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IMDbPro

Águias Americanas

Título original: Air Force
  • 1943
  • Approved
  • 2 h 4 min
AVALIAÇÃO DA IMDb
7,0/10
4,1 mil
SUA AVALIAÇÃO
John Garfield, John Ridgely, and Gig Young in Águias Americanas (1943)
Official Trailer
Reproduzir trailer2:15
1 vídeo
43 fotos
AçãoDramaGuerraHistória

Adicionar um enredo no seu idiomaThe crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack on December 7, 1941, and is sent on to Manila to help with the defense of the Philippines.The crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack on December 7, 1941, and is sent on to Manila to help with the defense of the Philippines.The crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack on December 7, 1941, and is sent on to Manila to help with the defense of the Philippines.

  • Direção
    • Howard Hawks
  • Roteiristas
    • Dudley Nichols
    • William Faulkner
    • Leah Baird
  • Artistas
    • John Garfield
    • John Ridgely
    • Gig Young
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    4,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Howard Hawks
    • Roteiristas
      • Dudley Nichols
      • William Faulkner
      • Leah Baird
    • Artistas
      • John Garfield
      • John Ridgely
      • Gig Young
    • 70Avaliações de usuários
    • 22Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 3 vitórias e 3 indicações no total

    Vídeos1

    Air Force
    Trailer 2:15
    Air Force

    Fotos43

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    + 37
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    Elenco principal61

    Editar
    John Garfield
    John Garfield
    • Sergeant Joe Winocki - 'Mary Ann' Rear Gunner
    John Ridgely
    John Ridgely
    • Captain Mike Quincannon - 'Mary Ann' Pilot
    Gig Young
    Gig Young
    • Lieut. Bill Williams - 'Mary Ann' Co-Pilot
    Arthur Kennedy
    Arthur Kennedy
    • Lieut. Tommy McMartin - 'Mary Ann' Bombardier
    Charles Drake
    Charles Drake
    • Lieut. Manchester - 'Mary Ann' Navigator
    Harry Carey
    Harry Carey
    • Sgt. Robbie White - 'Mary Ann' Crew Chief
    George Tobias
    George Tobias
    • Corporal Weinberg - 'Mary Ann' Asst. Crew Chief
    Ward Wood
    • Corporal Peterson - 'Mary Ann' Radio Operator
    Ray Montgomery
    Ray Montgomery
    • Private Chester - 'Mary Ann' Asst. Radio Operator
    James Brown
    James Brown
    • Lieut. Tex Rader - Pursuit Pilot - Passenger
    Stanley Ridges
    Stanley Ridges
    • Major Mallory
    Willard Robertson
    Willard Robertson
    • Colonel at Hickam Field
    Moroni Olsen
    Moroni Olsen
    • Colonel Blake
    Edward Brophy
    Edward Brophy
    • Marine Sgt. J.J. Callahan
    • (as Edward S. Brophy)
    Richard Lane
    Richard Lane
    • Maj. W.G. Roberts
    Bill Crago
    • Lieut. P T. Moran
    Faye Emerson
    Faye Emerson
    • Susan McMartin
    Addison Richards
    Addison Richards
    • Maj. Daniels
    • Direção
      • Howard Hawks
    • Roteiristas
      • Dudley Nichols
      • William Faulkner
      • Leah Baird
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários70

    7,04K
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    Avaliações em destaque

    LouAbbott

    A "Propaganda" Film? What Else Is New

    As a child, TV I watched "Air Force" and other war films some consider WW II "propaganda" on TV. As a young man, after a night of carousing, I'd come stumbling home and, if a channel were showing these types of films, I'd watch them on the Late, Late Show. Now, I watch these films for the excellent acting, action, and for their historical content significance as "propaganda" films during the dark part of WWII for the US and its allies. When it seemed as if Japan and Germany were conquering the world. And I could also enjoy the action and danger vicariously.

    Don't kid yourself that Hollywood no longer makes "propaganda" films. They are making them now more than ever. The films are just a different type of "propaganda".
    tbright1

    A more important film than the latté crowd may realize.

    The "Got him!" dogfight in Star Wars was practically cut-by-cut from Air Force (just as Indiana Jones lifted the Big Round Boulder scene directly from an Uncle Scrooge comic, but that's another review). Air Force's Dying Pilot scene (check-listing his crew for takeoff, job by job, and they respond) is almost unendurable to any man who has worked in danger and loss with other men. The crew's field-modifying the pre-G-series B-17 to equip it with an effective tail gun, (and stripping hulks for usable parts!) helped prepared me as a boy of the 1950s for my young manhood up on the high banks of Talladega and Daytona, and for business and traffic today. I trust our current young soldiers have found their own examples for courage and resourcefulness as they defend us today.
    wilstream

    Great movie for the times and even today.

