophisticated. Sheridan, Smith and Arden were my favorite characters in the film.
This movie was so frantic and had so many different characters and situations that at times, it was hard to follow what was going on. However, overall, it was funny and a great way to spend an hour and a half. This type of film fulfills the exact role I want from my movies: escapism. When I watch a movie, I want to be able to forget about all the awful things I heard/read about on the news that day. Even if it's not an absurd movie like The Doughgirls, and is something more serious like a noir, I am still able to escape. Noir films are so stylized that you're swept up into their world.
Carson, who is supposed to be on his honeymoon with Wyman, refuses to stay in the suite because of all the extra people. Wyman's character, is a complete dim-wit and doormat. Sheridan and Smith walk all over her. It seems that the three ladies are also acquainted with one another, which is most likely the main reason why Wyman won't kick them out. Wyman's character, in my opinion, is the only sour note in the film, because her character is so irritating. She brags about her haircut to multiple people in the film and it's terrible. She has that matronly poodle cut hair style that so many women during the 1940s-1950s adopted which instantly aged them 10-15 years. Sheridan and Smith, while definitely wearing 1940s hairstyles, look much more sleek and sophisticated. Sheridan, Smith and Arden were my favorite characters in the film.
This movie was so frantic and had so many different characters and situations that at times, it was hard to follow what was going on. However, overall, it was funny and a great way to spend an hour and a half. This type of film fulfills the exact role I want from my movies: escapism. When I watch a movie, I want to be able to forget about all the awful things I heard/read about on the news that day. Even if it's not an absurd movie like The Doughgirls, and is something more serious like a noir, I am still able to escape. Noir films are so stylized that you're swept up into their world.
Directed by James V. Kern from the Joseph A. Fields play, adapted by Kern and Sam Hellman with additional material from Wilkie Mahoney, this wartime comedy features a terrific cast in yet another story about how the crowded living conditions in our nation's capital during World War II made strange bedfellows and played havoc with relationships.
It all starts when Jack Carson and Jane Wyman get married and try to begin their honeymoon in a Washington, D.C. hotel whose lobby is overrun with people needing a room. Despite their reservation, they discover that their room's bathtub is already occupied by Ann Sheridan's character, who happens to be ditzy Wyman's old chorus line pal. Naturally she's allowed to stay as is their other gal-pal Alexis Smith, who's married to a lieutenant (actress Smith's soon to be husband Craig Stevens).
Things really heat up when Sheridan's husband's (John Ridgely) ex- wife (Irene Manning) shows up, and a gun-toting female Russian army sergeant (Eve Arden) and Carson's lecherous boss (Charles Ruggles) join the mix, further delaying-frustrating Wyman-Carson's consummation.
Alan Mowbray appears as a radio correspondent. Donald MacBride, a judge and Regis Toomey, an FBI man also appear.
It all starts when Jack Carson and Jane Wyman get married and try to begin their honeymoon in a Washington, D.C. hotel whose lobby is overrun with people needing a room. Despite their reservation, they discover that their room's bathtub is already occupied by Ann Sheridan's character, who happens to be ditzy Wyman's old chorus line pal. Naturally she's allowed to stay as is their other gal-pal Alexis Smith, who's married to a lieutenant (actress Smith's soon to be husband Craig Stevens).
Things really heat up when Sheridan's husband's (John Ridgely) ex- wife (Irene Manning) shows up, and a gun-toting female Russian army sergeant (Eve Arden) and Carson's lecherous boss (Charles Ruggles) join the mix, further delaying-frustrating Wyman-Carson's consummation.
Alan Mowbray appears as a radio correspondent. Donald MacBride, a judge and Regis Toomey, an FBI man also appear.
I saw this when it came out. Although I was only around 7 or 8 years old, I found it a very funny movie. I expect that I didn't understand most of the jokes, but the situation and the constant frenetic action, characters coming and going, must have impressed me. I found Eve Arden's character particularly funny. Firing a rifle salute from a swanky hotel balcony...wow!
