Cinco Covas no Egito

Not your usual action battle movie, but a thoughtful, well-cast and well-written piece of propaganda. Worth watching for a multitude of reasons - the opening shots of the desert, the end sequences of pure war-worship, Anne Baxter's well-drawn and bitter maid, Stroheim's compelling and scene stealing portrayal of Rommel, the comic Italian general (I think this works as a bit of light relief despite being just that little bit xenophobic). Keeps the interest. Excellent.

It's WW2 and British corporal Franchot Tone (Bramble) is unconscious inside a runaway tank somewhere in the Sahara. He stumbles across a bombed hotel where he is met by the owner Akim Tamiroff (Farid) and the chambermaid Anne Baxter (Mouche). Minutes later, German troops arrive under the leadership of Peter van Eyck (Lt. Schwegler) who takes over the hotel to accommodate his troops and a special guest yet to arrive – none other than the main man Erich von Stroheim (Field Marshal Rommel). Tone is in trouble at this point – what to do? Anne Baxter doesn't particularly like him and threatens to betray him to the new guests. He has to do something bold.

I enjoyed this film. It has a different setting to most war films and it doesn't involve any battles apart from the flag-waving nonsense at the end, which, unfortunately, knocks a point off this film as it goes on for too long. The actors do well, especially von Stroheim and Baxter, although her name in this film isn't very complimentary! Both these actors give their characters a depth that brings them to life. The comedy characters of Tamiroff and Italian General Fortunio Bonanova are OK for what they need to do although Tamiroff can be slightly annoying and Fortunio Bonanova is as unrealistic as his name. It doesn't matter too much as we get a film that keeps the viewer watching with tense scenes and an interesting storyline that ends on an emotional note.

Can Billy Wilder do no wrong? Except for the last few minutes, which are strictly WWII propaganda, this film is the goods. Franchot Tone's tone is at once sardonic and dutiful, a combination that brings out the irony of the situation he finds himself in when he stumbles into a bombed out hotel in the middle of the desert. It is the height of the war in North Africa, the British have retreated into Egypt, the German/Italian army is on the move, and there is intrigue in the air. There are other excellent performances by Anne Baxter and Akim Tamiroff and a scene reminiscent of "La Grande illusion," where Field Marshal Rommel, played with swagger and arrogance by Erich von Stroheim, entertains several British POW officers. Wilder handles the material deftly, his timing never falters, as the mystery and the tension build. As for those last few minutes, well, this film came out at the height of the war, so I'll forgive the propaganda excesses.

Shot in 1943, this movie gives you what you deserve : some sort of propaganda. But at that time, how many movies could afford to be so unrespectful ? Even if the allies are good and the axis forces evil, they are not depicted as a cliché. For example, Rommel, who was certainly the only "healthy" German general, is full of spirit, always has a good word and is well educated. Erich von Stroheim gives a nice shape to this character. In the meantime, Mouche, the little French maid, is tortured between Pétain and the image of allies. She remembers that "French soldiers were left behind by English ones in Dunkerque and captured or killed". What a stupifying sentence in 1943. But Billy Wilder is cunny enough to say what he had to say owing to his humour. And the screenplay is so clever that for anybody interested in the period (and even if you're not), this movie is worth seeing.

"We shall take that big fat cigar out of Mr. Churchill's mouth and make him say Heil." Erwin Rommel in Five graves to Cairo !

I'm lucky to live very close to a wonderful video store which has an incredible stock of VHS films. I read a description of the film here at the data base and put it on my list. It blew me away from the very first moment. Sadly , I've been unable to show it to many people since it seems to exist on DVD only in a PAL version although it has made its way to Divx recently . I can only compare it to Casablanca and The Desert Fox in terms of plot and the quality of the writing and acting. It was a pleasure to watch this actor Tone who was a complete novelty for me walk the tightrope that this story truly is. His history seems to suggest he lived life as he wanted to without much regard for fame .For once I'm glad not to see Cary Grant in a film (I never thought I would say that!).