Louco por Saias

The plot's ridiculous. Garland and Rooney are young and magical. Seeing Tommy Dorsey's orchestra at work is wonderful.

The movie's finale is a musical number, "I Got Rhythm", directed by Busby Berkeley. As with all the great Berkeley musical scenes, it's a unique vision. The camera moves and staging are masterful. Transcendent, even. I'd love to be a fly on the wall while this scene was being thought up and worked on.

Something I haven't seen commented on: Rooney's radio impressions, given while he and Garland wait to see the governor. Kinda fun. Mickey channels his inner Robin Williams.

Despite the plot absence, put this on your must-see list if you're serious about developing cinematic literacy.

Judy and Mickey, one of the best team-ups in the history of motion pictures, team up again in this rather fun musical. With Tommy Dorsey and his band there, and with Gershwin-composed songs, really, what more can you ask? I consider Judy's rendition of "But Not For Me" to be one of her best songs.

He's (Danny Churchill Jr. - Mickey Rooney) the playboy, who fools around with girls too much and is sent out west to a "all boys college- Cody College- to reform" He did not even reach there yet when he saw two legs sticking out of a stalled car. Even in jeans, they could be none other's than Ginger Gray, the granddaughter of the dean of Cody. He tries to get her hand in love, but to no avail. She's just laughing at the way he is trying to adjust to western life. He can't ride a horse correctly, and looks ....well, weird in Western clothing. When Danny finally wants to quit, Ginger drives him to the train station. He tries, for one last time, to convince her in a song, but she rejects him continuing the song. When she drops him in the station, he decides to walk back because of his love for Ginger. As the two fall in love, the college receives news that it is closing down. Should Danny stay to save both Ginger and the college? Or should he take Ginger and run back to New York and his former college, Yale? Find out in this exciting video.

The plot is virtually the same as in all the other Garland/Rooney movies: Rooney is a ladies man (stop laughing!)and, to tame him, is sent to a dude ranch out west. There he meets mail carrier and (it seems) cook Judy Garland. She hates him, he loves her and after all the predictable complications occur they fall in love leading to the big, elaborate number.

The plot is predictable but the movie is still a lot fun. The script is sharp and quite funny; Garland and Rooney always played off good against each other; a very young Nancy Walker has a bit role and is hilarious whenever she's on screen and it moves fairly quick.

Also seeing Rooney and Garland so young and full of life is always great and the songs are good. There are no real bad ones but "Embracble You" and "I Got Rhythm" are standouts. And the final number is just incredible (although I question the cowboys shooting off round after round of ammunition).

A great little musical. Worth seeing.

Talent like that, when not together in the same film, make any of their work worth seeing. When together in the same film, the results are unmissable. While Mickey Rooney is a take/leave performer dependent on the material to me, Judy Garland and the Gershwin Brothers are lifelong favourites and Busby Berkeley has done some of the most jaw-dropping routines in musicals.

If one is a fan of at least one of these people, 'Girl Crazy' is a must watch. As far as Rooney and Garland pairings go, it's one of their better efforts and as a musical it's incredible. People may find faults with it as an overall film, but it succeeds mostly brilliantly for what it is and what it aimed to do.

'Girl Crazy' is not quite flawless, but the cons are far outweighed by the pros and the pros are enormous. The story is thin and silly with parts being wrapped up too easily and a few of Rooney's antics are somewhat overdone and hammy.

However, even when not in Technicolor (imagine how even better "I Got Rhythm" would have been), 'Girl Crazy' still looks lovely in crisp black and white and with elegant production design. It particularly shines in Garland's "But Not For Me" which sees her at perhaps her most luminous. George and Ira Gershwin's songs are simply magnificent, especially "I Got Rhythm" (one of their most famous, iconic even, songs for a reason), "Bidin' My Time" and "Embraceable You". A big honourable mention is "But Not For Me", of which there has never been a more touching rendition of.

The songs are further benefited from being staged in a great mix of liveliness and tenderness. The big finale for "I Got Rhythm" is a little overblown but extraordinary in energy, charm and spectacle, though also loved the sophistication for "Could You Use Me?". In general too, they are phenomenally performed, the prime examples being "But Not For Me" and the dynamite contribution from Tommy Dorsey.

Scripting is suitably witty and there is tremendous energy and charm throughout. Rooney is more restrained than usual yet still has his boundless energy, even better is luminous and affecting Garland in magisterial voice. Their chemistry is wonderful and gels very well indeed and more. Rags Ragland and Nancy Walker are standouts in support.

Overall, hugely entertaining and while not quite a masterpiece 'Girl Crazy's' a must watch. 8/10 Bethany Cox

Mickey Rooney is hilarious, Judy Garland charms your socks off with her incredible talent, Busby Berkely adds his genius, Norman Taurog is in top form, and Tommy Dorsey swings the joint with his big band in this exceptional MGM wartime Musical. Top it off with a superb Gershwin's score, Rags Ragland, Nancy Walker and June Allyson in solid supporting roles and you have one helluva entertaining songfest.

What more can you ask for? If this one doesn't make you laugh and tap your toes nothing will. Sure it's fluff but oh what good fluff! Escapist fun in 1943 and just as good now. Judy and Mickey were always great together and made some decent musicals, but this is the best I've seen. A thorough delight from start to finish.

What talent Hollywood once had that is gone forever. There's more entertainment value in the first 25 minutes of this picture than in most current films I've seen lately combined.

See it. It's a gem.