AVALIAÇÃO DA IMDb
6,3/10
1,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA new World War 2 destroyer fails its sea trials so it is assigned to mail runs, but the crew ends up having to engage Japanese planes and a submarine anyway.A new World War 2 destroyer fails its sea trials so it is assigned to mail runs, but the crew ends up having to engage Japanese planes and a submarine anyway.A new World War 2 destroyer fails its sea trials so it is assigned to mail runs, but the crew ends up having to engage Japanese planes and a submarine anyway.
- Direção
- Roteiristas
- Artistas
Edward G. Robinson
- Steve Boleslavski
- (as Edward G.Robinson)
Edward Brophy
- Casey
- (as Ed Brophy)
Frank Beckford
- Yeoman
- (não creditado)
Dean Benton
- Moore
- (não creditado)
Lynton Brent
- Doctor
- (não creditado)
Lloyd Bridges
- 2nd Fireman
- (não creditado)
Charles D. Brown
- Doctor
- (não creditado)
Stanley Brown
- Marine
- (não creditado)
- …
George Bruggeman
- Cook
- (não creditado)
Alma Carroll
- Sailor's Girl Friend
- (não creditado)
Avaliações em destaque
Others have commented about the fine cast, good acting and relative action in this film. What many viewers – and most or all of the commenters so far – may have missed is that the story and script for "Destroyer" came from Frank "Spig" Wead. Wead had an illustrious Navy career in WWI and later. He was one of the very first Navy fliers and helped promote naval aviation. In 1926, he broke his neck when he fell down the stairs in his family's new home. His surgery was successful, but he had to walk with crutches or a cane the rest of his life. He retired from the Navy and began writing books and screenplays. The latter were mostly about the Navy and most were made into very good movies.
When World War II broke out Wead was reactivated and helped with the planning and tactics involving naval aircraft in the Pacific. He went to sea and took part in several naval battles before finally retiring in early 1944. During the war and for several years after, he wrote the screenplays for a number of movies that Hollywood produced. Other big movies based on his books and screenplays include "Wings for Men" in 1931, "Test Pilot" in 1938, "The Citadel" in 1938, "Dive Bomber" in 1941, and "They Were Expendable" in 1945. Wead died at age 52 in 1947 after surgery. MGM produced a movie in 1957 about him, "The Wings of Eagles." John Wayne and Maureen O'Hara played Spig and his wife, Min.
Something about this movie, with the fact the Spig Wead wrote the story and screenplay, leads me to believe that there is a subtle message in it. The film came out toward the middle of the war, with two more years to go (although no one could know that at the time). And look at the plot. A new ship is taken out for trial runs and has so many things go wrong that it had to come back for repairs at least three times. We see rivets popping, seams leaking, pipes breaking, motors and other things blowing. As a viewer, I thought that the critics in the movie were right. The ship was a piece of junk – in spite of Edward G. Robinson's pleas to the contrary. And, just think – if that happened with all or many ships, it's a wonder we had a Navy afloat at all to do battle.
But that obviously wasn't the case – as the Navy brass ordered the ship to do mail delivery duty because it was unfit for service in the combat fleet. So, this ship just happened to be a lemon, right? Now think back to the opening scenes where Robinson is a civilian working on the crew that is building this new ship. Remember the several instances when he calls different workers to task for cutting corners? He tells one welder that he can't "cold" weld along a seam. The worker says that he can do that, and Robinson says that it would leak and he urges the guy to do it right. We see a few other subtle little scenes like this. I remember thinking that if that's the way the war-time shipbuilding yards were all working, they were sure doing a lot to help the enemy sink our ships.
But the volume of records and evidence we have show that our wartime industries and workers took pride in doing their jobs right and well. They knew that the planes, and ships, and tanks, and weapons they were making were for the Americans and other fighting men who were defending freedom and our shores with their lives. They were their sons and brothers, husbands and fathers, uncles and cousins, and boy friends and neighbors. So, the workers took pride in what they did and in doing it right.
That's why I think Wead wrote a subtle message into the screenplay – and Columbia kept it in the movie intentionally. It was a message to the home front workers about how important their jobs were and that they needed to do them well. The movie gave a picture of what could happen if the home front workers did sloppy work or cut corners. They would endanger the lives of many fellow Americans. They could cause the loss of ships, aircraft and battles.
