A Comédia Humana

The Human Comedy begins with the voice of the deceased father describing life in the small town of Ithaca California. He slowly introduces the viewer to his family in such a warm and loving way, that you are convinced that love really does survive death. The movie goes on to follow the lives of the family as they cope with the daily trials and tribulations of life in war time America. To those of us removed by time from this era, this movie transports you back to a place where values such as patriotism, neighborliness, compassion and community are alive and vibrate in the hearts and souls of those living through the war on America's home front. This movie never fails to move me every time I view it. There is really something magical about the confluence of events, from the voice and ghostly appearance of the recently deceased father, to the flesh and blood everyday characters that populate the film, to the young soldier who never had a family and comes to Ithica to fufill his own dream. What a movie! And the most surprising element of the entire story is the fact that even though told from the vantage point of the dead, the movie is totally and refreshenly life affirming. One of the most heart warming movies I have ever seen, I cannot recommend it enough.

I first saw this film on TV as a child in the 1960s and thought it delightful and sad. All the characters learn about the values of life, family, honesty and love. Yes it's packed with whole-kernel corn but what's wrong with that? I enjoy a good film noir, screwball comedy or even classic horror film but every once in a while it is good to think about the hopes our grandparents had for a better world after WWII and why we fought that war.

So if you don't like the WALTONS style of family values, please skip it and take in a modern film calculated by accountants and marketing departments to separate your money from your pocket.

But if you like a good story packed with an ensemble of very talented actors delivering charming home-spun dialogue in a near dream like world of hope, check this out.

My favorite line is delivered by the stunningly beautiful Marsha Hunt (who is still a beauty today!) when she tries to convince handsome James Craig they are both really in love, "You do love me, don't you? Yes you do, you know you do." Of course he walks away with his head in the clouds, and in love. You will be too when you give this dated cookie a bite!

Way, way back in the 9th grade, in the early 60's, our principal canceled all our afternoon classes and had the entire 9th grade meet in the assembly room (lunchroom without the tables) so he could show us this movie on a 16 mm projector. That's how strongly he felt about this movie. He pointed out, afterwards, that this is a fable, about how life could be if...

After a few decades I bought the video and watched it - not from the viewpoint of comparing it to today's movies, but in the context of what my old principal told us. Just to see if the old impressions held up in light of today's jaded world. It did, and I was surprised at how thoroughly I enjoyed it.

Note that the name of the town is Ithica, that two of the main characters are named Homer and Ulysses, & that the story is introduced from a "heavenly voice from above". All mythological references.

It is showing us how life could be, maybe should be, even with life's tragedies. Not too often, even back then, do you see a family saying their prayers, then discussing them. And, yes, it'd be great if male macho rivalries were settled that easily. And it'd be great if non-relative adults would take the time to help young adults improve (without worrying about ulterior motives). It's all what-ifs, but great what ifs.

Mickey Rooney was never better, and most of the cast was excellent. I highly recommend this movie only if you are aware of what you are really watching. 4/5

Author William Saroyan had a special love for America — a special kind of love that seems to be reserved for us fortunate ones who are immigrants to this great country. Or, at least, that's how it was a generation or two ago.

This film displays this love for America in the special way of the home front milieu of the 40s. No doubt, it's a sentimental, even maudlin look at the meaning of "home." Homer McCauley (Mickey Rooney) is a telegraph runner for his boss, the wonderful Frank Morgan, in the small California town of Ithaca, where he must deliver telegrams to the folks who have lost a loved one in the war. The film shows in many touching ways what it was like to be on the sidelines (keep your chin up; do the best you can) while the boys where fighting "over there."

As a small boy growing up in Germany during this time, it was one of the first American films I ever saw. It, more than any other thing, made me understand what it would be like to be somewhere where the little things in life are important, while the 'big stuff' takes care of itself. A place where small, unimportant folks count for as much as, or even more than, the ones hogging the news.

Watch this film if you can (shown on Turner Classic Movies) and see what we have lost and what we must find a way to get back into our lives.

While the years may not have been entirely kind to "The Human Comedy," they have certainly been kinder than some of the comments I've seen here, the venom and churlish malice of which frankly astonish me.

In 1943, M-G-M commissioned author William Saroyan to develop a screen story about the World War II homefront. The result was this, which Howard Estabrook turned into a screenplay and Saroyan himself expanded into a novel -- which explains why the film was released before the book was published.

Yes, "The Human Comedy" is propaganda, but with a difference. Most of the propaganda of WWII arose from anger and grim determination, and films like "Air Force" and "Operation Tokyo" look excessive and embarrassing now that passions have cooled. The propaganda of "The Human Comedy" rises not from anger but from fear -- the fear that the crucible of war might be too harsh for the spirit of small-town America to survive.

To be honest, much of "The Human Comedy" also looks excessive and embarrassing now the fears have been alleviated. But few films struck such a chord in audiences of the time by showing them, if not as they were, then at least as they liked to picture themselves.

The film's appeal now is more than just as a historical curiosity, however. Despite the Andy Hardy sentimentality and Saroyan's blue-collar pseudo-poetry, "The Human Comedy" has much to recommend it if you can resist viewing it through the prism of our own time, with the war safely won these 50 years. It has, for example, one of Mickey Rooney's best and most restrained performances and a charming performance by Jackie "Butch" Jenkins as his baby brother -- he became a child star on the strength of this film, but was never this good again.

Frank Morgan, too, is first-rate as a sad old man taking pride in his work and refuge in his bottle; Morgan was an idiosyncratic actor, but he was capable of great depth and deserves to be known for something besides "The Wizard of Oz." Director Clarence Brown, now sadly neglected, shows once again his sure touch with Americana and his sensitive handling of child and teen actors.

"The Human Comedy" is a bit cloying, perhaps, but it's also a compassionate and generous-spirited film. It deserves to be regarded with the same generosity.