Palheta da Vida

"Holy Matrimony" is a wonderful comedy drama starring Monty Woolley as Priam Farll and Gracie Fields as Alice Chalice. With a name like the latter, one wonders if it was just picked for a good laugh or if there might have been some other inside reason of the author or screen writer.

Wooley and Fields only made two movies together, but they are both very good comedies, and with a little satire. The other film, "Molly and Me," came two years later. There is a similarity in the two characters that Fields plays. She takes charge when needed, and gets Woolley's characters out of trouble. The later film is more comical, and Fields is the main character. She is billed ahead of Woolley, where Woolley has the top billing here as the main character.

The plot of this 20th Century Fox film is very good, and probably somewhat original for its day. It's based on a 1908 novel by British author Arnold Bennett, titled "Buried Alive." The idea of switching identities with a dead person has been used a few times in movies - some comedies and some other genres. It was used in another film being made by RKO at the same time as this one. "Mr. Lucky" starred Cary Grant and Laraine Day. RKO was filming that comedy romance and caper story while 20th Century Fox was filming this movie.

Woolley and Fields dominate this film in their presence and dialog, but some top supporting actors of the day contribute to the humor in their lesser roles. Eric Blore is Henry Leek, whose name Farll will go by after Leek dies of pneumonia. Alan Mowbray, Una O'Connor and Franklin Pangborn are familiar faces among the supporting cast.

Priam Farll has been a famous British painter who has lived abroad for 25 years, and whom no one would recognize. When his art dealer summons him to England to be knighted by the king, he can't refuse. He and his valet, Henry Leek (played by Eric Blore) pack up and depart Fiji for London. But Leek takes ill on the ocean voyage and shortly after they arrive in London he dies of double pneumonia. The doctor fills out the death certificate, assuming that the dead man is the famous painter. Farll, who always has disdained the press and public spotlight, seizes upon the idea to assume Leek's identity. He later meets Alice Chalice, to whom Leek had proposed, and she takes him for Leek because he had sent her a photo of the two men and didn't identify himself in the picture.

Some very funny scenes ensue. One is when the first Mrs. Leek shows up (Una O'Connor) with her three sons. Another is when the king shows up to pay respects to the deceased Leek who is supposed to be Farll. And another is when the famous painter is to be buried with public ceremony at Westminster Abbey. The comedy climax comes in a very funny scene with some nice jabs as the British courts. Farll has two moles on his left shoulder which he refuses to expose to prove his real identity.

But Alice Chalice, aka Mrs. Leek but now Mrs. Farll comes to the rescue and there's a happy ending because "Home is Where the Heart Is," as her homemade crocheted picture reads. During the court case, the London newspapers carry all sorts of flouting headlines. One reads, "Lloyds of London offering odds of 2-1 no moles." Another headline reads, "American claims record 105 moles." Another reads, "Farll's moles under scrutiny."

Woolley and Fields both had careers on stage and screen. He had the longer period of filmmaking and played on Broadway and TV. Fields was also a singer who passed on a suggestion that she sing opera. Instead, she sang and performed in dance halls and on stage. She was an intrepid entertainer of Allied forces during World War II in Europe, Australia and the South Pacific.

This film is one of several in which the character Fields plays is named Gracie or Grace. There are some very funny scenes here with appropriate dialog, mostly by Woolley. Here are some favorite lines.

Henry Leek, "Which shall I lay out for your trip sir - your trousers or your knickerbockers?"

Doctor Caswell, "Well, there's no doubt about it. The sea air's the most dangerous thing on earth."

Henry Leek, "I'm afraid, sir, I have a confession or two to make." Priam Farll: Don't be a fool. Never make a confession until you actually feel rigor mortis setting in. You might recover." Leek, "No, this time I'm done for. I know." Farll, "Nevertheless, I don't want to hear it. Why, I haven't the slightest doubt that you are a first-rate scoundrel at heart. If you don't mind my saying so, you're such a shady-looking individual."

Doctor Caswell, "Oh, didn't I read somewhere where he ran away from England some years ago to marry a Fiji witch or something?" Priam Farll (as Henry Lee), "It was far more likely sir, that he ran away from England years ago to escape your wife." Doctor, "Great Scott, did he know her?" Farll, "I speak, of course, sir, in hyperbole."

Mourner/Spectator at Westminster Abbey (Cyril Ring, uncredited), "I say, governor, who's being buried?" Priam Farll, "Me." Spectator, "Funny, eh?"

