A Maldição do Sangue da Pantera

Lewton's sequel to the almighty "Cat People" is a mesmerizing and elegant fantasy, but it is by no means a horror film. It's a touching drama and a perceptive social portrait that makes a great study on loneliness and creating an alternate dreamworld. In this case: a young girl that hasn't got much contact with her classmates because of her constant daydreaming and often alarms her parents due to her isolated position. Amy eventually finds true friendship in the supernatural form of Irena, the deceased first wife of her father. Although entirely different in purpose and message, "Curse of the Cat People" actually has a lot more in common with its predecessor than it looks. Three essential characters return and their personalities haven't changed. Irena (played by the goddess Simone Simon) is still a warm-hearted but frigid woman and Ollie is still a loving man incapable of handling the supernatural events around him. Basically, this sequel is quite a unique achievement in cinema as it forms a solid wholesome with the first, despite implementing an entirely different tone. There are some genuine moments of fear, but these are the result of a terrific sub-plot in which an elderly Mrs. Farren (Amy's neighbor) accuses her daughter Barbara of being an impostor and a replacement for her real daughter who died in an accident. The film is beautiful to look at, with a stunning photography and excellent sets. The end-sequence (involving an imaginary metamorphosis) is breath-taking and one of the most enchanting moments in cinema history. The acting performances are flawless and the crush I had on Simone Simon only got intenser! Robert Wise does a terrific directing job (his debut) along with the unknown Gunther Von Fritsch. Wise continued working for Val Lewton one year later with the effectively creepy "The Body Snatcher". I will probably always prefer the original "Cat People" – simply because that is one of the most impressive and intelligent stories ever – but this imaginative sequel is almost as brilliant. Highly recommended.

Curse of the Cat People is an intriguing tale, beautifully filmed in a style that bears more resemblance to a Grimms fairytale than horror, with a mesmerizing performance from Ann Carter. This is her film and she is strong and convincing in the role. The exploration of the insecurity of the child coupled with a troubled relationship with her father is fascinating. I have not seen Cat People and, possibly, aspects of the history of the demise of Irena would be clearer having seen the original. The expectation of a "horror" film with the suggestive title is also misleading. If you are looking for horror you will need to look elswhere. This is ultimately a surprisingly sensitive and uniquely haunting film that would appeal on many levels.

...this one is thoroughly commendable.Jacques Tourneur's "cat people " was more psychological Freudian fantasy and horror whereas Robert Wise 's sequel mostly deals with Gothic horror.This Gothic horror he would take to its absolute peak with "the haunting" ,twenty years after.

For a relatively short movie (about 70 min),there are SIX almost equally important female characters:the girlie,her mother,her teacher,her "friend" ,the old (laughing)lady and her daughter.This is the continuing story of Oliver Reed (not the actor)and the Alice whom he married after first wife Irena's death.The three characters -you read well even Irena) appear in the sequel.There's a lot of Gothic elements :the old house where an old lady tells terrifying tales about "sleepy hollow" (precisely Tim Burton's "spleepy hollow"),the strange borders of dream and reality,of the living and the dead,a subject which will be used a lot of times ;even if we can see the '"friend" ,she recalls sometimes Victor's part in Amenabar's masterful "the others".

But like in Tourneur's version,there may be also a Freudian side :the father/daughter does not seem to be very satisfying at the beginning of the film.Would the child be Irena's psychic daughter?

'The Curse Of The Cat People' isn't really a sequel to 'Cat People' despite several recurring characters. It also isn't strictly a horror movie, despite having some suspenseful moments. Like 'Cat People' the line between the real and the imaginary is blurred, and being a Val Lewton production it is extremely atmospheric. 'Cat People's director Jacques Tourneur is replaced by Gunther von Fritsch, who I confess to know absolutely nothing about, and Robert Wise, who among many other things, is beloved to genre fans for 'The Day The Earth Stood Still' and 'The Haunting'. I'm not as big a fan of the latter as most horror buffs, I actually think 'Curse Of The Cat People' is the better movie. Kent Smith and Jane Randolph reprise their 'Cat People' roles. They are now married and have a child (Amy, played by the talented child actor Ann Carter). Smith is still trying to get over the death of his first wife Irena (Simone Simon), a story we know from the earlier picture. Amy is a loner with a rich fantasy life and this increasingly troubles her father, who fears it's going to be Irena all over again, even though Amy isn't her child. Amy wishes for a friend and begins to see Irena. Like 'Cat People' this can be "read" in any way the viewer cares to. This movie is one of the best I've ever seen about childhood and fantasy. Ann Carter is just terrific, and I particularly enjoyed the subplot involving her eccentric neighbours played by Julia Dean and Elizabeth Russell. These scenes were creepy and very gothic reminding me of both 'Rebecca' and 'Great Expectations'. Russell also had a very memorable bit in 'Cat People'. Her scene towards the end of the movie with Amy is unforgettable. 'Curse Of The Cat People' is overshadowed by 'Cat People', but to me it is almost as great. I highly recommend both movies and other Lewton productions like 'I Walked With A Zombie' (directed by Tourneur) and 'The Body Snatcher' (directed by Wise). These are some of the most important and influential horror movies ever made.

In "Curse of the Cat People," the beautiful child, Ann Carter, who looked so much like Veronica Lake, plays Amy, the daughter of the now-married Oliver (Kent Smith) and Alice (Jane Randolph) from the film's predecessor, "The Cat People." This is a sweet film about a lonely young girl's fantasy life, showing her to be a highly imaginative and creative child. Unfortunately for Amy, she's the child of two complete duds. Her father, former husband of Irena, sees in his daughter an eerie mental and emotional resemblance to his late wife, and it makes him nervous. He gets even more nervous when Amy sees a photo of Irena and claims Irena is her "friend" who has been meeting her. He has burned all the photos of Irena except for one photo that shows him and Irena together, looking happy, though one wonders a) why he kept it since he told Irena he was in love with Alice and was thinking of having her, Irena, committed; and b) when exactly were they happy? They couldn't even consummate the marriage because she was afraid of turning into a vicious cat.

Irena's appearances are interesting but to my mind, it's left open as to whether Irena was actually talking to the child or not. We probably are supposed to think it's Amy's imagination, but I like to keep an open mind. After all, Amy gives her a pin and Irena puts it on her cloak - anyone ever find said pin? It is strange, though, that now she's singing in French instead of Serbian, and there is no sign of the cat stuff.

If you remember "The Cat People," there was a scene at the wedding celebration where the exotic, cat-eyed actress Elizabeth Russell greets Irena in Serbian as "sister." (Actually, Simone Simon dubbed the Serbian.) In "Curse of the Cat People," Russell plays Barbara, the daughter of an old actress whom Amy visits. It doesn't seem like Russell is playing the same character because her mother is not Serbian. Nice to see her, though, and at least in this film, she receives a credit.

"Curse of the Cat People" is a good film, but you'll be disappointed if you go in expecting another "Cat People." Take this lovely movie on its own merits, and feel sorry for Amy - with Oliver and Jane as parents, she's going to need all the help she can get.