Campeão da Liberdade

Unfortunately, I almost didn't make it through the first thirty minutes set in Tennessee, complete with a Marjorie Main variation of her "Ma Kettle" schtick. The town of Greeneville actually has some beautiful colonial architecture, is NOT near Nashville, and was not a backwoods mud pit in the mid-1800s - it is the second oldest town in the state, and was the capital of the former State of Franklin. (Johnson's home and tailor shop are standing today, as museums, and part of the National Park Service. A web site provides a history, and photos.) 30s/40s Hollywood would always "whitewash" history, except apparently, when it came to small towns in the South....then they'd falsely exaggerate the yahoo image for "atmosphere."

The final impeachment proceeding scenario is indeed rousing, but loses it's punch when one knows it is a fabrication. I usually prefer my history lessons to come from books or documentaries, although the latter can obviously be as biased as a narrative film.

"Senator" Johnson's final scene in the film occurred a mere six months before his death in East Tennessee. (Interestingly, the guest home in Carter County where he took ill, later became part of a roadside tourist trap in the 50s, but has recently been sold for relocation, and one hopes, restoration.)

Regardless, Heflin is great, as is the always reliable Barrymore. Worth a viewing, IF you learn the actual facts beforehand.

OK, so it's not that accurate a portrait of the era and the writers may have fabricated "history" but that's Hollywood. Let's not under estimate Van Heflin. The guy was one of my favorites and terribly underrated. You can see all kinds of emotion in his eyes. He was not a very energetic actor like Errol Flynn or Tyrone Power nor did he have the matinee idol looks of a Robert Taylor but the guy was cerebral. He was brilliant in "Johnny Eager" and all but stole every scene he was in in "Santa Fe Trail". He excelled at complex characters.

I wonder what kind of career he would have had if he had lived longer.

Watch this movie with an open mind and really enjoy Heflin's acting.

The cast is spectacular- Heflin , Hussey, Barrymore , Main and Regis Toomey.

The movie tries to lionize Andrew Johnson, 17th President as carrying on Lincoln's legacy and policies.

In fact, Lincoln made a monumental mistake by letting this Democrat near the White House.

Johnson repeatedly vetoed Republican efforts to bring former slaves into true freedom and equality.

He allowed southern Democrats to install segregation and institute discrimination, setting race relations back 100 years.

Johnson didn't speak at his Senate impeachment trial.

So much dramatic license was taken in this film, it's tough to trust anything.

Not sure why the filmmakers wanted to rehabilitate Andrew Johnson but I did appreciate the actor's efforts.

"The Senate of the United States, in 1868, sat as a High Court in judgment upon Andrew Johnson, who succeeded Abraham Lincoln as President. In the only great State trial in our history, President Johnson was charged with violation of a law which forbade him to dismiss a member of his Cabinet. In 1926, the Supreme Court pronounced this law unconstitutional - as Johnson had contended it was. The form of our medium compels certain dramatic liberties, but the principal facts of Johnson's own life are based on history. In the Spring of 1830 - in a Tennessee valley - our story begins," states the disclaiming prologue...

There, we meet film subject Van Heflin (as Andrew "Andy" Johnson), in a leg iron. The future President is a runaway apprentice (between free-man and slave, but significantly closer to free). Bound to a tailor, Mr. Heflin has learned the profession and goes about mending figurative fences with local townsfolk. He learns to read and write from attractive Ruth Hussey (as Eliza McCardle), who becomes Heflin's first lady. Reading "The Bill of Rights" gets Heflin interested in expanding US Constitutional rights to include non-property owning "white trash" like himself...

Becoming successful in politics, Heflin's Johnson goes against the Southern grain by supporting some of Abraham Lincoln's platform; they both want to keep the Union whole. After the Civil War, President Lincoln selects Johnson as his Vice-President to help heal war wounds and assist in Reconstruction. Johnson has problems after succession to the top office. Yes, there are "dramatic liberties" (lies, even) taken, as the opening states. Heflin is fine, and makes Johnson a sympathetic character. Lionel Barrymore (as Thaddeus "Tadd" Stevens) and popular "silent" film star William Farnum (as Senator Huyler) have pivotal roles.

****** Tennessee Johnson (12/42) William Dieterle ~ Van Heflin, Lionel Barrymore, Ruth Hussey, William Farnum

VAN HEFLIN as Andrew Johnson and RUTH HUSSEY as his wife both give earnest performances and the screenplay, while fictionalizing certain points for dramatic license, is a good one. But, as usual, history buffs are going to nitpick the inaccuracies to the point of dismissing the film as fiction. Not true. What it does do is make anyone who watches it want to consult the history books--and that's a good thing if you want to know the whole story behind Johnson being the first president in history against whom impeachment charges were made.

As his adversary in the impeachment process, LIONEL BARRYMORE delivers another one of his more restrained performances without overdoing the ham. He and Heflin share some pretty dramatically effective moments, both of them in fine form. Heflin takes the character of Johnson from his humble beginnings as a tailor to his marriage to Hussey and his gradual emergence as a spokesmen for the people of Tennessee. For the sake of running time, it skips most of the years leading up to the Civil War and Lincoln's assassination, compressing all of those events and managing to keep the screenplay a tightly knit focus on the impeachment process itself. Only quibble is it fails to make clear the strongest point of the impeachment.

VAN HEFLIN plays most of his role in appropriate age make-up (as does Hussey) and they're both terrific. In lesser roles, MARJORIE MAIN, REGIS TOOMEY and CHARLES DINGLE provide colorful support.

Summing up: May not be a complete history lesson, but it will certainly cause viewers to probe more deeply into the detailed background of historical interest. And it does serve to remind us what a fine actor Van Heflin was in a demanding role.