If you doubt this, watch the movie again, and watch for those instances of shoddy or faulty workmanship that Robinson points out to his fellow workers. And then watch for the problems they have during their trial runs to get the ship battle ready. I'll just bet that the home front workers who saw this movie in 1943 were more than a little upset at what they saw. And if it had been up to them in real life, all those goldbrickers in the movie shipyard would have been canned.
When World War II broke out Wead was reactivated and helped with the planning and tactics involving naval aircraft in the Pacific. He went to sea and took part in several naval battles before finally retiring in early 1944. During the war and for several years after, he wrote the screenplays for a number of movies that Hollywood produced. Other big movies based on his books and screenplays include "Wings for Men" in 1931, "Test Pilot" in 1938, "The Citadel" in 1938, "Dive Bomber" in 1941, and "They Were Expendable" in 1945. Wead died at age 52 in 1947 after surgery. MGM produced a movie in 1957 about him, "The Wings of Eagles." John Wayne and Maureen O'Hara played Spig and his wife, Min.
Something about this movie, with the fact the Spig Wead wrote the story and screenplay, leads me to believe that there is a subtle message in it. The film came out toward the middle of the war, with two more years to go (although no one could know that at the time). And look at the plot. A new ship is taken out for trial runs and has so many things go wrong that it had to come back for repairs at least three times. We see rivets popping, seams leaking, pipes breaking, motors and other things blowing. As a viewer, I thought that the critics in the movie were right. The ship was a piece of junk – in spite of Edward G. Robinson's pleas to the contrary. And, just think – if that happened with all or many ships, it's a wonder we had a Navy afloat at all to do battle.
But that obviously wasn't the case – as the Navy brass ordered the ship to do mail delivery duty because it was unfit for service in the combat fleet. So, this ship just happened to be a lemon, right? Now think back to the opening scenes where Robinson is a civilian working on the crew that is building this new ship. Remember the several instances when he calls different workers to task for cutting corners? He tells one welder that he can't "cold" weld along a seam. The worker says that he can do that, and Robinson says that it would leak and he urges the guy to do it right. We see a few other subtle little scenes like this. I remember thinking that if that's the way the war-time shipbuilding yards were all working, they were sure doing a lot to help the enemy sink our ships.
But the volume of records and evidence we have show that our wartime industries and workers took pride in doing their jobs right and well. They knew that the planes, and ships, and tanks, and weapons they were making were for the Americans and other fighting men who were defending freedom and our shores with their lives. They were their sons and brothers, husbands and fathers, uncles and cousins, and boy friends and neighbors. So, the workers took pride in what they did and in doing it right.
That's why I think Wead wrote a subtle message into the screenplay – and Columbia kept it in the movie intentionally. It was a message to the home front workers about how important their jobs were and that they needed to do them well. The movie gave a picture of what could happen if the home front workers did sloppy work or cut corners. They would endanger the lives of many fellow Americans. They could cause the loss of ships, aircraft and battles.
If you doubt this, watch the movie again, and watch for those instances of shoddy or faulty workmanship that Robinson points out to his fellow workers. And then watch for the problems they have during their trial runs to get the ship battle ready. I'll just bet that the home front workers who saw this movie in 1943 were more than a little upset at what they saw. And if it had been up to them in real life, all those goldbrickers in the movie shipyard would have been canned.
Edward G. Robinson cast's off in a rousing wartime tale of an untried destroyer crew pitted against the Japanese, and against their own ship. Robinson plays a dedicated machinist in a downright heroic role (for a change), and shows that he could lift this fairly routine combat epic out of the dull-drums -- almost on his own. The special effects and action sequences are first rate by the standards of the day, and overall the film has a good pace to it. It has been a few years since I have seen Destroyer, but the thing I best remember is Robinson relating the story of John Paul Jones and the Bon Homme Richard to the disheartened crew. Its corny and obvious, but he is so earnest that you practically feel like jumping in there to help him out.
Enjoyable WWII film about an aging sailor (Edward G. Robinson) coming into conflict with a young rival (Glenn Ford). It's all pretty by-the-numbers but some first-rate casting elevates it. Robinson excelled in playing parts like this. He brings a dignity and human touch to it that a lot of other actors wouldn't. Ford is great as well. This is young Glenn Ford before he developed his signature style where he always looked like he was ready to blow his top. There's good support from the likes of Edgar Buchanan, Regis Toomey, the very pretty Marguerite Chapman, and the always likable & funny Leo Gorcey. I'm sure people who are fans of these types of movies will enjoy it.
