Os Carrascos Também Morrem

The actors in this film made any number of cheesy B movies during the war, but with Berthold Brecht and Fritz Lang behind them they made a movie touching on greatness. Check out the characterizations of Heydrich, the policeman Gruber, and the other Gestapo agents. Walter Brennan as the patriotic father was an odd choice, but maybe I'm being blinded by his later Western sidekick roles. The sets are outstanding. Although obviously on a Hollywood back lot they made a very believable Prague, using in part pre-war travelogue footage of the city. Indoor scenes are excellent. The actors look like they live in a real place, not a cuckooland paradise that most hack directors would give you.

In 1942, the Czech underground assassinates Reinhard Heydrich, the governor of Bohemia-Moravia. Heydrich's assassin tries to escape capture.

This is based on a true story of course -- it's a well-known episode of World War II. Czech commandos were brought in from Britain on a mission with a slim chance of survival for the selfless agents. They unfortunately met a sad end after being betrayed by a fellow Czech. The history is described very well in books such as Callum MacDonald's "The Killing of SS Obergruppenführer Reinhard Heydrich".

In 1943, when this film was made, were the full details of the actual events widely available in the USA? I'm not sure, but it seems unlikely.

The story as presented here is the tale of what happens one day when a girl goes out to buy vegetables for supper, and when a taxi driver lets his finicky engine idle. Perhaps this plot was fabricated for want of any other alternative, but its sheer ordinariness adds to its immediacy.

The reptilian Heydrich was one of the architects of Hitler's Final Solution. It's no coincidence that the plan to assassinate him was code-named "Anthropoid".

Hans Heinrich von Twardowski plays him briefly at the beginning of the drama. He's cold-blooded, vicious, rabid ... and a little effeminate. That aspect seems questionable. In 1943, there were at least as many reasons for knowing what his character represented as there were occupied countries in Europe. This particular embellishment seems to add little or nothing to the suspense.

(Twardowski himself was a German exile in Hollywood. If you can read German and have a look at the titles of the films he made in 1928 and 1929, you can probably hazard a guess as to why he was forced to leave Hitler's Germany.)

Brian Donlevy plays the assassin. It's not by chance that this character is named Dr. Svoboda. Svoboda is a common name, but it also happens to be the Czech word for "freedom".

I always find Donlevy effective, particularly so in "The Great McGinty" (1940) for Preston Sturges, but he does have a certain B actor limitation on access to his character's inner thoughts. He doesn't quite have the hunted quality of someone facing certain capture and torture. A perspiring lip might have helped.

Better is Alexander Granach as the Gestapo man Gruber, a Bob Hoskins sort of person, only sinister. He's ruthless, cunning, perfect in the part.

Walter Brennan appears as a Czech professor arrested and held as a hostage. Prof. Walter Brennan, that's right! He's very good. Considering the typecasting he must have been fighting against, he's excellent in fact.

My moderate criticism of some of the performances notwithstanding, the suspense in the story was of the nail-biting kind, I felt. I wouldn't have wanted to watch this in 1943 -- it's just too bleak, too disturbing. When hostages are being held by the Gestapo, it's a lose-lose situation all around. All possible outcomes are disastrous.

I guess the filmmakers felt -- knew -- that this would be more than a contemporary audience could really handle in the middle of wartime. Hence the film has an uplifting, artificial, fantasy ending which arrives like a deus ex machina.

That's certainly a drawback for viewers now, but I can't fault anyone. The context of the times couldn't have allowed any other solution.

Fritz Lang directed this return to Mitteleuropa, the scene of his youth and early classic films. He runs the show like a police procedural, making it all too real. He allows himself a couple of his great shots which I will allow you to discover for yourself.

In real life, the actual Czech assassins -- Josef Gabcik and Jan Kubis, plus their look-out man, Josef Valcik -- were all killed in battle at their hiding place in the Karel Boromejsky Church in Prague on June 18, 1942.

Heydrich's state funeral had been held earlier in Berlin on June 9. The Nazis had Siegfried's Funeral March from Wagner's "Götterdämmerung" played for the occasion, probably with extra added bombast.

That's the sort of heroic farewell that the martyred Czechs should have received.

The Nazi "protector" of Czechoslovakia is murdered and Gestapo is let loose to hunt down the assassin. Will the underground resistance survive? Will the assassin be betrayed by the Czech people as Gestapo murders innocent people to bring the assassin forward?

This is a very good movie, the plot brings lets the suspense gradually grow throughout the movie. This means that the beginning did seem a little slow, but given time, the patience will be rewarded. The ending is very good and you're not really sure exactly what will happen. The actors are good and the cinematic work very good.

There is a portion of propaganda in there as well, however, the evident propaganda is cut to a few scenes and do not interfere with the plot or the movie in itself. Instead, it is rather well integrated in the movie, and actually only bring the movie to another level.

Clearly set in the WWII, but this movie will never get old.

8/10

A propaganda film, produced during World War II, written and directed by two of the most famous anti-Nazi Germans, exiled to the United States at the time, Fritz Lang and Berthold Brecht.

The story evokes the anti-Nazi resistance of the occupied Czechoslovak people, protecting the assassin of Reinhard Heydrich, the former head of the SS, head of the Reich Security Main Office and deputy Reich Protector in Bohemia and Moravia, even under the threat of death of hundreds of hostages, chosen among the most important civilian, religious and military figures in Czechoslovakia.

If the assassination was real, the story told in the film is fiction. But an interesting and well-woven plot, whose main objectives were to raise morale and honor of those who resisted the Nazi occupation in several European countries.

In case you can't tell from the title, Hangmen Also Die! Is a very heavy film. It's one of those underground resistance movies made during the height of WWII, and it's incredibly powerful even now after we know we've won the war. There were many of this sub-genre made during the time period before an Allied victory was assumed, and they all captured a very scary feeling. Stick together, trust no one, and be prepared to give your life so your children won't have to live in a German-speaking world.

This movie takes place in Czechoslovakia, during the Nazi occupation with strict curfews and rules against congregation. However, there's a man out when he shouldn't be, running around where he shouldn't be. He kills a Nazi soldier, and just when he's about to be captured, a young woman who watched the incident does a small act of kindness. She lies to the pursuing guards and points them in the wrong direction, buying the man some time. Little does she know she's opened her entire family to scrutiny and changed everyone's lives forever.

Brian Donlevy is the man on the run, and Anna Lee is the woman who saves him. He believes he can trust her, so he seeks refuge for the night in her home as an alibi. Her father, Walter Brennan, and her mother Nana Bryant, are against the idea, knowing it will get them into trouble - but they're already in too deep to turn back. So, Brian stays the night and the family tries to come up with a plausible story that will keep everyone out of trouble. Sure enough, the Gestapo find out and question them, headed by the ruthless interrogator Alexander Granach.

Fritz Lang's fantastic direction keeps a fast pace that never lets you catch your breath. Everyone in the cast is uncharacteristically intense, giving some of their best performances - and I can't help but give credit to Lang as well. When the entire cast is at the top of their game, the director has usually given his all, too. Brian Donlevy is usually a villain, Walter Brennan is usually a crotchety hick, Gene Lockhart is usually genial, and Alexander Granach made very few talkies after his successful silent career. Partly because of these against-type performances, and partly because of the suspenseful script, the movie constantly surprises. This is not easy to watch, but it's worth it if you can.