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Give Us the Moon

  • 1944
  • 1 h 35 min
AVALIAÇÃO DA IMDb
5,7/10
249
SUA AVALIAÇÃO
Margaret Lockwood in Fim de Semana Atribulado (1938)
ComedyRomanceSci-Fi

Adicionar um enredo no seu idiomaA young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.A young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.A young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.

  • Direção
    • Val Guest
  • Roteiristas
    • Caryl Brahms
    • S.J. Simon
    • Howard Irving Young
  • Artistas
    • Margaret Lockwood
    • Vic Oliver
    • Peter Graves
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    249
    SUA AVALIAÇÃO
    • Direção
      • Val Guest
    • Roteiristas
      • Caryl Brahms
      • S.J. Simon
      • Howard Irving Young
    • Artistas
      • Margaret Lockwood
      • Vic Oliver
      • Peter Graves
    • 11Avaliações de usuários
    • 5Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos5

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal33

    Editar
    Margaret Lockwood
    Margaret Lockwood
    • Nina
    Vic Oliver
    Vic Oliver
    • Sascha
    Peter Graves
    Peter Graves
    • Peter Pyke
    Roland Culver
    Roland Culver
    • Ferdinand
    Max Bacon
    • Jacobus
    Frank Cellier
    Frank Cellier
    • Pyke
    Jean Simmons
    Jean Simmons
    • Heidi
    Eliot Makeham
    Eliot Makeham
    • Dumka
    Iris Lang
    • Tania
    George Relph
    George Relph
    • Otto
    Gibb McLaughlin
    Gibb McLaughlin
    • Marcel
    Irene Handl
    Irene Handl
    • Miss Haddock
    Henry Hewitt
    • Announcer
    Alan Keith
    • Raphael
    John Salew
    John Salew
    • Landlord
    George Merritt
    George Merritt
    • Bailiff
    Jonathan Field
    Arty Ash
      • Direção
        • Val Guest
      • Roteiristas
        • Caryl Brahms
        • S.J. Simon
        • Howard Irving Young
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários11

      5,7249
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      10

      Avaliações em destaque

      2evans-15475

      Odd

      Only managed to sit through 20 minutes before giving up,just seemed to meander with a lot of pointless smart talking,but you could definitely tell Jean Simmons in her 1st roll was going to be a star was a natural and shone in every scene I saw.
      6howardmorley

      Vic Oliver and Margaret Lockwood Playing Farce

      This was the latest addition to my Margaret Lockwood collection.What a change to see her playing farce as Nina a beautiful Russian girl whose imagination races into overdrive.She is teamed with Vic Oliver who I can only describe seems to be a cross between an Austrian and Groucho Marx.Fortunately Vic spares us his violin playing in this film!!Nina always jumps to ridiculous assumptions before anyone has had a chance to speak and Vic Oliver is the glib mastermind of a group of layabouts who style themselves "The White Elephants" by their refusal to work.I did not recognise the actor playing Peter Pyke the no good wastrel son of a hotel magnate.

      All through it reminded me of a British version of a Marx Brothers comedy although there was not a Margaret Dupont character for Vic to play off but there was the usual gullible hotel staff.I feel sure the producers were heavily influenced by The Brothers' antics when commissioning the screenplay.Yes there was some slapstick but for me apart from ogling Margaret Lockwood, I only found it mildly humorous.Comedy can so age over a period of 60 years.
      8wilvram

      Witty comedy with engaging performances

      This follows in the footsteps of Val Guest's directorial debut Miss London Limited in introducing a more cosmopolitan flavour to Gainsborough comedies. Certainly not to all tastes then or now, but very funny and enjoyable if you give it a chance. The stars obtain full value out of an original and witty script from Caryl Brahms and her associates. Margaret Lockwood who relished this kind of role as a change from playing wicked ladies is charming and lovely and amusing as Nina, the White Russian who was probably not a princess, and there is real chemistry in her relationship with Peter Graves, an actor I often find rather too smug but whom is excellent as the heir to an hotel chain whom is 'no Joe Lyons'. Of course the most remarkable performance comes from the young Jean Simmons as the fast-talking wise-cracking schoolgirl who almost steals the show. I was surprised to find Vic Oliver's eccentric con-man business so enjoyable while Frank Cellier is excellent as the blustering hotel tycoon. I also liked Roland Culver's languid philanderer, Max Bacon, and the rest of the splendid White Elephants.
      2richardchatten

