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IMDbPro

Uma Velha Amizade

Título original: Old Acquaintance
  • 1943
  • Approved
  • 1 h 50 min
AVALIAÇÃO DA IMDb
7,4/10
4,1 mil
SUA AVALIAÇÃO
Bette Davis and Gig Young in Uma Velha Amizade (1943)
Trailer for this classic starring Bette Davis
Reproduzir trailer2:15
1 vídeo
22 fotos
DramaRomance

Adicionar um enredo no seu idiomaOld friends Kit Marlowe and Millie Drake adopt contrasting lifestyles: Kit is a single, critically acclaimed author while married Millie writes popular pulp novels.Old friends Kit Marlowe and Millie Drake adopt contrasting lifestyles: Kit is a single, critically acclaimed author while married Millie writes popular pulp novels.Old friends Kit Marlowe and Millie Drake adopt contrasting lifestyles: Kit is a single, critically acclaimed author while married Millie writes popular pulp novels.

  • Direção
    • Vincent Sherman
  • Roteiristas
    • John Van Druten
    • Lenore J. Coffee
    • Edmund Goulding
  • Artistas
    • Bette Davis
    • Miriam Hopkins
    • Gig Young
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    4,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Vincent Sherman
    • Roteiristas
      • John Van Druten
      • Lenore J. Coffee
      • Edmund Goulding
    • Artistas
      • Bette Davis
      • Miriam Hopkins
      • Gig Young
    • 49Avaliações de usuários
    • 12Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias no total

    Vídeos1

    Old Acquaintance
    Trailer 2:15
    Old Acquaintance

    Fotos22

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    + 16
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    Elenco principal49

    Editar
    Bette Davis
    Bette Davis
    • Katherine 'Kit' Marlowe
    Miriam Hopkins
    Miriam Hopkins
    • Mildred 'Millie' Drake
    Gig Young
    Gig Young
    • Rudd Kendall
    John Loder
    John Loder
    • Preston Drake
    Dolores Moran
    Dolores Moran
    • Deirdre'DeDe' Drake
    Phillip Reed
    Phillip Reed
    • Lucian Grant
    • (as Philip Reed)
    Roscoe Karns
    Roscoe Karns
    • Charlie Archer
    Anne Revere
    Anne Revere
    • Belle Carter
    • (as Ann Revere)
    Esther Dale
    Esther Dale
    • Harriet
    Frances Louise Ward
    Frances Louise Ward
    Abigail Adams
    • College Girl
    • (não creditado)
    Brandon Beach
    • Bartender
    • (não creditado)
    Edward Biby
    Edward Biby
    • Garden Room Patron
    • (não creditado)
    Gordon B. Clarke
    Gordon B. Clarke
    • Usher at Radio Broadcast
    • (não creditado)
    Jimmy Conlin
    Jimmy Conlin
    • Frank - Photographer
    • (não creditado)
    Oliver Cross
    • Nightclub Patron
    • (não creditado)
    Ann Doran
    Ann Doran
    • Music Store Saleslady
    • (não creditado)
    Bess Flowers
    Bess Flowers
    • Club Patron
    • (não creditado)
    • Direção
      • Vincent Sherman
    • Roteiristas
      • John Van Druten
      • Lenore J. Coffee
      • Edmund Goulding
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários49

    7,44K
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    Avaliações em destaque

    Doylenf

    Far superior to the 1980s remake...Davis and Hopkins are brilliant...

    Hollywood was still at the height of the "women's films" with stars like Bette Davis and Miriam Hopkins sharing the screen in stories with romantic notions. This one is pure soap suds, but just try to look away when these two real-life enemies share the close-ups.

    The two portray authors--one a sensitive, thoughtful woman (Bette Davis), the other a shrewish housewife who writes pulp fiction (Miriam Hopkins). The two share the ups and downs of a rocky relationship when the lesser writer becomes famous for her trash and loses her ignored husband (John Loder). A very young Gig Young provides some romantic interest for Davis--until she sensibly concludes that he is too young for her. At the end, the two women are left facing middle-age together and, as they sit before a roaring fireplace, toast each other to the fadeout strains of Franz Waxman's music.

    All of this plays like a Cosmopolitan magazine story of the '40s but is made to seem intelligent and likeable by the sheer magnetism of Bette Davis and Miriam Hopkins, never better than here. Hopkins sinks her teeth into the role of a nasty bitch--and Davis is unusually even-tempered until the scene where she shakes the living daylights out of Hopkins.