Looking at it now, it is clear that it was originally a stage play-characters coming and going on one set. Machine-gun rapid quips, jokes, reactions...if one joke doesn't get you, the next one will. Jane Wyman's dumb Dora character was a stock comedy character in those days (Gracie Allen). It might have been demeaning for her to play, but it made her a star before her later weepies.
The Washington no rooms to rent situation is long forgotten. Absurdist humor has gone out of fashion, perhaps because our society has become so absurd that absurdity is no longer funny. Thus, a lot of the humor of this film and its satire don't register today. Yet, it was quite good for its time, and it is still a hoot to watch today.
Looking at it now, it is clear that it was originally a stage play-characters coming and going on one set. Machine-gun rapid quips, jokes, reactions...if one joke doesn't get you, the next one will. Jane Wyman's dumb Dora character was a stock comedy character in those days (Gracie Allen). It might have been demeaning for her to play, but it made her a star before her later weepies.
The Washington no rooms to rent situation is long forgotten. Absurdist humor has gone out of fashion, perhaps because our society has become so absurd that absurdity is no longer funny. Thus, a lot of the humor of this film and its satire don't register today. Yet, it was quite good for its time, and it is still a hoot to watch today.
Many of the reviews here seem to be posted by people who have no clue as to the time period of history which this film is set in. When you watch an older contemporary film you need to be able to watch it with the mindset of a viewer seeing it in a theater at it's release. If you can't relate to 1944, you don't get this film. If you do it's a true gem.
Warner's threw it's best female leads at this, Ann Sheridan, Jane Wyman and Alexis Smith (sans Bette Davis), capped off with Eve Arden in a memorable role, added Jack Carson and the reliable John Ridgely, stirred in Charlie Ruggles, Alan Mowbry and Regis Toomey in brief support and a supporting cast rated A+ It is a manic comedy, but if you don't get the political and historic tongue in cheek it falls flat. If you do, sublime!
Warner's threw it's best female leads at this, Ann Sheridan, Jane Wyman and Alexis Smith (sans Bette Davis), capped off with Eve Arden in a memorable role, added Jack Carson and the reliable John Ridgely, stirred in Charlie Ruggles, Alan Mowbry and Regis Toomey in brief support and a supporting cast rated A+ It is a manic comedy, but if you don't get the political and historic tongue in cheek it falls flat. If you do, sublime!
Ann Sheridan, who could play anything... in a wartime flick. INCREDIBLE cast... Sheridan, Eve Arden, Jane Wyman. The amazing Jack Carson, who was always second banana. Arthur and Vivian (Carson and Wyman) get married during WW II, and find people in the hotel room they had reserved. "Doughboy" was usually used for soldiers during WW i.... Charles Ruggles is here for comedic effect. and it turns out the new bride knows the ladies who won't get out of their room! the women are all old buddies from way back. the plot thickens! and the incredible Eve Arden is russian Sergaent Moskoroff. anything Arden is in has GOT to be good! Directed by James Kern; this was his FIRST film as director. and he moved into television pretty quickly, so i guess he wasn't so successful as a director. died young at 57 of a heart attack, and according to imdb, died at DesiLu Studios, in Culver City. pretty rare to have such a specific location. this story started as a play by Joe Fields, who also had a hand in "Gentlemen Prefer Blondes"! it's pretty good.
Você sabia?
- CuriosidadesAlexis Smith, who plays Nan Dillon, and Craig Stevens, who plays her husband Lieutenant Tom Dillon, were married for nearly 49 years until she passed away from brain cancer in 1993.
- Erros de gravaçãoWhen Arthur throws Vivian down on the floor at the end, the part of the floor she lands on can be seen to give way and spring back. It was constructed so Jane Wyman wouldn't get hurt.
- Citações
Vivian Marsden Halstead: [At door to hotel] Darling, are you gonna carry me over the threshold?
Arthur Halstead: [Arms full of luggage] I can't, baby. I've got all these other bags. C'mon.
- ConexõesReferenced in American Masters: Tyrus (2017)
- Trilhas sonorasJeepers Creepers
(uncredited)
Music by Harry Warren
Performed by Ann Sheridan, Alexis Smith and Jane Wyman
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- How long is The Doughgirls?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Eran cuatro enamoradas
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Proporção
- 1.37 : 1
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