Alta Malandragem

In this film, I think Costello wanted to add a bit more depth to his character. He is a taxi driver and Abbott is is pal. Costello inadvertently kills a horse and takes it upon himself to replace it. as Mr Warner, the bad tempered manager who keeps popping up in the film. The songs have been blasted but I rather like them.

There is real character to this film and a good atmosphere. There are many funny gags here and Eugene pallette is hilarious

I would of liked Erle C. Kenton to of directed more than just 3 Abbott and Costello movies. he directed some of 'Hit the Ice' too till he fell out with Lou and was replaced with Charles Lamont who said it would only be a one off!!! This is a very pleasing film for Abbott and Costello fans and the kids would love it too. They don't make em like this anymore!

I spent years and years searching for IT AIN'T HAY, as it was the only A&C film missing from my collection. I finally got it this past Christmas. It isn't one of their better films, but it's still Abbott and Costello, and very enjoyable. There are several songs toward the beginning of the film, but by the second half they tone down quite a bit, which helps the film big time. This film also features among the best versions of the "Mudder; Fodder" routine. Costello is particularly funny in this one, and also has a couple of moments where he shows what a great dramatic actor he could be. Like I said, it isn't BUCK PRIVATES or MEET FRANKENSTEIN, but it's still good old Bud and Lou doing what they do best, and that's good enough for any true fan.

The comedy team of Bud Abbott and Lou Costello were in their prime in the 1940's (particularly the early 1940's) and this offering from 1943 is very funny indeed. Based on a Damon Runyon story "Princess O'Hara" (and featuring some of the classic Runyon characters such as Harry the Horse), it's been tailored for the A & C brand of comedy, and features some of their funniest routines (the "mudder & fodder" exchange, which was repeated in their later film "The Noose Hangs High"; stealing the horse, the climactic horse race scene, etc.) Like most of their early features (with the notable exception of the great "Who Done It"), there's also the mandatory songs - they are a mild intrusion, but on their own merit are quite good. (These song numbers were a stock element in the Universal comedies at the time, so you just have to tolerate them, but, like in the Marx Brothers comedies, they did seem to be there just to "pad out" the running time.) There's also a gem of a supporting performance by the great character actor Eugene Palette.

Unfortunately, "It Ain't Hay" is currently tied up in legal knots, which keeps it out of circulation at the present time. Due to this, it was not included in the great A & C collection released recently on DVD by MCA, nor has it been shown on television for many years. Hopefully these legal issues will be resolved, and this fine example of the great comedy duo's work will receive the distribution it deserves.

Abbott & Costello take on Damon Runyan although, apart from three dodgy racetrack bettors, there's little of the writer's trademark quirky characters to hand. There are no stand-out routines to speak of, but a couple of decent gags, and Eugene Pallette is always good for a laugh.

Abbott and Costello are at their very best in this agreeable comedy. They play a couple of Manhattan taxi drivers with a fondness for a sweet young girl and her horse. Costello means well in trying to be nice to the animal, but his feeding it candy ultimately causes the horse to get sick - and die. So he and Abbott set out to make things right by getting a new horse for the girl, whose dad (Cecil Kellaway) runs a horse and carriage ride in the city. I know that synopsis sounds rather dramatic, but there is a lot of well-staged comedy between the serious moments. And Bud and Lou are as sharp in ever performing them. Some routines include: their classic "the horse eats his fodder", the boys getting swindled at a phony horse race outfit, Lou getting into trouble at a restaurant for not being able to pay his check, and other assorted gags. Third Stooge Shemp Howard also has a part, but the real fun comes courtesy of fat man Eugene Palette, who is the perfect foil for Costello's antics. As with almost all of A&C's movie of this period, there is some singing and dance numbers here; however, I find them to be rather entertaining and endurable this time out. *** out of ****