    I've seen this on cable dozens of times and almost never turn it off when it comes on. Some of the comments about the racist terms are simply naive. Trying to judge a movie 60 years later using political correctness as a measurement is like trying to compare Slater Martin with Michael Jordan. Air Force was released in 1943 meaning it was written and produced shortly after Pearl Harbor. So, the terms "Fried Jap" are understandable considering the times. Yes, the death bed scene was sappy. But the scene where the "Mary Anne" is trying to take off just one step ahead of invading japaness troops is exciting. The special effects are good (again, considering the technology 60 years ago) and although you can point to problems here or there, I think Howard Hawks and a great cast make this a movie people will enjoy for many more decades.
    gusman05

    A Great Movie

    Great is over used a lot of times to describe something pretty good or even mediocre, but I think this movie, taken in context, IS great. I didn't see the racism that Sargebri@earthlink.net saw, but after all the movie was made in 1943, we were at war with Japan and since they started it, it is understandable that our attitude toward them was pretty edgy.

    I always look at characters and the kinds of feelings they create and whether a movie can develop a mood. I think the characters and the mood in "Air Force" do that very well. It shows what a downer war really is (it doesn't make any difference if you are right or wrong)and how much people lose during war. It also emphasizes the futility of it all sometimes when you know you're going to die, but you are willing to do your job anyway. Have to hand it to those guys at Wake Island.

    I saw this movie for the first time way back in the 50's and had the pleasure of seeing it again recently. It's STILL a great movie. James Brown who was Tex Raider the pursuit pilot (played Lt. Rip Masters on the TV show Rin Tin Tin) and John Garfield who was Joe Winocki are my favorite characters but like Sargebri it was a hoot to see George Tobias as a young man.
    yenlo

    An Air power picture that fits the mood of the time it was made..

    One of the great things about motion pictures in this country is how they change with the times. Take this picture for example which came out in 1943. The U.S. was in the thick of the war and this was a film like many made during that time to stir patriotic fever and make Americans "hate the evil yellow enemy" (and the Nazis too!). It's full of everything to make the viewer feel good about our boys who are doing the fighting. A B-17 bomber crew where there seems to be no problems, only the desire to "Shoot down Japs" Now go forward about six years to 1949 and "Twelve O'Clock High" and watch that film about B-17 Bomber Crews. Could "Air Force" have cut it with movie goers any time after 1946? Could "Twelve O'Clock High" have made it with a 1943 audience? Probably not. So watch this picture and remember when it came out and what the mood in this country was and you'll truly enjoy it. Also don't forget to see "Twelve O'Clock High" as well, maybe right after seeing this one.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Because of the constant noise in the planes, air crews wore "throat mics." These had two pickups that sat against the larynx (vocal cords) and picked the sound up directly from them. You will notice that whenever a crew member speaks he puts his hand up against the mic and presses it against his throat. This helped ensure good sound pickup.
    • Erros de gravação
      Unseen "snipers" attack the "Mary Ann" while at Maui. No Japanese "snipers" landed anywhere in the Hawaiian Islands during the attack.
    • Citações

      Radio Operator Peterson: [looking down] That's an awful big town, San Francisco.

      Assistant Crew Chief Weinberg: Strictly a one whistle stop. There's only one city in the U.S.A. and that's New York.

      Sgt. Robbie White: Oh, you're just a hometown hick, Weinberg. What's wrong with California?

      Assistant Crew Chief Weinberg: California? The sun shines and nuthin' ever happens. Before you know it, you're 60 years old.

      Sgt. Robbie White: It's no different from New York. My sister's been tryin' to get out of Brooklyn for the last 40 years.

      Assistant Crew Chief Weinberg: Brooklyn? That ain't New York, chief. Once you cross that Brooklyn Bridge, you're outta this woild. The only noise you hear is the hardening of your arteries. You know when I used to drive a hack, I had a pal who crossed that bridge in 1929. Ain't ever heard from him since.

      Radio Operator Peterson: Me, I'll take Minneapolis.

      Assistant Crew Chief Weinberg: Minneapolis? Why, the grass still grows in the streets. Besides, that ain't your hometown, Peterson. The hayseed's still stickin' outta your hair.

      Radio Operator Peterson: Yeah, but I can still milk a cow. I bet you can't.

      Assistant Crew Chief Weinberg: I'll get mine outta a bottle. That's the closest I ever wanna be to a cow.

      Sgt. Robbie White: You are handy with the old bull.

      Assistant Crew Chief Weinberg: [laughs]

    • Cenas durante ou pós-créditos
      Opening credits prologue: FOREWORD "It is for us the living .... to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced ..... It is ......for us to be here dedicated to the great task remaining before us ..... that this nation, under God, shall have a new birth of freedom and that government of the people, by the people, for the people, shall not perish from the earth." Abraham Lincoln
    • Conexões
      Edited into War and Remembrance: Part IV (1988)
    • Trilhas sonoras
      The Army Air Corps Song
      (1939) (uncredited)

      ("Off We Go Into the Wild Blue Yonder")

      Written by Robert Crawford

      Played during the opening credits and often throughout the film

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    Detalhes

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    • Data de lançamento
      • 20 de março de 1943 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Warner Bros.
    • Idiomas
      • Inglês
      • Japonês
    • Também conhecido como
      • Los que supieron morir
    • Locações de filme
      • Drew Army Air Field, Tampa, Flórida, EUA
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.646.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 4 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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