      The 15 Year Old Jean Simmons

      I really must have a word with my doctor about my medication; I'm hallucinating again! Already reeling from 'Time Flies', Dr. Goebbels would have been completely floored by this garrulous, fascinatingly awful fantasy set in an imaginary future of ease and plenty (Gainsborough Pictures thereafter largely stuck to escaping into a glamorous past that never existed either in films like 'The Wicked Lady').

      Enlivened by the presence of a delightful Jean Simmons making her debut as a delinquent schoolgirl and Irene Handl as her hapless headmistress, every prediction it makes about a postwar Britain in which Stafford Cripps wasn't Chancellor of the Exchequer and there was no Cold War (Margaret Lockward plays a Russian!) is so completely wrong it's fascinating!
      7boblipton

      Much Ado About Doing Nothing

      It is three years after the end of the Second World War, and the government has made good on its promises of a future and a job for everyone. All except for Peter Graves. He may have been a hot-shot fighter pilot during the war, but now he is quite content to live in his father's latest luxury hotel and eat out in quest of adventure and beautiful women. He finds both at a restaurant which is the front for a club called the White Elephants, all sworn to observing the world's problems and doing nothing about them. He is smitten with Russian Margaret Lockwood and her eleven-year-old sister, played by fifteen-year-old Jean Simmons in her movie debut. He swears to obey the club's rules and never work. But disaster strikes! His father, Frank Cellier, leaves the hotel, making him manager..... and work is forbidden by the laws of this new society he has sworn to uphold.

      It's another movie based on one of the silly novels written by S. J. Simon and Caryl Brahms, a series of collaborations they had begun when Miss Brahms wanted to write a novel about killing a ballet critic she hated. It's a pleasure to see Miss Lockwood out of her English Rose persona, and she is quite funny. Director Val Guest has assembled a talented collection of farceurs, including Vic Oliver, Irene Handl, and others usually better remembered for their dramatic thesping, including Roland Culver and Gibb McLaughlin. If the pace seems more frantically forced on occasion, the individual bits are certainly funny enough to keep it going.

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      Enredo

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      Você sabia?

      Editar
      • Curiosidades
        This was Jean Simmons's film debut. She was selected from about two hundred applicants.
      • Citações

        Sascha: [Reads the White Elephants Oath to Peter Pyke] I solemnly promise not to notice anything anyone leaves undone. I promise to never use such phrases as, "Pull yourself together, man;" "Why don't you get a job;" "If I was in your place;" or any reference to the word, "work." Penalty for infringement, four pence. Should I find myself a useful member of society, I swear to inform the committee. All elephants are my brothers.

        [He concludes]

        Sascha: I now pronounce you a White Elephant.

      • Cenas durante ou pós-créditos
        Opening credits: IF ANY CHARACTER IN THIS FILM RESEMBLES ANY CHARACTER, LIVING OR DEAD, THEN THAT CHARACTER HAS NO CHARACTER

        Groucho Marx or Someone.
      • Conexões
        References Casablanca (1942)
      • Trilhas sonoras
        Estrellita
        (uncredited)

        Music by Manuel M. Ponce

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      Detalhes

      Editar
      • Data de lançamento
        • 31 de julho de 1944 (Reino Unido)
      • País de origem
        • Reino Unido
      • Idioma
        • Inglês
      • Também conhecido como
        • Daj nam księżyc
      • Locações de filme
        • Gainsborough Studios, Islington, Londres, Inglaterra, Reino Unido(studio: made at the Gainsborough Studios, London)
      • Empresa de produção
        • Gainsborough Pictures
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        1 hora 35 minutos
      • Cor
        • Black and White
      • Proporção
        • 1.37 : 1

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      Margaret Lockwood in Fim de Semana Atribulado (1938)
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      By what name was Give Us the Moon (1944) officially released in Canada in English?
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