Esta Terra é Minha

In an unnamed European town (it's a symbolic stand-in for France, but the characters are all British), the German army moves in and sets up occupation. Local school teacher Albert (Charles Laughton) is more concerned with his romantic feelings for co-worker Louise (Maureen O'Hara) and escaping from the clutches of his over-protective mother (Una O'Connor). However, when a resistance movement begins against the occupation, Albert may find himself drawn into it.

Director Renoir manages to inject some originality into well-trod territory. Laughton is very good as the weak-willed Albert, and he's ably matched by the strong and beautiful O'Hara. George Sanders seems a bit wasted in his role as a collaborator, but he gets one really good scene. The biggest surprise was Kent Smith, an actor who I usually regard as a waste of space. Here, playing a daring resistance fighter operating right under the Germans' noses, he's charismatic and exciting. The movie won an Oscar for Best Sound.

One last bit of comparative trivia: This Land Is Mine was a big hit, with a record-breaking opening weekend. This was because it opened on a then-unheard-of 72 screens. Today, the big superhero movies open on thousands of screens.

Here is a film that everyone should see. It is real and sublime and

each character in the picture has a growth arc that is fascinating to

watch. Charles Laughton is the master in this as we see him as

the town coward a man afraid of everything. An older man who has

learned little of life and less about expressing his love for his

school teaching colleague played by O'Hara.

Laughton learns hard lessons as the film progresses. Walter Slezak's portrayal of a Nazi officer in

charge of the French town is marvelous. He captures the nature of

the will of Fascism and it's unrelenting and sinister application of

pure power using the minds of men. George Sanders, is the

businessman who makes sure things work for the Germans, who

doesn't strain over the matter of occupation by the Nazis until he is

forced to reveal his best friend is the saboteur fighting the

occupation. There is so much more in this film that deals with

oppression and the only way to fight it.

I love this film.

In an interview with Cahiers du Cinema in the 1950s, Renoir reluctantly referred to this film as "my own propaganda." Early Hollywood depictions of the french had portrayed them as unscrupulous collaborators. (That includes Casablanca). Renoir, who was in France when it fell, was justified to feel this was an unfair portrayal. This Land is Mine was his way of showing America what it was like to be a conquered country. Each character becomes an icon of every section of French society. It's not trademark 'Renoir' and he admits it. Because it was so important to make sure the film found its audience, he says he "took less risks"

The mission worked. The film was a success and attitudes towards the French changed... two other Warner Bros films, also starring Bogart, made after Casablanca (and more importantly This Land is Mine), portray the French as heros and patriots with a just cause.

Brilliant acting, brilliant script, brilliant propaganda!

About half way through this film I became aware that I was in the presence of greatness. It may not be perfect but it is about as good films got during the war. Many films at the time were made that painted the Nazi occupation as a black and white issue. You will know after seeing this that that is wrong. All the characters here are in shades of gray. That is the films power. This should be a classic. Why it is not available on DVD in region 1 is a mystery to me.

The lead actors are all extremely good here, and of course a stand out performance by Charles Laughton. I have seen quite a few of Laughton's films and I am always amazed by his range of roles. He goes from heavy to hero and everything in between. He was, in my opinion, one of the very few really great actors of his time. I have seen him in some bad films but I have never seen him give a bad performance!

Speaking of heavies, did you notice that all the male leads have successfully played heavies? They all give very nuanced interpretations here that go way beyond black and white. Go see it.

Although I consider myself a film buff, I confess I had never of this film until I saw being broadcast last night at 1.30 in the morning. I was expecting some pedestrian war time propaganda but the presence of Charles Laughton convinced me to watch it. I am astonished that such a powerful film is so little known and broadcasting only rarely.

One could argue (as had been done in the comments here) that Laughton's transformation from mouse to man is rather too swift. I myself found it totally convincing but it is in the nature of Hollywood to exaggerate these things to make a good movie.

The comparison to "inherit the wind" and "To Kill a mockingbird" is well made here, but the question remains, why is this film so little known? The answer, I think, is that those films make the middle classes feel good about themselves. Everyone fancies themselves to be an Atticus Finch who can recognise the ignorance of 'common people'. But TLIM points the accusing finger at the Atticus Finch's of the world, the men of learning and intelligence who are quite prepared to justify working with evil and persuading themselves that it is not so bad. As such it is as relevant (sadly) as it ever was.