I grew up with this film in the early 60's........ I remember it fondly as a little kid. We had a beach house at Newport and I remember sitting and watching it on more than one occasion.....It did something to me that I can't put a paw on.
Columbia was strictly 2nd tier as studios went in those days but this one is obviously an "A" as the studio went.
It has a great cast, special effects that rivaled the "big boys" and an ambiance that few could equal......
Watching the gleam in Eddie G's eyes really makes it fly..He singlehandedly steals the show......He has the right amount of humor and pathos to really make this film stand out. It's really a pity that no one knows this film in this day and age.....The use of old sea chanteys in the score brings a wonderful ambiance to the atmosphere..
This film also has two (in my opinion) classic lines in it. When Edgar Buchanan is dancing with a goldigger at the USO, she says "sailor, I understand you've gotten a pay raise, what will you do with it?" To which Buchanan replies: "Oh some on booze, some on women and the rest foolishly...". The other gem is where Robinson confronts Glenn Ford and makes the comment: "Why I've wrung more seawater out of my socks than you've sailed over!"
What can I say kiddies, this is one of my favorites and I consider myself fortunate to have it on VHS so I can watch it any time I want to.......It was released by "Hollywood Movie Greats" on VHS in 1990..... Robert
Columbia was strictly 2nd tier as studios went in those days but this one is obviously an "A" as the studio went.
It has a great cast, special effects that rivaled the "big boys" and an ambiance that few could equal......
Watching the gleam in Eddie G's eyes really makes it fly..He singlehandedly steals the show......He has the right amount of humor and pathos to really make this film stand out. It's really a pity that no one knows this film in this day and age.....The use of old sea chanteys in the score brings a wonderful ambiance to the atmosphere..
This film also has two (in my opinion) classic lines in it. When Edgar Buchanan is dancing with a goldigger at the USO, she says "sailor, I understand you've gotten a pay raise, what will you do with it?" To which Buchanan replies: "Oh some on booze, some on women and the rest foolishly...". The other gem is where Robinson confronts Glenn Ford and makes the comment: "Why I've wrung more seawater out of my socks than you've sailed over!"
What can I say kiddies, this is one of my favorites and I consider myself fortunate to have it on VHS so I can watch it any time I want to.......It was released by "Hollywood Movie Greats" on VHS in 1990..... Robert
The movie " DESTROYER " is based on an inspiring story written by Frank Wead and directed by William A. Seiter. Filmed during the war years to inspire a nation, it did just that. With a fabulous cast which includes the like of Edward G. Robinson, Glenn Ford, Edgar Buchanan, Leo Gorcey and Regis Toomey as Lt. Cmdr. Clark, the entire group does an excellent job of inspiring any audience who views it. It's a simple story of American construction men who not only build war ship but then reenlist to sail in it as well. The movie also includes the war years back home and the moral boosting women manning the U.S.O. clubs back home. It dates back to W.W.II and how difficult it was to to convince a nation to support a war that was necessary, not contrived as we have recently done. A Good show with a good cast. ****
Você sabia?
- CuriosidadesThe USS John Paul Jones in reality was the Benson Class destoyer USS Hobby (DD610). She was primarily used for Anti-Submarine Warfare (ASW) in both the Mediterranean and Pacific theaters. She servived the war, but would eventually be destroyed as a training target in 1972.
- Erros de gravaçãoWhen the Japanese torpedo strikes the John Paul Jones II, the ship's interior is shown to have its interior watertight doors open. Part of General Quarters (Battle Stations) procedure is to establish watertight integrity throughout a ship by shutting all watertight doors. This minimizes flooding in the event the ship is struck by enemy fire.
- Citações
Girl at USO: I hear you got a raise.
Kansus Jackson: Yeah
Girl at USO: What are you going to spend it on?
Kansus Jackson: Oh, beer, women and the rest on foolishness.
- Cenas durante ou pós-créditosOpening credits prologue:
Destroyers --"Tin Cans" as they are affectionately called by those who man them -- are the busybodies of the Fleet.
Always looking for trouble -- generally finding it.
Proud little ships because they bear the names of great heroes of the Service and keep alive the fighting traditions of our Navy.
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- How long is Destroyer?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Algo más que la vida
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 39 minutos
- Cor
- Proporção
- 1.37 : 1
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