Priam Farll, "Now, how on earth could a brewery have financial trouble? Look at the beer people drink - buckets of it. Why, I myself must have put away several hundred thousand gallons of it." Alice Chalice, "That's what father used to say. Put your faith in an Englishman's thirst is as gold in the bank, he says."

Priam Farll (as Henry Leek), "Leek, sir, Henry Wadsworth Leek."

Priam Farll, another time as Leek, "Leek, sir, Henry Greenleaf Leek."

"Holy Matrimony" existed for me only as legend for the longest time. My father's friend Bill Gitt (renowned projectionist and elder brother of film preservationist Bob) was a great fan of this and often spoke of it, though I can't recall ever seeing it as a young lad. But I searched long and hard and finally tracked down a DVD of it (not a bad print at all), and it is truly enchanting. Marvelous, marvelous performance by Monty Woolley, in a very understated mood -- those who know him only from "The Man Who Came to Dinner" will, I think, be quite pleasantly surprised by his work here and, from Gracie Fields, a miraculous one. The first time I watched it I thought, well, she doesn't do much. But then I wanted to see it again almost immediately. And it's true, she doesn't do much, but the little things she does are simply exquisite. A great, really subtle performance, not at all played for laughs, but funny all the same. Her delivery of the simple line, "That's it," is a lesson in charming simplicity. John M. Stahl, that strange, almost mythical director, has a marvelous effect on actors (see, for example, Adolphe Menjou in "Letter of Introduction," where he really plays sincerity... well, sincerely): without fancy photography, he seems able to give them an almost mystical radiance. And he has an amazing cast of character actors to work with here: Eric Blore, Una O'Connor, Alan Mowbray, George Zucco, Laird Cregar, Melville Cooper, Ethel Griffies. A superb Nunnally Johnson script (his best?) and an excellent score (Cyril Mockridge) -- typical of Fox films of the 40s and early 50s. A film worth seeking out, one you will want to watch time and again.

This gentle and beautiful comedy has a tone and mood uniquely its own. It is so soft and so gentle that it seems to be made of liquid, and with such a great cast it is a delicious liquid. Monty Woolley and Gracie Fields are wonderful together - they are both such warm and truthful performers. And the entire supporting cast is superb. The script is strong, and the direction finely-tuned. A truly lovely picture.

Any movie, even a bad one, is better if Money Woolley is in it. So, regardless of the quality of "Holy Matrimony", it was on my must-see list as it stars this wonderful and under-appreciated man. If you have a chance, read up about him...he was a VERY interesting character and acting was only his second career. The first one will probably surprise you!

As usual, Woolley plays a very talented misanthrope. He's Priam Farll, a famous artist who hates people and lives with his manservant (Eric Blore) on an island. He's also not at all happy when he learns he's to be knighted but reluctantly agrees to leave for the ceremony. On the way, his servant becomes deathly ill and the doctor mistakenly thinks the now deceased man was Priam....and Priam decides to take advantage of this and remain incognito. Let the world think he's dead...and let him go back to his wonderful, isolated life! However, he has a change of heart...but by then, no one believes that he IS the famous man! Obviously there's much more to the story than this, as all this happens just in the first 15 minutes or so of the movie! What is next? See for yourself--I don't want to spoil the fun--and this IS a fun little film. It won't disappoint and is exquisitely written and very well acted.

By the way, the folks at 20th Century Fox Studios must have loved the pairing of Gracie Fields and Monty Woolley, as they both starred in a wonderful film immediately after this one..."Molly and Me".

Monty Wooley is British artist Priam Farll in "Holy Matrimony" from 1943.

Farll is a reclusive painter living in a remote area with his manservant, Henry Leek (Franklin Pangborn). The two return to London when Farll is told he is going to receive a knighthood.

Leek, however, becomes ill with pneumonia and dies. When the physician mistakes him for Farll, Farll goes along with it and takes on Leek's identity. This way, he can avoid the knighthood ceremony, which he dreads.

Then Farll receives a letter from one Alice Chalice (Gracie Fields), a widow who has been in correspondence with Leek through a marriage bureau and is expecting to meet him. A complication.

That's a tame complication compared to what's coming. Leek, apparently, was already married (to Una O'Connor) and has two grown sons. She sues for bigamy.

Farll and Chalice marry, and he continues to paint, but that causes problems too. His paintings are being sold as originals, but he was supposedly dead when they were painted.

Amusing film with wonderful performances and a good story. Wooley is great as a stubborn man who is determined to protect his privacy and hold onto the life he has.

Gracie Fields gives a very straightforward, honest performance as the strong Alice. And Franklin Pangborn is his usual delightful self, though we see way too little of him.