    Forget the 1982 remake directed by George Cukor--like most remakes, it lacked the ingredients that made the original such a treat.
    7willowgreen

    A finely mounted soap

    Just why this unusually literate, fairly intelligent and very well-acted film isn't yet available on video is a mystery. Bette Davis does a beautiful job playing writer Kit Marlowe and Miriam Hopkins, while a little overripe at times, does a fine job as her best friend and sometime nemesis, Millie Drake. The supporting cast is first-rate: Gig Young is very appealing and handsome in one of his earliest film roles, Dolores Moran is both sensitive and cheeky as Hopkin's confused daughter, and Esther Dale is splendid as Ms Marlowe's maid. The film revolves around Davis and Hopkins, their mutual friendship, jealousies via a love triangle, and their rivalry as authors: Davis is the noble, staid serious writer of quality literature, whereas Hopkins becomes wildly successful as the writer of sensational trashy love stories. The rather bland John Loder plays Millie's husband who takes a shine to Kit.
    7Bucs1960

    The Star vs "the star"

    There is no contest here.....the Star, Davis runs off with the film while "the star", Hopkins rants like a drunken fishwife and makes herself look like a contestant at amateur night. I have never been a Hopkins fan and this film validates my opinion........she is shrill and over the top.

    The film is another of those "women's pictures" so popular in the 30s and 40s and holds up well in that genre. I won't repeat the plot as it has been covered in other reviews. Davis is looking good as the professional woman that she portrays and although she does her typical schtick with cigarettes and hand gestures, she is a little more subdued than usual. You can almost believe her affair with the boyish Gig Young and her sorrow as it ends. You, however, can never believe that the elegant John Loder could have been married to Hopkins.......he belonged with Davis but it was not to be. My favorite scene has to be when Davis shakes the snot out of Hopkins and since it has been reported that they didn't like each other, I'm sure it was Bette's favorite scene as well.

    If you like soap operas and sacrifice, then this film is for you. It's not as bad as it appears initially.
    verna55

    Soap opera supreme.

    Bette Davis and Miriam Hopkins, the stars of the classic 1939 film THE OLD MAID, reunite for this tale which spans twenty years in the love/hate relationship of two female friends who become competitive not only professionally, but in their personal lives as well. This one is a real dandy. Davis is her inimitably intense self, and she's matched all the way by the great Miriam Hopkins who was at her peak on-screen in the '30's. While this is often referred to as Davis' picture, Miriam holds her own. These ladies are truly two of the finest actresses to ever grace the Hollywood screen and deliver Oscar-caliber performances. The confrontation scene where Davis shakes the living daylights out of Hopkins is a high example of art imitating life because Davis and Hopkins weren't exactly the best of friends in real-life either. For some reason, this gem has never been released to video, but naturally the dreadful remake with Candice Bergen and Jacqueline Bissett(RICH AND FAMOUS) has.
    7Michael27-1

    Hopkins + Davis = Drama

    Bette Davis really has her hands full in Vincent Sherman's 1943 gem, in which she battles it out with an "Old Acquaintance". The woman vs. woman war, so prominent in the films of the 1930s, '40s and '50s, gets some serious ammunition with this classic film. As excellent as it is, it is unfortunately not available on VHS/DVD, nor does it get the recognition bestowed upon many of Davis' other, and dare I say, lesser movies.

    Davis plays writer Kit Marlowe, a woman who is unable to find true happiness as she selflessly puts the needs of her childhood friend, Milly(Miriam Hopkins), ahead of her own desires. Milly, a self-absorbed, insecure - even childlike - housewife is constantly in competition with Kit. As the two woman have successes over the years, their friendship endures strains, but never totally collapses. The battle between them even extends to Milly's teenage daughter(Dolores Moran)during the later years of their lives.

    Davis nails the cattiness, insecurity and self-effacing humor that embodies Kit. Hopkins also succeeds as Milly. Even though Milly's self-destructive jealousies border on tedious and Hopkins almost succumbs to over-acting, Hopkins manages to pull back the reigns just in time. As good as "Old Acquaintance" is, however, there are moments that just don't ring true. For example, why wouldn't a teenage Deirdre(Moran)recognize her own father(John Loder), even if she hadn't seen him in a decade? Surely she would have seen a photo or had a faint memory. Despite that, though, this is a great classic just waiting to be restored and released. Fine writing, classic lines, smooth direction and stellar performances are what drive this film. One of Davis' finest and a shining entry into the women's genre.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Bette Davis personally requested the casting of Norma Shearer in the role of Mildred Drake. Shearer refused the role and the part went to Miriam Hopkins.
    • Erros de gravação
      In the 1924 and 1932 sequences, all of the women's clothing and hairstyles are strictly 1943, even though styles had changed dramatically during the preceding 20 years.
    • Citações

      Kit Marlowe: Deidre, come out from behind that screen.

      [a pause]

      Kit Marlowe: Deidre, come out, or do you want me to come back there and drag you out.

      Deirdre Drake: [emerging from behind screen] How did you know I was there?

      Kit Marlowe: My dear, I was hiding behind screens before you were born.

    • Conexões
      Featured in AFI Life Achievement Award: A Tribute to Bette Davis (1977)
    • Trilhas sonoras
      Auld Lang Syne
      (1788) (uncredited)

      Traditional 18th century Scottish music

      Played during the opening credits and at the end

    Principais escolhas

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    Perguntas frequentes

    • How long is Old Acquaintance?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 27 de novembro de 1943 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Vieja amistad
    • Locações de filme
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Califórnia, EUA(Studio)
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 50 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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